205 Contributions by: Farah Cheded (Page 9)

This fascinating documentary traces the roots of freestyling back to the rhythmic sermons of Baptist preachers, the improvisational energy of jazz music, and the spoken word artistry of the civil rights era’s Last Poets — but, like the form of rap it chronicles, it largely exists in the moment. The ephemeral nature of freestyling makes it a tricky thing to bottle, but The Art of Rhyme does so by mimicking the freewheeling energy of the MCs onscreen. And there are many legends of the medium featured here: from underground titans like Supernatural and Craig G (whose epic battles are shown here) to big names who crossed over into recording success like Talib Kweli, Mos Def, and even precious footage of a 17-year-old Notorious BIG. It’s as enlightening as you’d hope, but what makes this documentary such an impressive portrait of freestyle are all the ways it mirrors the impulsive, quick-thinking philosophy of the form in little over an hour.

Genre: Documentary, Music

Actor: Akim Funk Buddah, Bahamadia, Bobbito Garcia, Boots Riley, Debi Mazar, DJ Kool Herc, Eluard Burt, John Coltrane, Muhammad Ali, Planet Asia, The Notorious B.I.G., Tupac Shakur, Yasiin Bey

Director: Kevin Fitzgerald

Anyone who's seen All That Heaven Allows will naturally be skeptical that a movie claiming to be an homage to Douglas Sirk’s sumptuous masterpiece will live up to the heights of its inspiration. It’s a ballsy move, molding your film so closely to a peerless classic, but Todd Haynes transcends thin pastiche to be a genuinely great film of its own. Where Sirk’s movie charts the social scandal caused by an upper-class widow (Jane Wyman) falling in love with her gardener (Rock Hudson), Haynes sharpens the conflict by recasting the couple as an interracial one (played by Julianne Moore and Dennis Haysbert). What’s more, Haynes brings her husband back from the dead and into the closet to give Far From Heaven another angle through which to tackle the repression and stigma and explore the characters' rocky pursuit of happiness. If that sounds like the stuff of melodrama, it is — Far From Heaven is proudly of that genre, cracking through the veneer of suburban perfection to find roiling tension and repressed desire underneath.

Genre: Drama, Romance

Actor: Barbara Garrick, Betsy Aidem, Bette Henritze, Brian Delate, C.C. Loveheart, Celia Weston, Chance Kelly, Declan Baldwin, Dennis Haysbert, Dennis Quaid, Duane McLaughlin, Ernest Rayford, Geraldine Bartlett, J.B. Adams, James Rebhorn, Joe Holt, Johnathan McClain, Jordan Nia Elizabeth, Julianne Moore, June Squibb, Kevin Carrigan, Lindsay Andretta, Matt Malloy, Michael Gaston, Mylika Davis, Olivia Birkelund, Patricia Clarkson, Ryan Ward, Stevie Ray Dallimore, Susan Willis, Ted Neustadt, Viola Davis, Virl Andrick

Director: Todd Haynes

Rating: PG-13

The Harry Potter movies undoubtedly changed the lives of its young stars forever — but a stuntman whose future the films had more tragic consequences for is the deserved focus of this moving documentary. David Holmes was just 17 when he was hired as Daniel Radcliffe’s stunt double, a role he held throughout the series. The two formed a close brotherly bond on set, growing up alongside one another for 10 years until a terrible accident during the final movie’s filming left him paralyzed from the chest down, a condition that has deteriorated over the years following post-surgery complications. 

This doc is an inspiring portrait of David, from his fearless childhood and dream-fulfilling work to the incredible resilience he’s shown since the accident. It’s also, though, a poignant testament to the loving, supportive community that Holmes inspired at work — friendships that only reached greater depths following the accident and the end of the movies. The doc’s focus empathetically expands from Holmes’ story to include its impact on his bond with Radcliffe (who features prominently here) and Holmes’ fellow stunt doubles — and, while the sheer force of Holmes’ personality would make for a compelling documentary on its own, it’s the tenderness and honesty that all of these participants show that makes this so poignant.

Genre: Documentary

Actor: Andy Holmes, Bonnie Wright, Chris Columbus, Daniel Radcliffe, David Holmes, David Yates, Emma Watson, Greg Powell, Marc Mailley, Rupert Grint, Sue Holmes, Tolga Kenan, Tom Felton

Director: Dan Hartley

Rating: PG-13

Before he developed his signature dollhouse visual style, Wes Anderson made his feature debut with this lowkey, heartwarming, and decidedly not-symmetrically-perfect comedy about a bunch of misfits. Bottle Rocket isn’t as much of an outlier in its director’s storied filmography as might initially seem, however. Written in partnership with college buddy Owen Wilson — who, along with brothers Luke and Andrew, made his acting debut here — the film is delightfully offbeat and unexpectedly moving in the way we’ve come to expect from Anderson. Dignan (Owen Wilson) and Anthony (Luke Wilson) are two drifting, boyish twenty-somethings, although only Anthony seems aware of his directionlessness, as Dignan has graciously developed a 50-year life plan for the two of them (complete with hilariously vague bullet-points such as “Make wise investments” and “Own multiple accommodations”). The means to these ambitious ends is a life of crime — specifically, pulling off grand heists. But Dignan’s meticulousness hasn’t accounted for distractions, and his madcap scheme falls at the first hurdle when Anthony falls in love with a housekeeper at the motel they hide out in (Lumi Cavazos). Their sweet romance is one of the film’s many delights, as is its barrelling deadpan humor, which never betrays the warmth of the Wilson brothers’ heartwarming depiction of ride-or-die friendship.

Genre: Comedy, Crime, Drama

Actor: Amanda Welles, Andrew Wilson, Antonia Bogdanovich, Brian Tenenbaum, Darryl Cox, Dipak Pallana, James Caan, Jenni Tooley, Jill Parker-Jones, Julio Cedillo, Julio Cesar Cedillo, Kumar Pallana, Luke Wilson, Lumi Cavazos, Melinda Renna, Ned Dowd, Nena Smarz, Owen Wilson, Robert Musgrave, Russell Towery, Stephen Dignan, Tak Kubota

Director: Wes Anderson

Rating: R

The Romanian New Wave’s predilection for bleakness gets a tongue-in-cheek dig in this buddy comedy from the same country: “Romanians are bad at making movies,” Pompiliu (Alexandru Papadopol) complains. “They only show doom and gloom.” Indeed, the premise here could easily make for a miserable movie: three hapless working-class pals win a multimillion lottery jackpot but lose their ticket — and, with it, the chance for Dinel (Pedro Pascal-lookalike Dorian Boguță) to pay off the mafia don that’s holding his wife hostage in Italy.

But Two Lottery Tickets takes a decidedly droll view of their predicament. Part of that approach is achieved via the trio’s characterizations: they’re all goofy in different ways, from the ridiculous conspiracy theory-spouting Pompiliu and the gullible Dinel to sleazy chancer Sile (Dragoș Bucur). The rest of the film’s breezy comic tone comes thanks to their amusingly convoluted journey to retrieve the ticket, which they believe is in a bag that was stolen when Dinel was mugged by two thugs. These many segues implicate a cross-section of Romanian society into the film, making it a wry social commentary in places. Mostly, though, Two Lottery Tickets has modest ambitions — to be, simply, an enjoyable comedy — a goal it surpasses thanks to its absurdist humor and pitch-perfect performances.

Genre: Adventure, Comedy

Actor: Alexandru Papadopol, Andi Vasluianu, Codin Maticiuc, Dorian Boguta, Dragos Bucur, Elias Ferkin, Elisa Calin, Mircea Banu, Șerban Pavlu

Director: Paul Negoescu

This HBO mockumentary is part-pastiche of the mythologising sports documentary, part-zany comic creation of its own. Tour de Pharmacy tells the incredible untrue story of the 1982 Tour de France, the most chaotic iteration of the race that never happened. Of the original 170 cyclists, all but five were disqualified for bribing the deep-in-debt president of cycling’s governing body (Kevin Bacon), leaving only Italian-a sensation-a JuJu Peppi (Orlando Bloom); secret female racer Adrian Baton (Julia Ormond and Freddie Highmore); frustrated nephew of Jackie Robinson, Slim (Daveed Diggs); a roided-out Austrian (John Cena); and Marty Hass (Andy Samberg), a Nigerian cyclist despised by his country.

Tragedy, scandal, and surprising romance unfold across the documentary’s chronicling of the race’s 21 stages, with plenty of digressions along the way — from a riotous interview with the head of the sport’s anti-doping agency (played by Nathan Fielder) to an animated explanation of red and white cells that devolves into a surreally bloody civil war. The humor zooms between the high-brow (French New Wave references delivered by JJ Abrams) and the R-rated from scene to scene, making this breezy mockumentary a wild ride of its own.

Genre: Comedy, Drama, TV Movie

Actor: Adewale Akinnuoye-Agbaje, Andy Samberg, Chris Romano, Chris Webber, Danny Glover, Daveed Diggs, Dolph Lundgren, Edgar Wright, Eric Nenninger, Eugenia Kuzmina, Freddie Highmore, J.J. Abrams, James Marsden, Jeff Goldblum, Joe Buck, John Cena, Jon Hamm, Julia Ormond, Kevin Bacon, Kevin Clash, Lance Armstrong, Maya Rudolph, Mike Tyson, Myles Brewer, Nathan Fielder, Orlando Bloom, Phylicia Rashād, Rebecca Dayan, Russ Walko, Seth Morris, Will Forte

Director: Jake Szymanski

At 80 minutes, Smoking Causes Coughing is another slice of perfectly paced absurdist fun from Quentin Dupieux, the zany mind behind Rubber (in which a car tire turns serial killer) and Deerskin, the tale of a motorcycle jacket that wants to rule the world. This time around, the protagonists aren’t inanimate objects: they’re Tobacco Force, a Power Rangers-style band of lightly idiotic superheroes who harness the toxic power of cigarettes to defeat Earth’s enemies, and are each named after one of their harmful components (Benzene, Nicotine, Mercury, Ammonia, and Methanol). They’re led by Chief Didier, a rat who inexplicably dribbles green goo — and, even more inexplicably, casts an intense erotic spell over Tobacco Force’s female members. Smoking Causes Coughing leans deliriously, hilariously far into its absurdist premise. Citing a lack of “group cohesion,” Chief Didier sends the Force to the woods on a team-building retreat. While they swap “scary” stories over a campfire, however, a reptilian galactic supervillain plots to put Earth “out of its misery” because it’s a “sick planet” (can’t really argue with that). Full of insane plot twists and without a tired trope in sight, Smoking Causes Coughing never approaches the realm of predictability — no small achievement in this era of superhero fatigue.

Genre: Comedy, Drama, Fantasy

Actor: Adèle Exarchopoulos, Alain Chabat, Anaïs Demoustier, Anthony Sonigo, Benoît Poelvoorde, Blanche Gardin, Charlotte Laemmel, David Marsais, Doria Tillier, Elodie Mareau, Frédéric Bonpart, Gilles Lellouche, Grégoire Ludig, Jean-Pascal Zadi, Jérôme Niel, José Da Silva, Jules Dhios Francisco, Julia Faure, Marie Bunel, Olivier Afonso, Oulaya Amamra, Raphaël Quenard, Sava Lolov, Vincent Lacoste

Director: Quentin Dupieux

One woman’s main character syndrome reaches shocking lows in this vicious Norwegian satire of social-media-era narcissists. Signe (Kristine Kujath Thorp) and her artist boyfriend Thomas (Eirik Sæther) are a deeply toxic couple who torture everyone around them with their constant, petty one-upmanship. When he lands a flashy magazine spread, though, Signe’s usual tactics for slyly redirecting attention her way don’t cut it anymore, and so this compulsive liar takes drastic action and begins overdosing on pills banned for their serious dermatological side effects.

Signe's Munchausen-esque actions have their desired effect: the physically dramatic results instantly make her the center of attention — but not indefinitely. As she craves increasingly bigger spotlights, the film toggles between reality and scenes from her imagination, including a morbid sexual fantasy in which her funeral proves so popular the priest becomes a bouncer, turning away sobbing mourners whom Signe noticed hadn’t visited her in hospital. The rampant narcissism on display here is at turns hilarious and excruciating: Sick of Myself’s sharp social observation skills make it feel, in places, like a movie by cringe-master Ruben Östlund. That stomach-turning effect carries through to the ending, which darkly suggests that, for someone like Signe, even narcissism itself is a condition that can be weaponized for attention.

Genre: Comedy, Drama

Actor: Alexander Berg, Anders Danielsen Lie, Andrea Bræin Hovig, Eirik Sæther, Erlend Mørch, Fanny Vaager, Fredrik Stenberg Ditlev-Simonsen, Guri Hagen Glans, Håkon Ramstad, Henrik Mestad, Ingrid Vollan, Jonas Bakke, Kristine Kujath Thorp, Kristoffer Borgli, Mohammad Afzal, Robert Skjærstad, Sarah Francesca Brænne, Seda Witt, Steinar Klouman Hallert, Terje Strømdahl

Director: Kristoffer Borgli

Remarkably, Steven Soderbergh was only 26 years old when he directed this coolly assured debut, the searingly candid script of which he also wrote in just eight days. Despite the pornographic implications of its title, this is more concerned with exploring whether honesty — not sex — is the means to real intimacy. In fact, the only nakedness glimpsed here is of the emotional kind, as twenty-something drifter Graham’s (James Spader) total aversion to lying has an infectious influence on everyone around him.

The primary recipient of that disarming effect is Ann (Andie MacDowell), the wife of Graham’s old college buddy who is blasé about sex and neurotic about everything else. Talking to Graham has a therapeutic effect on her, but he takes something else away from conversation: chronically impotent, he simulates the sexual experience by conducting erotically themed interviews with women on videotape. Preferring to sublimate his desires through his camcorder, Spader’s physically aloof character is a disturbingly prescient one for what it suggested then about technology’s future impact on human relationships. That Soderbergh managed to conduct such a complex psychosexual drama all through dialogue — on his first feature, no less — makes him exceedingly worthy of the record this earned him of the youngest solo Palme d’Or-winning director ever.

Genre: Drama

Actor: Alexandra Root, Andie MacDowell, David Foil, Earl T. Taylor, James Spader, Laura San Giacomo, Peter Gallagher, Ron Vawter, Steve Brill, Steven Brill

Director: Steven Soderbergh

Rating: R

Science Fair is simultaneously a feel-good documentary and a feel-bad one: while inspiring and reassuring for all the brilliant young minds it spotlights, it also has the potential to make your own life accomplishments look paltry in comparison. The former effect is the strongest, though — because you can’t watch high schoolers as young as 14 present pioneering, disease-curing research and inventions and not feel like the future is in good hands. Science Fair is light on the actual science, which makes it an accessible watch and prevents the film’s focus from mimicking the cutthroat nature of ISEF, the international competition it follows. With a grand prize of $75k and lots of college application-boosting medals up for grabs, the competition amongst the kids is fierce, but Science Fair instead takes an empathetic, celebratory approach so that all of the kids feel like deserved winners. That’s especially true of the more disadvantaged teens: though the competition itself might not take into account all the hurdles they’ve had to overcome even just to get in the room, this compassionate doc definitely does. Even if the science is all Greek to you, it’s impossible not to appreciate and be moved by the determination and resilience of these kids.

Genre: Documentary

Director: Cristina Costantini, Darren Foster

Rating: PG

Documentaries about musicians — or anyone famous, for that matter — are often mythologizing puff pieces, essentially feature-length airings of PR material. But Against All Odds has more to it than flattery. It chronicles the rise of Australia’s first drill rappers, five young men of Samoan origin who soared to fame from their disadvantaged Sydney neighborhood after going viral and catching the eye of artists like the UK’s Skepta and Australia’s own The Kid Laroi. 

ONEFOUR’s rise from “the trenches” is compelling in itself — far more so than some of the dull origin stories that often pad out this kind of movie — but the documentary is given even more weight by its examination of the forces that sought to put out their fire: New South Wales police. ONEFOUR’s lyrics, which often reference violence, put them in the crossfires of a police tactical unit determined to, in one officer’s words, “make [ONEFOUR’s] life miserable until [they] stop what [they’re] doing.” Amazingly, the on-camera police interviews feature even more brazen admissions of the ways they “lawfully harass” ONEFOUR, a fact that makes this documentary an eye-opening portrait of both aggressive (and allegedly racist) policing and the resilience of the group in the face of it.

Genre: Documentary, Music

Actor: Celly, J Emz, Lekks, Spenny, The Kid LAROI, YP

Director: Gabriel Gasparinatos

Rating: R