854 Contributions by: Isabella Endrinal (Page 28)

Staff & contributors

Isabella Endrinal is a curator at A Good Movie to Watch. She’s now free from the corporate night shift. Previous articles have been published in outlets such as NANG Magazine. She’s currently catching up on some classic films… if she isn’t coping with the fact that the Haikyu anime will end soon.

While Shakespeare has written most of the romantic plays that dominate theater today, there was one play from across the English Channel that also keeps its hold in the public consciousness, namely Cyrano de Bergerac by Edmond Rostand. Cyrano, My Love depicts the process of creating the iconic play a la Shakespeare in Love, that is, by taking the actual play’s history and jumbling it up with the plot of Cyrano, with art reinventing life and vice versa. It’s a bit of a corny approach, but the way writer-director Alexis Michalik adapts his play is entertaining, leaning more on the frenzy of creation and collaboration rather than cramming Rostand’s romance with his wife into a cinematic plot. This makes Edmond a much more dynamic profile of the titular playwright.

Genre: Comedy, History

Actor: Alexis Michalik, Alice de Lencquesaing, Antoine Duléry, Bernard Blancan, Blandine Bellavoir, Clémentine Célarié, Constance Labbé, Dominique Besnehard, Dominique Pinon, Guillaume Bouchède, Igor Gotesman, Jean-Michel Martial, Jeanne Arènes, Lionel Abelanski, Lucie Boujenah, Marc Andréoni, Marc Citti, Mathilde Seigner, Maud Baecker, Micha Lescot, Nicolas Briançon, Olivier Gourmet, Olivier Lejeune, Simon Abkarian, Sophie de Fürst, Thomas Solivérès, Tom Leeb

Director: Alexis Michalik

Rating: R

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The Cuban bolero, not to be confused with the Spanish dance, is a Latin ballad form that spread all throughout the Americas, and even the whole world, that mixed and mingled with and influenced jazz in the 1940s and 50s. Chico & Rita celebrates this music, as well as the nightlife that made these sounds possible, through a stirring star-crossed romance that recalls the typical inspiration behind these songs. There are moments that do falter– like the way Chico tries to woo Rita back– but the familiar, if slightly cliché, beats work in this animation through a unique, thick-lined art style, and of course, excellent music. It's no wonder it was the first Spanish full-length animated film nominated for an Oscar.

Genre: Animation, Music, Romance

Actor: Eman Xor Oña, Jon Adams, Ken Forman, Limara Meneses, Mario Guerra, Ray Gillon, Renny Arozarena

Director: Fernando Trueba, Javier Mariscal, Tono Errando

Rating: NR

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As the first Zambian film on Netflix, Can You See Us? is an interesting portrayal of albinism. Inspired by the real-life story of musician John Chiti, the film’s plot feels grounded, even if it’s similar to other stories depicting discrimination. With newcomer Thabo Kaamba at the forefront, her performance of the albino boy Joseph shines brighter than even the older actors of the film’s cast. That being said, it is held back by repetitive dialogue and sped-up character development from certain characters. Despite this, Can You See Us? is still a remarkable film that stands out from the other tearjerkers available on the streaming platform.

Genre: Drama

Actor: Chilu Lemba, Fransisca Muchangwe, Kangwa Chileshe, Ruth Jule, Thabo Kaamba

Director: Kenny Mumba

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Generally, most people would like foreigners to like their country, but most people can’t control what their fellow countrymen have done abroad, good or otherwise. And while now these opinions are relegated to most only on online spaces, there are some incidents when this actually affects real world crises. California Dreamin' is based on the real life delay of NATO forces during the Kosovo War, but it’s less concerned with the actual war, and more concerned about the village itself, and their perspective on the NATO troops intruding in their way of life. Co-writer and director Cristian Nemescu depicts this event with a slice-of-life approach, with the culture clash between American soldiers and Romanian village folk forming most of the comedy, but it never forgets the way American aid was once requested but denied in black-and-white memories of World War II. While the length and editing wasn’t completed due to the death of Nemescu, Nesfârșit still keeps its edge, slicing through satire the difficult dynamic between the two countries.

Genre: Comedy, Drama

Actor: Andi Vasluianu, Armand Assante, Constantin Diţă, Gabriel Radu, Gabriel Spahiu, Ion Sapdaru, Jamie Elman, Maria Dinulescu, Nicodim Ungureanu, Răzvan Vasilescu, Sabina Brândușe, Teodor Corban, Tomi Cristin

Director: Cristian Nemescu

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In modern day Europe, demonic possession seems to be a thing of the past, something most likely to be attributed to mental illness, and something that can be dealt with through modern medicine, not exorcism. Still, exorcisms are conducted in certain areas in the continent, and some instances don’t go the way they should. Inspired on the real life Tanacu exorcism, Beyond the Hills doesn’t depict the event through a horror or melodramatic lens– instead the film is stoic, naturalistic, with long single takes that linger uncomfortably and repetitively. As Alina pleads to Voichița to help her, to choose her and their bond, Voichița grapples with wanting the modern yet isolating freedom she knows Alina has found elsewhere, while still wanting the refuge religious tradition has granted her, but also has made her dependent on. It does take a while to reach its conclusion, but Beyond the Hills is a deeply unsettling and striking movie to watch.

Genre: Drama, Romance

Actor: Adrian Acuta, Alexandra Apetrei, Alina Berzunteanu, Andreea Bosneag, Călin Chirilă, Cătălina Harabagiu, Cerasela Iosifescu, Cosmina Stratan, Cristina Flutur, Cristina Mihailescu, Dana Tapalagă, Dionisie Vitcu, Doru Ana, Gheorghe Ifrim, Gina Tandura, Ion Sapdaru, Katia Pascariu, Liliana Mocanu, Luminita Gheorghiu, Marian Adochitei, Nicoleta Lefter, Nora Covali, Tania Popa, Teodor Corban, Valeriu Andriuță

Director: Cristian Mungiu

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When a film is about a person, most depictions would be presented in the best possible light, all to present them as a person to be admired. That being said, Barney’s Version does not do that. The novel does give the adaptation some trouble– after all, Barney is a guy that fell in love with a woman other than his wife on his wedding night– but while Barney isn’t exactly the best person you’d like to meet, the way the story is structured, Paul Giamatti’s sympathetic performance and the way Barney remains honest with himself and his desires all throughout life makes the title character easy to root for, even with all his blunt ways. Barney’s Version does take plenty of familiar tropes, sometimes stereotypical, but it handles this life drama with subtle comedy and excellent performances.

Genre: Comedy, Drama

Actor: Anna Hopkins, Arthur Holden, Atom Egoyan, Brittany Drisdelle, Bruce Greenwood, Clé Bennett, David Cronenberg, Denys Arcand, Dustin Hoffman, Ellen David, Harry Strandjofski, Harvey Atkin, Howard Jerome, Jake Hoffman, Larry Day, Linda Sorensen, Macha Grenon, Marina Eva, Mark Addy, Mark Camacho, Massimo Wertmüller, Maury Chaykin, Mélanie St-Pierre, Minnie Driver, Paul Giamatti, Paul Gross, Paula Jean Hixson, Pauline Little, Rachelle Lefevre, Rebecca Croll, Richard J. Lewis, Rosamund Pike, Saul Rubinek, Scott Speedman, Ted Kotcheff, Thomas Trabacchi

Director: Richard J. Lewis

Rating: R

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Bad Boy Bubby is not an easy watch. Within the first ten minutes, the indie drama seemed to be one of those films created only to provoke the viewer, and not much else. We won’t deny that the intro is provocative– in fact, we’re warning you outright that it includes domestic violence, abuse towards the disabled main character that’s implied to have started since childhood, and the killing of a cat– but with such a harrowing introduction, Bubby being thrown into the wider world actually becomes something optimistic. His escape is written to be full of possibilities, the possibilities that we ordinary folk take for granted, but possibilities nonetheless. There’s nowhere to go but up, for him. Writer-director Rolf de Heer matches this unusual characterization with unusual style, with 30+ cinematographers shooting with different styles as Bubby learns from each person he meets, and with the binaural audio recorded to simulate what Bubby would actually hear. It makes for a very weird, experimental film, but Bad Boy Bubby also reveals to be a surprisingly hopeful drama that celebrates the goodness of ordinary life.

Genre: Comedy, Crime, Drama

Actor: Andy McPhee, Carmel Johnson, Claire Benito, Grant Piro, Nicholas Hope, Ralph Cotterill, Syd Brisbane, Ullie Birvé

Director: Rolf de Heer

Rating: NR

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Time travelling movies tend to be flashy with its sci-fi wonder, but Aporia takes a more grounded approach to the time altering genre. Instead of time travelling, the protagonists have a mundane, almost lo-fi machine, that almost seems disappointing, but is no less life-altering. Of course, to the grieving Sophie, who lost her husband, it’s easy to understand why she would take the chance to get her husband back again. But the film takes a grounded and realistic approach as Sophie spirals into an unrelenting series of regret and trolley problems, each time she chooses to use the machine. While the pacing may be a tad slow, and the events can feel a bit mundane, Aporia is a startlingly poignant reminder of how each ordinary moment, if changed, can be completely life altering.

Genre: Drama, Science Fiction

Actor: Adam O'Byrne, Coel Mahal, Dionne Audain, Edi Gathegi, Elohim Nycalove, Faithe Herman, Jeffrey Sun, Judy Greer, Lisa Linke, Mann Alfonso, Payman Maadi, Rachel Paulson, Veda Cienfuegos, Whitney Morgan Cox

Director: Jared Moshé

Rating: R

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In adapting hardboiled detective novel Falling Angels, writer-director Alan Parker mixes the story’s original noir with the New Orlean supernatural in 1987’s Angel Heart. The gamble mostly pays off. Mickey Rourke brilliantly brings hapless Harry Angel to a terrifying reveal, stoked by the mystery presented by an inscrutable Robert de Niro, while Lisa Bonet makes a striking debut as fresh-faced Epiphany Proudfoot. But what makes Angel Heart work is mixing the post-war disillusionment towards humanity with entities that people can’t ever hope to control, leading the film with the noir-like investigation into a terrifying descent into hell. It’s no wonder Angel Heart eventually garnered cult classic status, even becoming influential to the likes of Christopher Nolan.

Genre: Horror, Mystery

Actor: Charlotte Rampling, Dann Florek, Eliott Keener, Elizabeth Whitcraft, Judith Drake, Kathleen Wilhoite, Lisa Bonet, Mickey Rourke, Pruitt Taylor Vince, Robert De Niro, Stocker Fontelieu

Director: Alan Parker

Rating: R

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The bond between parent and child is fundamental to the child’s life, but not necessarily the other way around. Even when the parents chose to have them into their lives, the child will always live within the parent’s context, not the other way around. Based on a book by Christine Angot, An Impossible Love is centered on that relationship, with the daughter reckoning with her parents’ love story through narration, reckoning with the betrayals both of them have done onto her. It’s a risky story for writer-director Catherine Corsini, one she made picturesque and nostalgic with period-accurate production design, but behind the beautiful scenery lies the emotionally touching exploration of this difficult dynamic, made much more heartbreaking with Virginie Efira and Jehnny Beth’s excellent performances.

Genre: Drama, History, Romance

Actor: Ambre Hasaj, Arthur Igual, Catherine Morlot, Coralie Russier, Didier Sandre, Estelle Lescure, Gaël Kamilindi, Iliana Zabeth, Jean-Christophe Brétignière, Jehnny Beth, Niels Schneider, Pierre Salvadori, Régis Romele, Siegrid Alnoy, Simon Bakhouche, Virginie Efira

Director: Catherine Corsini

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