854 Contributions by: Isabella Endrinal (Page 14)

Staff & contributors

Isabella Endrinal is a curator at A Good Movie to Watch. She’s now free from the corporate night shift. Previous articles have been published in outlets such as NANG Magazine. She’s currently catching up on some classic films… if she isn’t coping with the fact that the Haikyu anime will end soon.

Given the name, Revanche seemed to be a revenge thriller, and to a certain degree, that’s correct, but the way writer-director Götz Spielmann frames the plot makes it feel much more like a naturalistic character study of the way love and violence walks hand-in-hand, leading to a tragedy that shifts its thrill each time ex-con Alex is forced to make a change. It’s a surprising portrait. It’s one that is tense with permeating silence and no added score, with the camera still and lingering by the door. It’s slow, unfolding within the mundane. And it’s existential, with the way these characters actively try to change their fate, but only lead into even more difficult issues. Revanche is a refreshing take of the titular theme.

Genre: Crime, Drama, Romance

Actor: Andreas Lust, Hanno Pöschl, Irina Potapenko, Johannes Krisch, Johannes Thanheiser, Johannes Zeiler, Linde Prelog, Magdalena Kropiunig, Max Schmiedl, Michael-Joachim Heiss, Toni Slama, Ursula Strauss

Director: Götz Spielmann

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Before Games of Thrones delivered court intrigues, shocking murders, and adulterous affairs, Queen Margot delivered all these nearly two decades earlier, depicting the dramatized, real life events of the French Wars of Religion. While it doesn’t have dragons, it has style, with some of the most stunning scenes intercut with some of the most gruesome, pushing the envelope with a freedom only possible due to none of their descendants still holding the French throne. It’s also one of the most expensive French films ever made, but every franc was put to good use, with luxurious sound, sets, costumes, and camerawork excellently supporting the cast’s performances. Initially released to mixed reception in America with 20 minutes cut from the runtime, La Reine Margot has thankfully been restored and re-released in full for its 20th anniversary in 2014.

Genre: Drama, History, Romance

Actor: Asia Argento, Barbet Schroeder, Bernard Nissile, Bernard Verley, Bruno Todeschini, Charlie Nelson, Claudio Amendola, Daniel Auteuil, Daniel Breton, Dominique Blanc, Dörte Lyssewski, Emmanuel Salinger, Grégoire Colin, Isabelle Adjani, Jean Douchet, Jean-Claude Brialy, Jean-Hugues Anglade, Jean-Marc Stehlé, Jean-Philippe Écoffey, Johan Leysen, Julie-Anne Roth, Julien Rassam, Laure Marsac, Luís Gaspar, Marc Citti, Marina Golovine, Miguel Bosé, Nicolas Vaude, Orazio Massaro, Otto Tausig, Pascal Greggory, Philippe Duclos, Thomas Kretschmann, Tolsty, Ulrich Wildgruber, Valeria Bruni Tedeschi, Vincent Perez, Virna Lisi

Director: Patrice Chéreau

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Unlike plenty of time torn films, Maboroshi is the kind of film that doesn’t have a straightforward explanation for the town of Mifuse standing still in time. But even when it doesn’t have a logical reason, the way the film unfolds has a distinct feeling as it explores the illusions the town either could cling to, or release to grow. This kind of storytelling would be familiar to fans of the prolific screenwriter Mari Okada, who just started directing in 2018 with Maquia: When the Promised Flower Blooms, but even those new to her work would appreciate the pure emotion driving Maboroshi, if they can let go of reality and enjoy MAPPA’s exquisite art for a moment.

Genre: Animation, Drama, Fantasy, Romance

Actor: Ayaka Saito, Daiki Kobayashi, Junya Enoki, Kento Hayashi, Koji Seto, Maki Kawase, Misaki Kuno, Reina Ueda, Setsuji Sato, Taku Yashiro, Tasuku Hatanaka, Yukiyo Fujii

Director: Mari Okada, Seimei Kidokoro

Rating: PG-13

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With laws, education, and modern day systems, it seems like the modern man has some means for recourse, at least more than the average person centuries ago. However, despite this, injustices still remain. Leviathan depicts Kolya, a modern day Job, set out to keep his land from the clutches of a corrupt mayor. It’s bleak and depressing, somewhat neorealistic as Kolya goes through various hardships due to political greed, but there’s some wry sense of humor, one that bitterly points out how much hasn’t changed since biblical times. While it’s quite long, Leviathan is likely to move most viewers to tears, and maybe to shots of vodka, due to its depiction of the everyday man.

Genre: Crime, Drama

Actor: Aleksei Zharkov, Aleksey Pavlov, Aleksey Rozin, Aleksey Serebryakov, Anna Pereleshina, Anna Ukolova, Dmitriy Bykovskiy-Romashov, Elena Lyadova, Igor Savochkin, Igor Sergeev, Lesya Kudryashova, Margarita Shubina, Marianna Shults, Mariya Shekunova, Olga Lapshina, Roman Madyanov, Sergey Bachurskiy, Sergey Borisov, Sergey Murzin, Sergey Pokhodaev, Valeriy Grishko, Vladimir Vdovichenkov

Director: Andrey Zvyagintsev

Rating: R

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When falling in love with another, or when another person falls in love with you, the relationship is formed by the ideas in your and their heads, specifically about your dynamic, your respective personalities, and the potential outcome of this love. Law of Desire is centered on this idea, unfolding through a chaotic gay love triangle that demonstrates the ways the ideas and fantasies can differ. And as the characters inevitably go through fairly melodramatic reactions when they realize the desires of another person, in the most colorful fashion (literally and figuratively), Pedro Almodóvar creates an amusing and daring examination of the genre it’s inspired by.

Genre: Comedy, Drama, Romance, Thriller

Actor: Agustín Almodóvar, Alfonso Vallejo, Antonio Banderas, Bibiana Fernandez, Carmen Maura, Eusebio Poncela, Fernando Guillén, Fernando Guillen, Fernando Guillén Cuervo, Germán Cobos, Germán Cobos, Helga Line, Lupe Barrado, Manuela Velasco, Marta Fernandez Muro, Miguel Molina, Nacho Martinez, Pedro Almodóvar, Rossy de Palma, Victoria Abril

Director: Pedro Almodóvar

Rating: NC-17

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Jaane Jaan is one of those thrillers where you hope that the main characters would get away with murder. Based on the 2005 Japanese novel, the Hindi adaptation still has the cat-and-mouse dynamic between the relentless detective and math genius protecting the suspect, along with their elaborate chess-like mind games. However, the film changes a major plot point from the novel, and without spoiling too much, it turns the math teacher, now named Naren, into a less sympathetic character. Given today’s sensibilities, it’s easy to understand why the change was made. After all, just because someone’s a genius, it doesn’t mean that they’re someone to be admired. Jaane Jaan still keeps up the exciting thrills and suspense of the original novel, but in making its changes, it becomes unclear who the film is rooting for.

Genre: Crime, Drama, Thriller

Actor: Jaideep Ahlawat, Kareena Kapoor Khan, Karma Takapa, Lin Laishram, Naisha Khanna, Saurabh Sachdeva, Suhita Thatte, Ujjwal Chopra, Vijay Varma

Director: Sujoy Ghosh

Rating: R

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Upon the first few minutes of Institute Benjamenta, or This Dream People Call Human Life, it’s obvious that the Brothers Quay’s first live-action film is highly unusual. First, it’s entirely black and white, with embellished, serif subtitles translating the initial German. Second, many of the film’s shots take the form of moody, gothic close-ups, reminiscent of 1920s silent films, like when Johannes examines his new pupil’s health, or when Lisa directs Jakob with an animal’s hoof next to his cheek. And third, the plot itself is strange, as the students are taught not to think anything of themselves, with only Jakob questioning their instruction. But there’s a certain beauty in the surreal approach the Brothers Quay takes in adapting the Swiss-German novel, a certain intuitive feel that allows the story to expand past its stilted movement, restrained frames, and the school’s oppressive tutelage. Institute Benjamenta is bizarre, but it’s undeniably a fascinating film, even at its most disturbing.

Genre: Drama

Actor: Alice Krige, César Saratxu, Daniel Smith, Gottfried John, Jonathan Stone, Joseph Alessi, Mark Rylance, Peter Lovstrom, Uri Roodner

Director: Stephen Quay, Timothy Quay

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Huesera: The Bone Woman might not be the scariest film horror fans would see, but it does strike at the heart of the scary experience of motherhood. Through eerie sounds of breaking bones and weirdly contorted hands at the edge of beds, the film depicts new mother Valeria being haunted by the titular spirit, despite her prayer to the Virgin Mary. Valeria pleads for her husband and family to listen, though each time she does becomes proof of her faults as a mother. The terror in newcomer Natalia Solián’s face makes it all feel believable, but it’s the folk-inspired imagery of first-time feature director Michelle Garza Cervera that turns this film into a feminist masterpiece.

Genre: Drama, Horror, Mystery

Actor: Aida López, Alfonso Dosal, Emilram Cossío, Enoc Leaño, Gina Morett, Martha Claudia Moreno, Mayra Batalla, Mercedes Hernández, Natalia Solián, Pablo Guisa Koestinger, Samantha Castillo, Sonia Couoh

Director: Michelle Garza Cervera

Rating: NR

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Comparisons are easy between friends and within peer groups, but the comparison that is most immediate is that between you and your sibling, especially when they wound up more successful than you are. Hilary and Jackie captures that experience between two real-life musical sisters, but the comparison is so much more difficult as Jackie shot to cellist superstardom, even with under the same musical beginnings as her less known sister Hilary. It’s flawed, but it’s deeply personal, diving into their shared anxieties from two different lives, and it’s surprisingly well-rounded, perfectly halved between the sisters’ perspectives led excellently by Rachel Griffiths and Emily Watson. Hilary and Jackie is not comfortable to watch, especially during Jackie’s later years, but it’s a daring portrait of a difficult, but still loving, sibling relationship.

Genre: Drama, Music

Actor: Anthony Smee, Bill Paterson, Carla Mendonça, Celia Imrie, Charles Dance, David Morrissey, David Shimwell, Delia Lindsay, Emily Watson, Grace Chatto, James Frain, Jon Rumney, Keylee Jade Flanders, Kika Mirylees, Linda Spurrier, Maggie McCarthy, Nick Haverson, Nyree Dawn Porter, Rachel Griffiths, Robert Rietti, Rupert Penry-Jones, Vernon Dobtcheff

Director: Anand Tucker

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