42 Contributions by: Farah Cheded On Cineplex Canada (Page 2)

Martin Scorsese’s Killers of the Flower Moon isn’t a whodunnit; in fact, it’s closer to a who-didn’t-do-it. We know from the very beginning who is responsible for committing the brutal serial murders of wealthy Osage Native Americans in 1920s Oklahoma that the film chronicles: pretty much every single one of their white neighbors, spearheaded by William Hale (a skin-crawling Robert De Niro). Scorsese, most often associated with mafia stories, stealthily suggests here that the most dangerous gang of all is the one into which all these perpetrators have been born. That’s an idea he investigates through the confused loyalties of Leonardo DiCaprio’s Ernest Burkhart, the Judas-like husband of Mollie (movie-stealer Lily Gladstone), an Osage woman who owns lucrative oil headrights that William wants to fatten his own pockets with. This searing epic — based on a harrowing chapter of real American history — is an unsparing and self-implicating look at complicity and greed in the eye, a monumental movie that cements its maker as one of the greatest to ever do it.

Genre: Crime, Drama, History

Actor: Adam Washington, Addie Roanhorse, Alexandria Toineeta, Alexis Ann, Alexis Waller, Barry Corbin, Beau Smith, Ben Hall, Bravery Nowlin, Brendan Fraser, Brent Langdon, Brian Shoop, Bronson Redeagle, Candice Costello, Cara Jade Myers, Carl Palmer, Chance Rush, Charisse Satepauhoodle, Charlie Musselwhite, Chase Parker, Christopher Cote, Clint Rohr, Dana Daylight, Danny Frost, David Born, David Fields, Delani Chambers, DJ Whited, Dolan Wilson, Ed Yellowfish, Elden Henson, Elisha Pratt, Elizabeth Waller, Eric Parkinson, Everett Waller, Gabriel Casdorph, Garrison Panzer, Gary Basaraba, Gene Jones, Gregory Fallis, Harrison Shackelford, J. C. MacKenzie, Jack White, Jackie Wyatt, Jacob Johnson, Jacob Lux, James Carroll, James Healy Jr., JaNae Collins, Jarad Looper, Jason Isbell, Jay Paulson, Jeffrey Stevenson, Jennifer Moses, Jennifer Rader, Jeremy Goodvoice, Jerry Logsdon, Jerry Wolf, Jesse Plemons, Jessica Harjo, Jezy Gray, Jillian Dion, Jo Harvey Allen, Joe Chrest, Joey Oglesby, John Gibbs, John Lithgow, Johnny Baier, Joseph Spinelli, Joshua Close, Julia Lookout, Justin France, Karen Garlitz, Katherine Willis, Kristin Keith, Kyle Dillingham, Larry Fessenden, Larry Jack Dotson, Larry Sellers, Lee Eddy, Leland Prater, Leonardo DiCaprio, Lily Gladstone, Louis Cancelmi, Lucas Ross, Lynette Satepauhoodle, Mahada Sanders, Mamie Cozad, Marc Phaneuf, Margaret Gray, Mark Landon Smith, Mark Lopeman, Marko Costanzo, Martin Scorsese, Mary Buss, Mason Bighorse, Mason Cunningham, Matt Tolentino, Melissa Tiger, Michael Abbott Jr., Mike Cook, Moe Headrick, Moira Redcorn, Nathalie Standingcloud, Nathaniel Arcand, Nicholas White, Nick W. Nicholson, Nokosee Fields, Norma Jean, Norris Bighorse, Pat Healy, Patrick Bubert, Paul Woodiel, Penny Potts, Pete Yorn, Peter Yarin, Randy Houser, Rayna Gellert, Reignen Yellowfish, River Rhoades, Robert De Niro, Ron McMahan, Sam Bardfeld, Samuel French, Samuel Gray, Sarah Spurger, Scott George, Scott Shepherd, Seth Buckminster, Shonagh Smith, Silas Satepauhoodle, Stephen Berkman, Steve Eastin, Steve Routman, Steve Witting, Sturgill Simpson, Tahlee Redcorn, Tanner Brantley, Tantoo Cardinal, Tatanka Means, Ted Welch, Terry Allen, Tom Ashmore, Tommy Schultz, Ty Mitchell, Vann Bighorse, Victor McCay, Vince Giordano, Vinny Raniolo, Wally Welch, Welker White, William Belleau, Xavier Toehay, Zachary Hokeah

Director: Martin Scorsese

Rating: R

You don’t have to be a theater kid to enjoy this feel-good mockumentary set in a summer camp for junior thespians. While there are plenty of in-jokes here for those who might have spent a summer or two somewhere like AdirondACTS, Theater Camp also good-naturedly lampoons every instantly recognizable stereotype of theater kids and the classic failed-performer-turned-teacher. 

Amongst the note-perfect ensemble, particularly hilarious standouts include co-writer Ben Platt and co-director Molly Gordon as camp instructors and best friends Amos and Rebecca-Diane. Both are Juilliard rejects with codependency issues and a classic case of actorly self-indulgence — as encapsulated in the moment they accuse a young attendee of “doping” for using artificial tears during a performance (“Do you want to be the Lance Armstrong of theater?”). But even seasoned performers like Platt and Gordon can’t pull the spotlight away from the film’s absurdly talented young ensemble, who are just as game for poking fun at their passion: standouts include Luke Islam, Alexander Bello, and Minari’s Alan Kim as a pint-sized “aspiring agent” who skips dance class to make business calls. All this self-satirising never obscures the movie’s heart, though; what begins as a self-deprecating ribbing of theater-heads ultimately becomes a rousing love letter to those very same misfits.

Genre: Comedy, Music

Actor: Alan Kim, Alexander Bello, Amy Sedaris, Ayo Edebiri, Ben Platt, Caroline Aaron, David Rasche, Dean Scott Vazquez, Donovan Colan, Jimmy Tatro, Kyndra Sanchez, Luke Islam, Max Sheldon, Molly Gordon, Nathan Lee Graham, Noah Galvin, Olivia Puckett, Owen Thiele, Patti Harrison, Priscilla Lopez, Tyrone Mitchell Henderson

Director: Molly Gordon, Nick Lieberman

Rating: PG-13

Director Crystal Moselle based Skate Kitchen on NYC’s eponymous crew of young female skateboarders, who actually play fictionalized versions of themselves here. That real-life casting lends the film a documentary-esque quality: the girls’ bantering chemistry and die-hard loyalty feel warmly authentic, and the movie would be well worth a watch just to bask in this vibe alone.

The Skate Kitchen girls are an eclectic bunch, but what’s so refreshing — and therapeutic — about the film is that they’re also deeply, instinctively empathetic. These misfits don’t just tolerate but celebrate one another’s uniqueness and respect their differing boundaries (the way the girls and the movie treat shyness as a feature rather than a flaw to be resolved is particularly moving). What’s more, in its own low-key way, Skate Kitchen is an inspirational watch for its portrait of young women building the sanctuary they need themselves — not just in a largely male subculture but on a broader canvas, too. Rather than skulk anxiously on the sidelines, the girls use skating to carve out a space of their own in New York, a way to make the big, scary city feel warm and intimate. Amidst all the steezy ollies and clean rail grinds, these might just be the greatest tricks they pull off.

Genre: Comedy, Drama

Actor: Ajani Russell, Darlene Violette, Dede Lovelace, Elizabeth Rodriguez, Hisham Tawfiq, Jaden Smith, Javier Nunez, John Palumbo, Kabrina Adams, Kobi Frumer, Nico Hiraga, Nina Moran, Rachelle Vinberg, Samuel Smith, Tashiana Washington, Taylor Gray, Thaddeus Daniels, Tom Bruno

Director: Crystal Moselle

Frybread Face and Me is a little indie gem: though rough around the edges, it’s full of charm and heart. Drawn from its director's own childhood experiences, the movie charts a formative moment in the life of Benny, a city boy of Navajo, Hopi, and Laguna Pueblo heritage who’s carted off to his grandmother’s ranch on a Navajo reservation for a summer. It's suffused with all the specificity of real memories in a way that never distances us from it, only enfolding us closer into its nostalgic embrace. That effect largely comes from the tender bonds between Benny and his cousin Dawn (unsympathetically nicknamed Frybread Face and played by newcomer Charley Hogan), who acts as translator between him and their non-English-speaking grandmother (Sarah H. Natani, also a non-professional actor). Though he’s constantly berated by male family members for not being “masculine” enough, Benny finds unconditional acceptance from his grandmother and misfit camaraderie with Frybread, who also gives the film a dry comedic edge — a welcome touch in a usually saccharine genre. Ultimately, though, it’s the movie’s soft sweetness and intimate depths that are most distinctive: it’s so gently told, and with such genuine feeling behind it, that it’s impossible not to be swept away by its charms.

Genre: Comedy, Drama

Actor: Charley Hogan, Jeremiah Bitsui, Kahara Hodges, Keir Tallman, Leilani Taliaferro, Martin Sensmeier, MorningStar Angeline, Nasheen Sleuth, Sarah H. Natani

Director: Billy Luther

Rating: R

Florence Pugh broke through with her powerhouse performance here as Katherine, a young woman who is “sold” into a coldly transactional marriage with a cruel and impotent merchant in 1800s Northern England. Lady Macbeth seems to begin as one thing — a gloomy period tale of oppression and feminist rebellion — but, on the strength of Pugh’s performance, pivots into an even bleaker subversion of that initial impression, the kind we haven’t really seen before.

When her disinterested husband takes a long leave of absence to tend to some business affairs, Katherine does more than just defy his command that she stay indoors: she begins an unabashed affair with one of her husband’s gruff groomsmen (Cosmo Jarvis), who ignites in her an obsessive passion that brings out her dark side. She’ll stop at nothing to remove any obstacles in the couple’s way — but, while her initial targets are arguably quite deserving of their fate, her scheme soon implicates the innocent. The creeping revelation that all the cruelty Katherine has been subjected to has brutalized her in turn comes as a shock, but this dramatic overturning of our expectations is made chillingly real by Pugh’s fierce, unfaltering performance.

Genre: Drama

Actor: Bill Fellows, Christopher Fairbank, Cliff Burnett, Cosmo Jarvis, David Kirkbride, Finn Burridge, Florence Pugh, Golda Rosheuvel, Ian Conningham, Kema Sikazwe, Naomi Ackie, Nicholas Lumley, Paul Hilton, Rebecca Manley

Director: William Oldroyd

Rating: R

That one of 1990’s scariest movies is a kids’ movie makes sense when you know it’s an adaptation of a Roald Dahl story (and directed by horror legend Nicolas Roeg, no less). The Witches dispenses with most of the trappings of kids’ films, swapping bright bubbliness and cute animal CGI for macabre thrills and uncanny valley puppetry courtesy of Jim Henson. It’s astonishingly scary, given its PG certification — not just for its intended audience but for adults, too. Death, grief, and evildoers who prey on children all make an early appearance and never leave the film’s frame, stalking young Luke (Jasen Fisher) and his grandmother (Mai Zetterling) across countries as they try to make a new start in England following a family tragedy in Norway. In typical Dahl style though, The Witches — with its creepy premise and high camp touches — finds a clever balance between being nightmare-inducing and deliciously fun, a tonal blend that harks back to the twisted appeal of traditional fairy tales.

Genre: Comedy, Family, Fantasy, Horror

Actor: Angelique Rockas, Anjelica Huston, Annabel Brooks, Anne Lambton, Anne Tirard, Arvid Ones, Bill Paterson, Brenda Blethyn, Brian Hawksley, Charlie Potter, Darcy Flynn, Debra Gillett, Emma Relph, Grete Nordrå, Jane Horrocks, Jasen Fisher, Jenny Runacre, Jim Carter, Leila Hoffman, Mai Zetterling, Michael Palin, Nicolas Roeg, Nora Connolly, Ola Otnes, Roberta Taylor, Rosamund Greenwood, Rose English, Rowan Atkinson, Serena Harragin, Sukie Smith, Sverre Røssummoen, Vincent Marzello

Director: Nicolas Roeg

Rating: PG

Acerbic diary excerpts provide the narration for this taut psychological thriller, but don’t be fooled: as Notes on a Scandal teases, single schoolteacher Barbara (Judi Dench) might not be filling these pages with the truth — at least, not intentionally. There are early tells that she might not be as reliable a narrator as we expect, given her reputation as a no-nonsense battleaxe: for one, her characteristic surliness dissolves alarmingly quickly upon meeting Sheba (Cate Blanchett), an idealistic young art teacher. Notes on a Scandal doesn’t overplay this hand, though: until its explosive climax, the psychological drama is mostly read between the lines, as we watch Barbara enthusiastically pursue a “friendship” with her younger colleague. 

What makes Notes doubly gripping is that Barbara isn’t the only one hiding dark secrets: as she soon discovers, the married Sheba has begun a sexual relationship with a 15-year-old student. That disturbing revelation gives Barbara an upper hand, a means of manipulating Sheba into validating her delusions about their relationship. What follows is a gripping twin character study, one that plays out in the heightened realm of a melodrama as their sordid secrets become entwined. Darkly camp and spanning just 92 perfectly paced minutes, this is an intense immersion into two very ugly psyches.

Genre: Drama, Romance

Actor: Adrian Scarborough, Andrew Simpson, Anne-Marie Duff, Barry McCarthy, Benedict Taylor, Bill Nighy, Cate Blanchett, Debra Gillett, Derbhle Crotty, Emma Kennedy, Gabrielle Brooks, Jill Baker, Joanna Scanlan, Judi Dench, Julia McKenzie, Juno Temple, Kevin Hudson, Michael Maloney, Miranda Pleasence, Phil Davis, Shaun Parkes, Stephen Kennedy, Tameka Empson, Tom Georgeson, Wendy Nottingham

Director: Richard Eyre

Before he developed his signature dollhouse visual style, Wes Anderson made his feature debut with this lowkey, heartwarming, and decidedly not-symmetrically-perfect comedy about a bunch of misfits. Bottle Rocket isn’t as much of an outlier in its director’s storied filmography as might initially seem, however. Written in partnership with college buddy Owen Wilson — who, along with brothers Luke and Andrew, made his acting debut here — the film is delightfully offbeat and unexpectedly moving in the way we’ve come to expect from Anderson. 

Dignan (Owen Wilson) and Anthony (Luke Wilson) are two drifting, boyish twenty-somethings, although only Anthony seems aware of his directionlessness, as Dignan has graciously developed a 50-year life plan for the two of them (complete with hilariously vague bullet-points such as “Make wise investments” and “Own multiple accommodations”). The means to these ambitious ends is a life of crime — specifically, pulling off grand heists. But Dignan’s meticulousness hasn’t accounted for distractions, and his madcap scheme falls at the first hurdle when Anthony falls in love with a housekeeper at the motel they hide out in (Lumi Cavazos). Their sweet romance is one of the film’s many delights, as is its barrelling deadpan humor, which never betrays the warmth of the Wilson brothers’ heartwarming depiction of ride-or-die friendship.

Genre: Comedy, Crime, Drama

Actor: Andrew Wilson, Antonia Bogdanovich, Brian Tenenbaum, Darryl Cox, Dipak Pallana, James Caan, Jill Parker-Jones, Julio Cedillo, Kumar Pallana, Luke Wilson, Lumi Cavazos, Melinda Renna, Ned Dowd, Owen Wilson, Robert Musgrave, Russell Towery

Director: Wes Anderson

Rating: R

Of the many violence-inflected black comedies that Pulp Fiction spawned, Grosse Pointe Blank ranks among the best. Though it’s patently inspired by Tarantino’s magnum opus — John Cusack plays a sardonic, amoral hitman, and the film features bursts of stylized violence and a retro soundtrack — it never feels derivative. The film finds its own identity as a quirky romcom when Cusack’s character, Martin Blank, returns to his hometown for a 10-year high-school reunion on the advice of his terrified therapist (Alan Arkin).

Martin is experiencing professional disillusionment as part of the quarter-life crisis that often takes hold when one realizes it’s been a whole decade since high school. His profession puts a darkly comic spin on that convention, but the film doesn’t treat that element entirely flippantly. Unlike Martin — and so many of the film’s Pulp Fiction-inspired brethren — Grosse Pointe Blank isn’t nihilistic, but quite sincerely romantic. Its hybrid nature and surprising heart come to the fore in Martin’s renewed relationship with the girlfriend he jilted at prom: Debi (Minnie Driver), now a ska-loving radio DJ. Cusack and Driver have sparkling chemistry, which makes the sincerity with which their characters grapple with the possibility of a second chance at happiness all the more absorbing to watch.

Genre: Action, Comedy, Drama, Romance, Thriller

Actor: Alan Arkin, Ann Cusack, Barbara Harris, Belita Moreno, Benny Urquidez, Bill Cusack, Bobby Bass, Carlos Jacott, Dan Aykroyd, David Barrett, Doug Dearth, Hank Azaria, Jenna Elfman, Jeremy Piven, Joan Cusack, John Cusack, K. Todd Freeman, Michael Cudlitz, Minnie Driver, Mitchell Ryan, Steve Pink

Director: George Armitage

Before he was Jim Morrison, Iceman, or Batman, Val Kilmer made his big screen debut as Nick Rivers, the doltish American rock 'n' roll idol who is unwittingly embroiled in an East German underground resistance plot in Top Secret!. Skewering everything from WWII romances and Cold War spy thrillers to ‘60s popstar musicals, this delightfully silly spoof from the team behind Airplane! is jampacked with sight gags, double entendres, and multi-layered setpieces delivered at such a manic pace that you’ll need several rewatches to exhaust all of its comedy. Its lowbrow style means that some jokes are undoubtedly dated, but there’s a lot of timeless wit on display here, including zinging one-liners, tongue-in-cheek lampooning of cinematic clichés, and slapstick gags in the vein of masters of the form like Jacques Tati and Buster Keaton. Top Secret! is blessedly under no illusions as to what we want from a movie like this, so the fact that there’s no comprehensible plot in sight only adds to the enjoyment here.

Genre: Comedy, Drama

Actor: Andrew Hawkins, Billy J. Mitchell, Billy Mitchell, Charlotte Zucker, Chas Bryer, Christopher Villiers, Dimitri Andreas, Eddie Powell, Eddie Tagoe, Gertan Klauber, Harry Ditson, Ian McNeice, Janos Kurucz, Jeremy Kemp, Jim Carter, John J. Carney, John Sharp, Lee Sheward, Lucy Gutteridge, Mac McDonald, Marcus Powell, Michael Gough, Nicola Wright, Omar Sharif, Orla Pederson, Peter Cushing, Richard Bonehill, Richard Mayes, Steve Ubels, Susan Breslau, Sydney Arnold, Tristram Jellinek, Val Kilmer, Warren Clarke

Director: David Zucker, Jerry Zucker, Jim Abrahams

Rating: PG