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Staff & contributors

Ahmed plays Ruben Stone, a heavy metal drummer, who plays in a band and lives in a tour bus with his girlfriend Lou (Olivia Cooke). Quickly after meeting the couple, we witness the touring musician drastically losing his hearing. As recovering addicts with little financial means, they soon run out of options. Lou desperately wants to prevent Ruben's relapse into addiction and so she helps him retreat to a deaf community group home, run by the illustrious Joe, a truly amazing character played by the equally amazing Paul Raci, himself the hearing son of deaf parents. There is something deeper going on though: the question of what disability is, and how, despite how it drastically changes Ruben's life, it might not be his biggest problem. In addition to the stellar acting and delicate writing, we experience his condition through the incredible sound design used by director Darius Marder, complete with muffled conversations, garbled noises, and piercing silence. This is a movie to be taken in completely. Above all, it's about Riz Ahmed's performance. He learned to play drums, sign language, and studied deafness ahead of the shooting, and he does not strike a wrong note.

Genre: Drama, Music

Actor: Alan Resnic, Bill Thorpe, Chelsea Lee, Chris Perfetti, Domenico Toledo, Ezra Marder, Hillary Baack, Jamie Ghazarian, Lauren Ridloff, Mathieu Amalric, Michael Tow, Olivia Cooke, Paul Raci, Rena Maliszewski, Riz Ahmed, Sean Powell, Shaheem Sanchez, Tom Kemp, William Xifaras

Director: Darius Marder

Rating: R

The British social-critical director of I, Daniel Blake and The Wind That Shakes the Barley, Ken Loach, delivers another scathing indictment of our economic system, the slashing of worker protection, and the gig economy. While these are indeed the themes of this affecting drama, Loach always makes it about the people. In this case, a struggling family man who tries to turn his life around by working in package delivery. Gig economy workers are usually freelancers who own their trucks and are made fully responsible for packages until they reach their respective recipients. From peeing in a bottle to save time to seamless monitoring by an overlord hand-held device, Sorry We Missed You manages to capture the indignity and gives you an intimate introduction to the human cost of having everything delivered to your doorstep at a moment's notice. Thanks to Loach's use of amateur actors, it has a raw and real feel to it without being melodramatic. Sorry We Missed You makes sure that the habitually unseen take center stage.

Genre: Drama

Actor: Charlie Richmond, Debbie Honeywood, Katie Proctor, Kris Hitchen, Maxie Peters, Rhys Mcgowan, Rhys Stone, Ross Brewster, Sheila Dunkerley, Stephen Clegg, Vicky Hall

Director: Ken Loach

Rating: 0, 12

Between 1967-1975, a group of Swedish filmmakers traveled to America to document the Black Power movement. The resulting archival footage of Black activists and intellectuals, including Bobby Seale, Huey P. Newton, Eldridge Cleaver, and the amazing Angela Davis, was hidden in an archive until it was unearthed and woven together by Göran Olsson, a Swedish director. Angela Davis also supplies some contemporary voice commentary alongside many others, such as Erykah Badu, Harry Belafonte, and The Roots drummer and rap culture's No. 1 record keeper Questlove, who also co-scored the film. This adds to the mixtape feel of the film as does the raw and unfiltered piecing together of the historic footage, giving the viewer an authentic impression of the movement and the struggles of the time. Being Swedish, the filmmakers dared to go where American mainstream TV might have never gone.

Genre: Documentary, History

Actor: Angela Davis, Bobby Seale, Erykah Badu, Harry Belafonte, John Forte, Kathleen Cleaver, Melvin Van Peebles, Sonia Sánchez, Stokely Carmichael, Talib Kweli

Director: Göran Olsson

Rating: Not Rated

The atmosphere in Millennium Mambo is magical. The opening scene alone will leave you enchanted, with long walks through a tunnel-like space and dreamy techno music playing in the background. We are misled into thinking that this will be a movie full of colors and dance, and to some degree, this is true, as it portrays Taipei and its neon colors of green, pink, and blue, featuring dance sequences in a bar that serves flashy drinks. But as the movie develops, a chilling shadow is cast as we become entangled in a brutal relationship that is as full of cruelty as it is of love and lust. Narrated from the future, the story shows how the present-day protagonist, Vicky, grapples with her identity as she looks back upon her past self from ten years ago.

Chaotic, messy, but also peppered with moments of serenity and shot with flawless camerawork and cinematography, Millennium Mambo makes time feel fluid, and serves as a reminder that no matter how rough the journey may be, everything is always okay in the end.

Genre: Drama, Romance

Actor: Chun-hao Tuan, Doze Niu Cheng-Tse, Duan Chun-hao, Jack Kao, Pauline Chan, Pauline Chan Bo-Lin, Qi Shu, Rio Peng, Shu Qi

Director: Hou Hsiao-hsien, Hsiao-Hsien Hou

Rating: R

The apex of Abbas Kiarostami’s monumental filmography, Close-Up is a testament to the late directors’ ingenuity and humanism. Kiarostami documents the real-life trial of a man who impersonated fellow Iranian filmmaker Mohsen Makhmalbaf, and ingratiated himself to a family believing him to be the real deal. The courtroom drama and interviews are fascinating enough, but Kiarostami takes it one step further by having everyone involved reenact the events as they happened.

The result is an unparalleled piece of filmmaking that blurs the boundaries between documentary and narrative while posing vital questions about the exclusivity of cinema and the storytelling process. Despite its sophisticated constructions, Kiarostami’s direction is lucid and direct as it builds to a passionate and unforgettable conclusion.

Genre: Crime, Documentary, Drama

Actor: Abbas Kiarostami, Hossain Farazmand, Hossain Sabzian, Mohsen Makhmalbaf, Monoochehr Ahankhah

Director: Abbas Kiarostami

, 2011

Poetry is a masterpiece from one of South Korea's most cherished movie directors, Lee Chang-dong. The simple story follows the everyday life of a grandmother, Mija, who works as a caretaker for a living. To fill her inner emptiness, she decides to join a poetry club with other grandmothers in her neighborhood. Meanwhile, as Mija deals with her own financial and health problems, she struggles to connect with her teenage grandson — only to find out that he is keeping a dark secret. If you are familiar with Lee Chang-dong works, then you know that the movie will tug at your heartstrings. But if you aren't, prepare to be moved.

Genre: Drama

Actor: Ahn Nae-sang, Chang Hyae-jin, Eun-yeong Kim, Hee-ra Kim, Jang Hye-jin, Jeong-hie Yun, Kim Eun-yeong, Kim Gye-sun, Kim Hee-ra, Kim Hye-jung, Kim Ja-young, Kim Jong-goo, Kim Nam-jin, Kwon Hyuk-soo, Lee Da-wit, Min Bok-gi, Nam Joong-gyu, Park Hyun-woo, Park Myung-shin, Yoon Jeong-hee

Director: Chang-dong Lee, Lee Chang-dong

Rating: TV-PG

Like all great documentaries, Angry Inuk is about way more than its tagline. At first glance, it's about how anti-sealing activism has been harming Inuit communities since the 1980s, to the point of instituting the highest rates of hunger and suicide anywhere in the "developed" world. But beyond, it's about the complicity of the government of Canada. A crushed seal-based economy means that the Inuit have to agree to oil and uranium mining in the Arctic.

Angry Inuk is also about the corrupt behavior of animal rights organizations like Greenpeace: seals are actually not on the endangered animal list but NGOs focus on them because they make them money.

It's an infuriating but incredibly important documentary. One that is not about how Canada has a bad history, but about how Canada is harming the Inuit right now.

Genre: Documentary

Actor: Aaju Peter, Alethea Arnaquq-Baril

Director: Alethea Arnaquq-Baril

A woman yearns to find her biological mother, another woman struggles with infertility, a third wants to connect with her rebellious daughter. Director Mike Leigh has the prowess to seamlessly weave these stories together, and part of the joy is knowing, that like clockwork, these narratives are set on a spectacular collision course.

As melancholy as it is optimistic and as funny as it is tragic, Secrets & Lies is a perfect example of Leigh’s oeuvre and earned him a Cannes’ Palme d’Or. The film features a full cast of his regulars with the fantastic addition of Marianne Jean Baptiste as Hortense - the woman who sets the wheels of the film in motion.

Genre: Drama

Actor: Alison Steadman, Amanda Crossley, Angela Curran, Annie Hayes, Anthony O'Donnell, Brenda Blethyn, Brian Bovell, Claire Rushbrook, Clare Perkins, David Neilson, Denise Orita, Elizabeth Berrington, Emma Amos, Frances Ruffelle, Gary McDonald, Gordon Winter, Grant Masters, Hannah Davis, Jane Mitchell, Janice Acquah, Jean Ainslie, Joe Tucker, Jonny Coyne, Kate O'Malley, Keylee Jade Flanders, Lee Ross, Lesley Manville, Linda Beckett, Liz Smith, Lucy Sheen, Margery Withers, Marianne Jean-Baptiste, Metin Marlow, Mia Soteriou, Michele Austin, Nitin Ganatra, Paul Trussell, Peter Stockbridge, Peter Waddington, Peter Wight, Phil Davis, Phyllis Logan, Rachel Lewis, Richard Syms, Ron Cook, Ruth Sheen, Sheila Kelley, Stephen Churchett, Su Eliott, Su Elliot, Su Elliott, Terence Harvey, Theresa Watson, Timothy Spall, Trevor Laird, Wendy Nottingham

Director: Mike Leigh

Rating: R

Mike Leigh’s forthright and compassionate depiction of working-class life extends to his period pieces as well. Imelda Staunton is remarkable as Vera Drake, a housekeeper in 1950’s London who quietly performs abortions on the side.

Leigh’s vigilant portrayal of class highlights the stark divide between abortion access for the poor and what is offered to the rich. The storytelling is simple and straightforward, he doesn’t over-sentimentalize or grandstand, but merely depicts conditions as they were. Meanwhile, Staunton’s Vera oozes so much fullness, warmth, and empathy, that the heartbreak that follows is mercilessly palpable. 

Genre: Drama

Actor: Adrian Scarborough, Alan Williams, Alex Kelly, Allan Corduner, Angela Curran, Anna Keaveney, Anthony O'Donnell, Billie Cook, Billy Seymour, Chris O'Dowd, Craig Conway, Daniel Mays, Eddie Marsan, Eileen Davies, Elizabeth Berrington, Emma Amos, Fenella Woolgar, Gerard Monaco, Heather Craney, Helen Coker, Imelda Staunton, Jake Wood, James Payton, Jane Wood, Jeffry Wickham, Jim Broadbent, Joanna Griffiths, John Warman, Judith Scott, Leo Bill, Lesley Manville, Lesley Sharp, Liz White, Marion Bailey, Martin Savage, Nicholas Jones, Nicky Henson, Nina Fry, Paul Jesson, Paul Raffield, Peter Wight, Phil Davis, Richard Graham, Robert Putt, Rosie Cavaliero, Ruth Sheen, Sally Hawkins, Sam Troughton, Sandra Voe, Sid Mitchell, Simon Chandler, Sinéad Matthews, Tilly Vosburgh, Tom Ellis, Vincent Franklin, Vinette Robinson, Wendy Nottingham

Director: Mike Leigh

Rating: R

Martin Bell documents the lives of youth living in the streets of Seattle in the early eighties with profound empathy. It's a type of filmmaking that doesn’t judge or condescend, but seeks to capture the humanity of its subjects. The result is a film bursting with life and laughter, and although tragedy lurks around every corner it isn’t over-sentimentalized or exploited, taking a backseat to the compassionate depiction of everyday moments. 

The audience is left to its own devices to pull together the extent to which these youth have been failed by a broken safety-net and the expired promise of an American dream. These ideas rise to the surface naturally and serve as a testament to the power of the documentary form when it’s loosened from the grip of mawkish narrators and sugary moralizing.

Genre: Documentary

Actor: Dewayne Pomeroy, Erin Blackwell, Lulu Couch, Patrice Pitts, Rat, Roberta Joseph Hayes

Director: Martin Bell

One of the most notable avant-garde filmmakers, Su Friedrich is both a tour-de-force of documentary filmmaking and queer cinema. In Sink or Swim, Friedrich explores the complicated dynamic between a distant, work-oriented father and young daughter longing for his attention, approval, and love.

At just barely 45 minutes, Sink or Swim is cinematic poetry. The movie slowly unfolds across six vulnerable vignettes, through which Friedrich invites the viewer to meditate on the past alongside her. Through photographs, archival footage, and loose narrative storytelling, Freidrich shows that storytelling is a way of both healing the past and learning to live with its ghostly figures.

Genre: Documentary, Drama

Actor: Jessica Meyerson

Director: Su Friedrich

Georgian dance has cut-throat competition: the art form is dying even within Gerogia, and to make it, dancers compete to join the one duo that represents the country. The chance finally comes and the spot opens up, igniting the hopes of performers from around the country. Mervan is one of them, a young dancer from a poor background who takes food from his restaurant job to feed his family. His main competition is a newcomer, Irakli, who also comes from a difficult background and hopes to secure the spot to provide for his ill father.

When their lives hang on them competing against one another, Mervan and Irakli fall for each other.

And Then We Danced is full of incredible dance sequences that add to the beauty of the romance at its center; but it's also a heartbreaking exploration of unfulfilled ambition.

Genre: Drama, Romance

Actor: Aleko Begalishvili, Ana Javakishvili, Bachi Valishvili, Giorgi Tsereteli, Mate Khidasheli, Ninutsa Gabisonia, Tamar Bukhnikashvili

Director: Levan Akin

Rating: 12