854 Contributions by: Isabella Endrinal (Page 11)

Staff & contributors

Isabella Endrinal is a curator at A Good Movie to Watch. She’s now free from the corporate night shift. Previous articles have been published in outlets such as NANG Magazine. She’s currently catching up on some classic films… if she isn’t coping with the fact that the Haikyu anime will end soon.

Like many of Edward Yang’s films, The Terrorizers examines Taiwan’s urbanized society, but this time, it’s centered around the rougher side of town, where a shooting incident connects the lives of three couples. At first, the scenes don’t make much sense, as the film rapidly shifts from couple to couple without explanation, and the sequence being used to place doubt on the reality of certain scenes. But as the film progresses, these scenes form into something like a puzzle, a piece of a whole treatise on the way real and unreal intersect, the way these perceptions shape one’s relationships. The Terrorizers is somber, and baffling, and sometimes downright bleak, but it’s a fascinating enigma on today’s urban loneliness.

Genre: Crime, Drama

Actor: Cora Miao, Gu Bao-Ming, King Shih-Chieh, Ku Pao-Ming, Lee Lichun, Ming Liu, Yu An-Shun

Director: Edward Yang

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Warm and nourishing as the film's cuisine, Soul Food is a celebration of the modern African-American family, represented here by the Josephs. The Chicagoan family has a longstanding tradition of making dinner together every Sunday—a ritual, we’re told, that's lasted for at least 40 years. However, when the matriarch Big Mama Joe gets hospitalized, the simmering tension between her daughters boils over and threatens to break them apart. Many of the struggles they go through are familiar but not cliché, as writer-director George Tillman Jr. draws from his own experiences in a close-knit, extended family. So even if some plot lines feel unresolved, the film is well-paced, soulfully scored, and evenly balanced between the three sisters. Like the food cooked on-screen, this movie will still leave you hungering for more.

Genre: Comedy, Drama

Actor: Brandon Hammond, Carl Wright, Gina Ravera, Irma P. Hall, Jeffrey D. Sams, John M. Watson Sr., Marcia Wright, Mekhi Phifer, Mel Jackson, Michael Beach, Nia Long, Vanessa Williams, Vivica A. Fox

Director: George Tillman Jr.

Rating: R

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When reminiscing about the film industry, most period films focus on the big names – the stars, the directors, and the producers that back them – as they’re more likely to have plenty of source material. Once Upon a Star is interested in the little people, the small town distributors that bring the movie magic to the locals. Centered on a cinema projection troupe, the film celebrates the old way of distribution, who, unlike today’s streaming, travel from place to place to set up outdoor cinemas with live dubbing. And through each projection of classic Thai masterpieces, the connection they have with each other, between both the troupe and the audience, recalls the intimate nostalgia of watching a movie together. It’s a unique take from director Nonzee Nimibutr, one that’s a stunning love letter to the film industry he hails from.

Genre: Drama

Actor: Jirayu La-ongmani, Kongkiat Khomsiri, Nat Sakdatorn, Nuengthida Sophon, Samart Payakaroon, Sornchai Chatwiriyachai, Sukollawat Kanarot, Waratta Watcharatorn, Yothin Mapobphun, Yutthana Boonaom

Director: Nonzee Nimibutr

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With cardboard houses, sugar winters, and broccoli trees, No Dogs or Italians Allowed at first seems lighthearted, playful, and not too serious. Alain Ughetto casts himself asking his grandmother Cesira about his family, but we only see his hands moving and interacting with the characters as if he was crafting clay model miniatures. However, the whimsical approach sugarcoats the very tragedies that struck his family– from the multiple wars to the discrimination they’ve faced as immigrants– with excellent animation and puppetry that feels much more lifelike than 3D CGI. In telling his family’s story, Ughetto also retells 20th century European history, reframing the worldwide events and movements through a personal perspective.

Genre: Animation, Drama, Family, History

Actor: Alain Ughetto, Ariane Ascaride, Bruno Fontaine, Christophe Gatto, Diego Giuliani, Laura Devoti, Stefano Paganini

Director: Alain Ughetto

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With a driver protagonist, trying to reintegrate with the rougher parts of his home city, forming a connection with a woman way out of his league, Soho-based Mona Lisa has spawned comparisons to the New York-classic Taxi Driver (1976), but this British neo-noir has a completely different tone and spirit, with a completely different conclusion. Mona Lisa has, of course, Nat King Cole crooning the similarly named tune, and as George gets enamored with Simone, both roles played fantastically by Bob Hoskins and Cathy Tyson respectively, they both keep their cards to their chest, as if similar to the famous painted smile. The ending may be a tad abrupt, but Mona Lisa has a lot of compassion and hope for these two trying to make a better life for themselves, a lot more than expected from the genre.

Genre: Crime, Drama, Romance, Thriller

Actor: Bob Hoskins, Cathy Tyson, Clarke Peters, David Halliwell, Dawn Archibald, Gary Cady, Hossein Karimbeik, Jack Purvis, Joe Brown, Kate Hardie, Kenny Baker, Maggie O'Neill, Michael Caine, Pauline Melville, Perry Fenwick, Raad Rawi, Richard Strange, Robbie Coltrane, Rod Bedall, Sammi Davis, Zoë Nathenson

Director: Neil Jordan

Rating: R

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While surpassed by the masterpiece Tár, Todd Field already garnered critical acclaim by his first feature debut In The Bedroom all the way back in 2001. The story is a familiar revenge drama that we might have heard from stories from small towns, but the way Field captures it is fascinating, with its challenging, layered dialogue, and the juxtaposed young and old love hinting at both couples’ insecurities, jealousy, and possessiveness, particularly with regards to the potential college graduate Frank has. It’s slow-paced, haunting, and Tom Wilkinson and Sissy Spacek share a sense of heartbreaking intimacy only true couples can wield against each other. In The Bedroom showed us Todd Field’s brilliant filmmaking that we hope to see more soon.

Genre: Drama, Thriller

Actor: Celia Weston, Daran Norris, Erin Barksdale, Frank T. Wells, Justin Ashforth, Karen Allen, Kevin Chapman, Marisa Tomei, Nick Stahl, Ronald Russell, Sissy Spacek, Tom Wilkinson, Veronica Cartwright, William Mapother, William Wise

Director: Todd Field

Rating: R

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Divorce is hard, even with a fairly civil separation and moving to another place entirely free from the divorced parent. The main emotional stakes are usually carried by the parent, but even then, children have some stake in this relationship, seeing that this permanently affects their relationship with both parents and any siblings they may have. I Wish tackles a separated family through the kids’ eyes– taking a rumored wish-making pair of bullet trains to get their family together, but in the optimistic reality kids tend to have, rather than a fantastical fairytale adventure. Through Hirokazu Kore-eda’s frames, and the precocious real life brothers portraying the main duo, I Wish effectively balances its hopeful tone all throughout, capturing the kids’ hopes and dreams in an endearing, but not overly sentimental, way.

Genre: Drama

Actor: Hiroshi Abe, Isao Hashizume, Joe Odagiri, Kanna Hashimoto, Kirin Kiki, Koki Maeda, Kyara Uchida, Masami Nagasawa, Nene Otsuka, Oshiro Maeda, Rento Isobe, Ryoga Hayashi, Yoshio Harada, Yui Natsukawa

Director: Hirokazu Kore-eda

Rating: PG

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While named as a “how-to”, How to Have Sex is less of an instruction manual, and more of a collection of summer break moments presented as is. At the start, when Tara, Em, and Skye run to the freezing ocean water, the film seemed like it would have all the nostalgic coming-of-age moments that they would remember forever. But as the film progresses, and the girls meet other teenagers at the resort, there’s an eerie, foreboding feel that starts to build up, with every beer bottle, with every whisper, and with every insinuation Tara receives. And rather than preach about consent, writer-director Molly Manning Walker makes them fumble around without the concept of it, the same way teens tend to do, making it much more potent than a cautionary tale.

Genre: Drama

Actor: Anna Antoniades, Daisy Jelley, Eilidh Loan, Elliot Warren, Enva Lewis, Eric Manaka, Guy Lewis, Lara Peake, Mia McKenna-Bruce, Samuel Bottomley, Shaun Thomas

Director: Molly Manning Walker

Rating: NR

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When a shy student somehow attracts the attention of the most popular guy at school, it’s pretty much the stuff of plenty of straight teenage romcoms. Get Real is this, but gay, but there’s a tenderness to the way these teenage archetypes are portrayed, and simply placing Steven and John’s closeted relationship side-by-side with the usual straight sexual shenanigans of the classic teen genre immediately challenges the double standard. It’s a simple and straightforward approach (heh), but at the same time, it’s ahead of its time, yet oh-so-very 90s. It’s surprising that Get Real hasn’t garnered the cult status it deserves.

Genre: Drama, Romance

Actor: Andy Rashleigh, Ben Silverstone, Brad Gorton, Charlotte Brittain, David Lumsden, Ian Brimble, Jacquetta May, Judy Buxton, Kate McEnery, Morgan Jones, Richard Hawley, Stacy Hart, Steven Elder, Tim Harris

Director: Simon Shore

Rating: R

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