854 Contributions by: Isabella Endrinal (Page 27)

During wartime, war supersedes everything, including love. Wartime would have people ending relationships, forgoing potential dates, and seducing enemies to lead them to downfall, all in order to win, but sometimes, this rarely goes as planned. Lust, Caution is one such story, with the novella’s emotional repression making it a great match for director Ang Lee, main actor Tony Leung Chiu-wai as Japanese informant, and main actress Tang Wei, who made her breakthrough here. It’s not an easy watch. There are moments that falter and the film is a tad too long. But the smoldering stares shared by the two leads, with the lush production design and the beautiful direction, makes Lust, Caution a difficult contemplation of love and sexuality as Wang’s, and the nation’s, double-edged sword.

Genre: Action, Drama, Romance, Thriller

Actor: Akiko Takeshita, Anupam Kher, Cheng Yu-Lai, Chih-ying Chu, Chin Ka-lok, Chung Hua Tou, Hayato Fujiki, He Saifei, Jacqueline Zhu Zhi-Ying, Joan Chen, Johnson Yuen, Johnson Yuen Tak-Cheung, Kar Lok Chin, Ko Yu-Luen, Lawrence Ko, Lawrence Ko Yu-Luen, Lee Hom Wang, Leehom Wang, Lisa Lu, Liu Jie, Saifei He, Song Ruhui, Tang Wei, Tony Chiu-Wai Leung, Tony Leung Chiu-Wai, Tou Chung-Hua, Tou Tsung-Hua, Ven Kao, Vince Kao, Wang Lin, Wei Tang, Yan Su, Ying-hsien Kao

Director: Ang Lee

Rating: NC-17

At first, Little Forest seemed to just be a gentle film extolling the beauty of the countryside. Many a story has been based on that idea, and sure enough, the film does have aesthetic, gorgeous shots of the orchard, the lake, and the garden Hye-won ran back to, albeit with much more delicious food making scenes. But, as we get to learn more about her, the script subtly unfolds to reveal a personal family drama at the center. Moving back home, therefore, isn’t just to take a vacation– it becomes a meditative break for Hye-won to recreate, and thus, understand the choices her mother made, and it becomes a potent reminder of not just the pain, but also the good things that she left behind. Little Forest has plenty of the familiar countryside virtues of self-sufficiency, mindfulness, and community, but it approaches these themes in a more compelling way.

Genre: Drama

Actor: Jeon Guk-hyang, Jin Ki-joo, Jung Jun-won, Kim Tae-ri, Moon So-ri, Ok Su-boon, Park Won-sang, Ryu Jun-yeol

Director: Yim Soon-rye

Food can warm you, can nourish you, and can make you feel so much better. Food is also the way people can keep their culture, with techniques and knowledge passed down by generations to better make use of the ingredients in the country. However, in Like Water for Chocolate, food is the means for rebellion, for breaking free from tradition, with Tita, who’s stuck in the kitchen by her mom, infusing her creations with so much emotion that the rest of her family is compelled to find a love just as passionate as hers is for Pedro. It’s a passionate adaptation made by director Alfonso Arau for his wife and the novel’s author Laura Esquivel, and it’s just so well done that it’s easy to be swept up in the family’s unfulfilled desires.

Genre: Drama, Romance

Actor: Ada Carrasco, Andrés García Jr., Arcelia Ramírez, Claudette Maillé, Joaquin Garrido, Lumi Cavazos, Marco Leonardi, Margarita Isabel, Mario Iván Martínez, Regina Torné, Yareli Arizmendi

Director: Alfonso Arau

Rating: R

Before assassin protege Mathilda in Léon the Professional, humanoid Leeloo in The Fifth Element, and superpowered drug mule Lucy in her titular film, Luc Besson first discovered his love for the badass female assassin in La Femme Nikita. Scored by European synth and shot with cinematography that still looks fresh today, the action thriller delivers pure adrenaline– the guns, the kills, and the drama of the hidden life– but the stylish spy film transcends the genre through the Pygmalion-esque transformation of Nikita’s femininity, a faux identity forged and crafted in the service of the government machine, yet both attracts the idea of and clashes with the want for genuine freedom and a good, normal life. It’s because of these existential ideas that La Femme Nikita became one of the most iconic femme fatales of the 20th century.

Genre: Action, Thriller

Actor: Alexis Dupuy, Anne Parillaud, Bruno Randon, Christian Gazio, Edith Perret, Éric Prat, Gérard Touratier, Hubert Gillet, Iska Khan, Jacques Boudet, Jacques Disses, Jean Bouise, Jean Reno, Jean-Claude Bolle-Reddat, Jean-Hugues Anglade, Jean-Luc Caron, Jeanne Moreau, Jérôme Chalou, Marc Duret, Maurice Antoni, Mia Frye, Michèle Amiel, Murray Gronwall, Olivier Hémon, Patrick Buiquangda, Patrick Chauveau, Patrick Fontana, Patrick Pérez, Patrick Serrière, Pavel Slabý, Pétronille Moss, Philippe Dehesdin, Philippe du Janerand, Philippe Leroy, Pierre-Alain de Garrigues, Rénos Mandis, Roland Blanche, Stéphane Fey, Tchéky Karyo, Vincent Skimenti

Director: Luc Besson

Rating: R

With the powerful duo of queer aesthetics and rock n roll, Hedwig and the Angry Inch questions the duality between genders, lovers, and everything in between. Like the 1998 stage musical, the film follows the titular Hedwig and her band as they navigate the music scene for fame and love. The adaptation gives justice to their performances, giving the vibe of 70s glam rock music videos. The film is not without its flaws. Hedwig’s relationship with the younger Tommy Gnosis remains controversial. However, while Hedwig may not be a perfect representation of the trans experience– after all, she only chooses gender reassignment purely to leave East Germany– this cult film still remains a landmark for queer representation.

Genre: Comedy, Drama, Music

Actor: Alan Mandell, Alberta Watson, Andrea Martin, Ben Mayer-Goodman, Ermes Blarasin, Gene Pyrz, John Cameron Mitchell, Karen Hines, Maggie Moore, Mary Krohnert, Maurice Dean Wint, Michael Aronov, Michael Pitt, Michael Stevens, Miriam Shor, Rob Campbell, Rosie O'Donnell, Sook-Yin Lee, Stephen Trask, Taylor Abrahamse, Thérèse DePrez

Director: John Cameron Mitchell

With plenty of old men having extramarital affairs, taking advantage of younger women and leaving them forlorn in love, it can feel deceptively easy to take sides in the first forty minutes of He Loves Me... He Loves Me Not. Who wouldn’t side with Angélique, especially with the innocent, childlike face of Audrey Tautou? And yet, when the twist occurs, the film fills the gaps in totally unexpected ways, gradually escalating to a terrible and sad conclusion about this seemingly romantic girl. It’s hard to further talk about He Loves Me... He Loves Me Not without getting into spoiler territory, so if this is the first time you’ve heard of the movie, go and watch it without any context.

Genre: Drama, Romance, Thriller

Actor: Audrey Tautou, Clément Sibony, Élodie Navarre, Eric Savin, Isabelle Carré, Samuel Le Bihan, Sophie Guillemin, Vania Vilers

Director: Laetitia Colombani

Given that it is a modern day, colored film remake of a classic, Hara-Kiri: Death of a Samurai was always going to be compared to the 1962 film, especially since it’s considered one of the greatest Japanese films of all time. Admittedly, there’s not a lot added aside from the 3D filming, and for fans of director Takashi Miike, the remake is much more restrained than his other films. However, Nobuyasu Kita's cinematography is striking, Ryuichi Sakamoto’s score is impeccable, and the performances still deliver on the film’s contemplation of honor, sacrifice, and the self-interest of the elite. Hara-Kiri: Death of a Samurai doesn’t compare to the classic, but it’s nonetheless a decent introduction for the generations that missed the original story.

Genre: Drama, History

Actor: Ayumu Saito, Baijaku Nakamura, Eita Nagayama, Hikari Mitsushima, Hirofumi Arai, Ichikawa Ebizo XI, Kazuki Namioka, Kōji Yakusho, Munetaka Aoki, Naoto Takenaka, Takashi Sasano, Takehiro Hira

Director: Takashi Miike

Electric Shadows is often deemed something like a Chinese Cinema Paradiso. It has the friendship with an older film projectionist, the small town gathering around outdoor screenings of foreign film, a childhood friendship between a boy and girl that meet again unexpectedly, and of course, it wears its heart for the movies right on its sleeve. It doesn’t quite compare to the Italian classic, and there are some moments when the film slightly drags, but Electric Shadows does capture the feeling of awe that you get when you watch your first movie, whether that be when you’re a kid taking your first steps in the world, or when you’re an adult hoping for something more despite the life allowed to you.

Genre: Drama, Family

Actor: Guan Xiaotong, Jiang Hongbo, Jiang Shan, Li Haibin, Wang Zhengjia, Yu Xia, Zhongyang Qi

Director: Jiang Xiao