854 Contributions by: Isabella Endrinal (Page 21)

Isabella Endrinal is a curator at A Good Movie to Watch. She’s now free from the corporate night shift. Previous articles have been published in outlets such as NANG Magazine. She’s currently catching up on some classic films… if she isn’t coping with the fact that the Haikyu anime will end soon.

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301. 200 Meters, 2020

	
How far would you go for the people that you love? Regardless of the answer, whether that would be one mile, five hundred, or five hundred more, the distance won’t matter if there’s something that blocks you. 200 Meters is a drive with the titular length, it’s not even longer than a mile. But it feels so much longer. Writer-director Ameen Nayfeh does just straightforwardly present these hurdles– the permits required, the time limits allowed, and the tollways guarded– but that’s just because the actual path to get there isn’t straightforward at all, transforming a drive to somewhat closer to an intense rescue operation with the plot, the score, and the performances by the cast. 200 Meters isn’t as harrowing as dramas about occupation are, but it’s because of this that Nayfeh can delve into the day-to-day nuances people like Mustafa must face.Genre: Adventure, Drama
Actor: Ahmed Tobasi, Ali Suliman, Anna Unterberger, Gassan Abbas, Ghassan Ashkar, Lana Zreik, Mahmoud Abu Eita, Motaz Malhees, Nabil Al Raee, Samia Bakri Qazmuz
Director: Ameen Nayfeh

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302. Zorro, 2024

Remakes are a dime a dozen, but Prime Video’s Spanish reinterpretation of Zorro gives justice to the masked vigilante. With the sword fights, the vengeance, and the romance, the ten-episode series sticks close to the swashbuckler’s origin story, but explores certain nuances of the era that haven't been a focus, until now. This Zorro is more involved with the people of Los Angeles, not just the Spanish colonial inhabitants, but also the Native Americans, and he fights against the injustice that they face. It makes for a more grounded adaptation than the ones previously, but Zorro still feels just as exciting in this rodeo.

Genre: Action & Adventure, Drama

Actor: Andrés Almeida, Chacha Huang, Cristo Fernández, Dalia Xiuhcoatl, Elia Galera, Emiliano Zurita, Joel Bosqued, Luis Tosar, Miguel Bernardeau, Paco Tous, Peter Vives, Renata Notni, Rodolfo Sancho

Rating: TV-14

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303. Yannick, 2023

	
It can be very frustrating to watch something, hoping that the show, play, or film would be worth watching, and find yourself feeling worse after the experience. Most of us end up just changing the channel, leaving the theater, or finding something else to watch, but instead of doing any of this, Yannick depicts the titular audience member interrupting the show with a gun. You can already imagine how tense the situation is, but Quentin Dupieux infuses a comedic, meta touch in the way Yannick questions and holds the audience hostage, as his conversations with them and the cast reveal the different expectations we have from art.Genre: Comedy, Drama
Actor: Agnès Hurstel, Blanche Gardin, Caroline Piette, Charlotte Laemmel, Félix Bossuet, Jean-Paul Solal, Laurent Nicolas, Lucie Gallo, Mustapha Abourachid, Pio Marmaï, Raphaël Quenard, Sava Lolov, Sébastien Chassagne, Stéphane Pezerat
Director: Quentin Dupieux

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304. Whores' Glory, 2011

Whores’ Glory leads us through the hidden world of prostitution in three different countries. The lack of narration is an excellent choice here—all too often, it’s easy to accept preconceived notions about this type of work. Instead, what leads us through the film are words from the sex workers themselves and their clientele. In some ways, these words reveal their differences. The workers pray, worry about money, and share their troubles with each other, but it’s their employers and clientele who reveal their misogyny. Overall, while the Western soundtrack and glamorizing shots can be distracting, it’s clear that the film gives respect to sex workers and prioritizes their perspective.

Genre: Documentary, Drama

Director: Michael Glawogger

Rating: Not Rated

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305. We Grown Now, 2024

	
Places evoke certain emotions, but even the most rundown, cramped projects feel special when they’re home. We Grown Now is set in Chicago’s Cabrini-Green public housing complex, an area that was notorious for its crime and poverty, but to Malik and Eric, it’s a place where they became friends. The friendship they share leads them to classic coming-of-age moments like skipping school, egging each other to ask their crush out, and having fun, but unlike other coming-of-age films, these moments aren’t as carefree and consequence-less in the place they live in. We Grown Now is a genuine, full picture of growing up in a rough neighborhood, with both the happiness and hardships the place has to offer.Genre: Drama
Actor: Avery Holliday, Blake Cameron James, Gian Knight Ramirez, Jurnee Smollett, Lil Rel Howery, Ora Jones, S. Epatha Merkerson
Director:  Minhal Baig
Rating: PG

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306. VIVANT, 2023

With an accounting mistake leading to being stranded in the desert, it’s hard to predict where VIVANT would lead us to. As corporate employee Yusuke tries to undo his supposed accounting error, he gets into a series of surprising events including having to negotiate with a terrorist, being accused of a bombing, and escaping to a Japanese embassy… and that’s just in the first episode. But rather than feeling overly complicated, the story feels exciting, like something akin to a spy thriller, with its large-scale sets, multi-country stakes, and the mystery of a secret organization. Vivant feels totally unexpected and out of left field, but it’s definitely a unique and entertaining watch.

Genre: Drama

Actor: Fumi Nikaido, Hiroshi Abe, Kazunari Ninomiya, Masato Sakai, Tori Matsuzaka

Director: Katsuo Fukuzawa

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307. Under the Bridge, 2024

	
When it comes to true crime series, it's rare to hear of teenage girls participating in murder. But it does happen, on occasion, and one instance is now portrayed in Under the Bridge, based on Rebecca Godfrey’s non-fiction account of the murder of Reena Virk. As Virk goes missing, the show alternates between different perspectives, with Archie Panjabi and Ezra Farouke as Virk’s concerned parents, Chloe Guidry as foster child queen bee Josephine Bell (name replacing that of one of the real perpetrators), and deviating from the real case, Lily Gladstone leading the case as fictional cop Cam Bentland, and Riley Keough as Godfrey herself. With the number of shifts, it does occasionally feel like it loses focus, but the deviations make the introduction feel compelling, especially with the performances of the whole ensemble.Genre: Crime, Drama
Actor: Aiyana Goodfellow, Anoop Desai, Archie Panjabi, Chloe Guidry, Ella Dixon, Ezra Faroque Khan, Izzy G., Javon Walton, Lily Gladstone, Riley Keough, Vritika Gupta
Director:  Geeta Patel
Rating: TV-MA

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308. Trillion Game, 2023

	
While live-action manga adaptations are known to have a bad rap, Netflix’s Trillion Game is quite entertaining. Striving to earn a million, maybe even a trillion dollars, is something that many people aspire to do, but the way Haru and the team do it is so unexpected. Ren Maguro keeps a great balance between Haru’s unpredictable yet charismatic nature, while Hayato Sano keeps the shyness of Gaku endearing. They go into the most random situations such as winning millions of yen in investments, going into a hacking tournament, and faking an AI. Is this really how aspiring trillionaires succeed? Maybe not, though they do teach some start-up strategies. But, it’s definitely still a fun ride as Haru bluffs his way into ballsy situations for Gaku to solve through computer engineering.Genre: Drama
Actor: Akari Akase, Hayato Sano, Jun Kunimura, Kanako Momota, Kenjiro Tsuda, Kimiko Yo, Koji Kikkawa, Kosuke Suzuki, Mio Imada, Ren Meguro, Riko Fukumoto, Ryosuke Sota, Seira Anzai, Takashi Tsukamoto, Terunosuke Takezai, Tomoya Maeno
Director: Kenta Tanaka, Kentarō Takemura, Murao Yoshiaki, Yoshiaki Murao
Rating: TV-14

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309. Trick, 1999

	
When forming a connection with someone, sometimes it doesn’t go the way you plan to– it’s a familiar romcom thread, something from the classics, but it’s a story that works. Trick is a witty comedy of errors with a similar thread, but through the various obstacles shy gay man Gabriel has in trying to get a one night stand, the romcom neatly introduces him, and us, to Greenwich Village’s gay community of the 1990s: the casual piano bars, the vibrant nightclubs, and the fun drag shows. It’s charming, it’s sweet, it’s humorous, and it has a lighthearted relatable struggle, one that focuses on the joys and pleasures of falling in love as a gay man.Genre: Comedy, Romance
Actor: Brad Beyer, Christian Campbell, Debbie Troche, Eric Bernat, Helen Hanft, Jamie Gustis, Joey Dedio, John Paul Pitoc, Kate Flannery, Kevin Chamberlin, Lacey Kohl, Lorri Bagley, Miss Coco Peru, Missi Pyle, Nat DeWolf, Ralph Cole Jr., Scottie Epstein, Steve Hayes, Tori Spelling, Will Keenan
Director: Jim Fall
Rating: R

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310. Tokyo Fist, 1995

	
When reading the premise, Tokyo Fist seems, at first glance, like the primordial eclectic mix of Challengers and Fight Club, with tennis swapped for boxing, and with sweat swapped for bruises. The film is entirely centered on a love triangle spurred on by a sport, with both players out to settle their rivalry, triggered again by a girl. However, being directed by cyberpunk horror auteur Shinya Tsukamoto, Tokyo Fist takes on a more visceral approach, with repressed resentment only able to be released through beating the hell out of each other, beating the hell out of themselves, and through bloodying both their fists and their opponents’ faces. It gets avant garde at certain moments, but Tokyo Fist is a sports horror ahead of its time, and an unexpected, underrated film from the man behind cult classic Tetsuo: the Iron Man.Genre: Action, Drama, Thriller
Actor: Chu Ishikawa, Julie Dreyfus, Kaori Fujii, Koichi Wajima, Kôji Tsukamoto, Naomasa Musaka, Naoto Takenaka, Nobu Kanaoka, Shinya Tsukamoto, Tokitoshi Shiota, Tomorowo Taguchi
Director: Shinya Tsukamoto

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311. Tipping the Velvet, 2002

Before Park Chan-wook adapted her novel Fingersmith in The Handmaiden, author Sarah Waters wrote Tipping the Velvet, her debut novel that painted the life of lesbian women in Victorian London. Surprisingly, this controversial novel was produced and broadcast by the BBC in 2002, sticking faithfully to the plot, with all the racy sex scenes and relaxed depiction of lesbian life that shocked the public at the time, but over the years, the miniseries has become known as the refreshing classic that shifted the way lesbians were depicted on screen. While primarily centered on white women, Tipping the Velvet changed the way Victorian sexuality was depicted, with the joy, sensuality, and happiness in Waters’ passionate narrative.

Genre: Drama

Actor: Jodhi May, Keeley Hawes, Rachael Stirling

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312. Timbuktu, 2014

	
Despite the subject matter, 2014 Malian drama Timbuktu still spots some humor through simple contradiction– straightforwardly depicting the occupying force enforcing certain rules upon a city, but not themselves, and with the city biting back in their own way, pointing out the silliness themselves. It’s these raw moments that lightens the entire film, humanizing both the militant group and the city inhabitants, but it’s also the reason why the moments when that lightheartedness is broken, the punishments end up becoming harsher, strikes harder than usual. It’s that uncertainty that keeps the audience on its toes, and that keeps the film from mining melodrama from the real life occupation. Timbuktu just simply highlights the foolishness of imposing an ideology to snuff out everyday culture.Genre: Drama, War
Actor: Abel Jafri, Fatoumata Diawara, Hichem Yacoubi, Ibrahim Ahmed, Kettly Noël, Layla Walet Mohamed, Toulou Kiki
Director: Abderrahmane Sissako

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313. The Snow Girl, 2023

Child kidnapping is any parent’s nightmare, and it’s the nightmare that drives the events of Spanish crime thriller The Snow Girl. Based on the 2020 novel of the same name, the limited series takes a unique double-pronged approach to the case at hand. The show goes through the regular police investigations we’ve seen previously, but it also comes mainly from the perspective of journalist Miren Rojo, whose previous trauma understandably limits her trust with the authorities. As the show moves the story from New York to Malaga, and switches between perspectives, and timelines, The Snow Girl adeptly maintains the novel’s original suspense, without over sensationalizing the crime at hand.

Genre: Crime, Mystery

Actor: Aixa Villagrán, José Coronado, Loreto Mauleón, Milena Smit, Tristán Ulloa

Rating: TV-MA

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314. The Secret of Roan Inish, 1994

	
Within the fantasy of fairytales and folklore, there’s a hint of something true and human wrapped inside, passed down from generation to generation, translated for the imagination of children. The Secret of Roan Inish is inspired by selkie folklore– the seals that shed their skin to become human, though they still yearn for the sea– but writer-director John Sayles brilliantly compares this to the Coneelly’s yearning for their home, the home torn away from them due to the war, and the home that’s denied to them due to the impending eviction. It’s a lovely story, one partly told by stories handed down from grandparents, but it’s made much more beautiful by the way the grandchildren actively participate in getting their home back. The Secret of Roan Inish beautifully depicts the way kids can change a family’s fate when they get to learn more of their heritage.Genre: Adventure, Drama, Family, Fantasy
Actor: Brendan Conroy, Declan Hannigan, Eileen Colgan, Frankie McCafferty, Jeni Courtney, John Lynch, Mick Lally, Pat Slowey, Susan Lynch
Director: John Sayles
Rating: PG

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315. The Road Home, 1999

	
With more and more young people moving to the city for jobs, there’s a certain beauty in the countryside that is being missed out. The Road Home is a simple and straightforward love story, one that is mostly composed of Zhang Ziyi as a country girl stealing glances at the handsome city boy who’s come to teach in the village, but there’s a certain magic in the way director Zhang Yimou depicts the rural traditions of the village, the charming and distinct rhythms of life that continues to this day. While the film glosses over the reasons for Luo’s temporary departure, which some reviewers speculate is due to China’s then Anti-Rightist campaign, The Road Home beautifully depicts the way love can bloom despite these troubles, and how this love can shift the lives of an entire town.Genre: Drama, Romance
Actor: Li Bin, Song Yuncheng, Sun Honglei, Yulian Zhao, Zhang Ziyi, Zheng Hao
Director: Zhang Yimou

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