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Soul Mate has a familiar premise, has a standard love triangle, and at times, goes through the same formulaic story beats that any moviegoer would recognize. However, what makes the film unique is that it’s not focused on which character should get the guy, but on the friendship between two women and what's really driving them apart. In director Derek Tsang’s capable hands, we learn about their dynamic in fragments and through crucial moments. Gorgeous cinematography and editing turn memories golden in nostalgia. But it’s ultimately Zhou Dongyu and Sandra Ma’s performances that solidify the friendship. Theirs is a study of contrasts between the independent yet freeloading Ansheng versus the stable but yearning Qiyue. It’s the actresses who prove that the real soul connection can be found between these two women instead.

Genre: Drama, Romance

Actor: Cai Gang, Cindy Yao, Li Ping, Liu Beige, Ma Sichun, Toby Lee, Zhou Dongyu

Director: Derek Tsang, Derek Tsang Kwok-Cheung

Rating: Not Rated

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As an adaptation of the one-character play, it’s a delight to see Pauline Collins as Shirley Valentine rip into the signature monologue through fourth wall breaks– ranting, bantering, and raving to us about the unique follies of mundane domesticity. Collin maintains the same comedic timing and wittiness of the titular character that has captivated Liverpool, and then London, at the time. However, while critics found it easy to dismiss the script as a series of superficial, stagy ramblings, Valentine genuinely searches for life purpose, for herself, for her soul, confronting her younger aspirations, the box she was essentially crammed into due to marriage expectations, and the life that she sacrificed for family’s sake. Shirley Valentine may not have gotten the acclaim succeeding female mid-life crisis films have gotten, but it’s an underrated classic comedy that many can enjoy.

Genre: Comedy, Romance

Actor: Alison Steadman, Anna Keaveney, Bernard Hill, Cardew Robinson, Catherine Duncan, George Costigan, Geraldine Griffiths, Gillian Kearney, Joanna Lumley, John Hartley, Julia McKenzie, Ken Sharrock, Marc Zuber, Matthew Long, Pauline Collins, Ray Armstrong, Sylvia Syms, Tom Conti, Tracie Bennett

Director: Lewis Gilbert

Rating: R

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Released a month directly after Kyoto Inferno, Rurouni Kenshin Part III: The Legend Ends continues Kenshin’s journey, the same journey that revived the samurai chambara genre in recent years. As Japan made its shift towards a modern society in the Meiji era, Kenshin fights in promise to his master’s teachings, to wield his sword for life, rather than for the violence that once was the basis of power. The Legend Ends continues Rurouni Kenshin’s cinematic style with all the outstanding fight choreography, excellent production design, and exceptional cinematography, making it a must watch for fans of the genre as well as action fans in general, but those new to the franchise or those who have only watched the films might still find themselves lost with regards to the way this arc was structured.

Genre: Action, Adventure, Drama, Fantasy

Actor: Akifumi Uchida, Ayumi Beppu, Emi Takei, Hidekazu Mashima, Hiroko Yashiki, Kaito Oyagi, Kazufumi Miyazawa, Kenichi Takitoh, Kentarō Shimazu, Kota Yamaguchi, Mantaro Koichi, Maryjun Takahashi, Masaharu Fukuyama, Masataka Kubota, Min Tanaka, Mitsu Murata, Munetaka Aoki, Nayuta Fukuzaki, Ryosuke Miura, Ryunosuke Kamiki, Takeru Sato, Takeru Satoh, Tao Tsuchiya, Tatsuya Fujiwara, Tomomi Maruyama, Tôru Kizu, Yosuke Eguchi, Yu Aoi, Yukiyoshi Ozawa, Yuria Eda, Yûsuke Iseya

Director: Keishi Ohtomo, Keishi Otomo

Rating: R, TV-MA

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After a long life lived in a home one chose, it can be hard to uproot your entire life, especially in a country that seems diametrically opposed in manners and values. Before his American produced hits like Brokeback Mountain and Life of Pi, Ang Lee made his debut through Pushing Hands, a film entirely shot in America but produced from Taiwan, exploring from the Chinese perspective the generational conflict between Asian immigrants and the mainlander parents that they brought to have a good life. It’s humorous at certain moments, with the steady demeanor of Chu contrasted to everyone around him, but Pushing Hands stems from the understanding of someone who’s directly lived through it, unfolding into a thoughtful, sentimental drama that quickly established Lee’s directorial voice.

Genre: Comedy, Drama

Actor: Chit-Man Chan, Deb Snyder, Fanny De Luz, Haan Lee, Lung Sihung, Sihung Lung, Wang Bozhao, Wang Hung-Chang, Wang Lai

Director: Ang Lee

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Films about drug dealing aren't particularly new, but the way Pusher delves into their lives feels different– more realistic than glamorous, somewhat like a guerrilla documentary, with the handheld camera as a silent, unnamed witness. As the camera follows low-level dealer Frank through the course of a week, Kim Bodnia skillfully garners empathy with the way he holds himself through the pressure, and does the opposite when he does the same wrongs that were done to him. The story itself may be simple, but writer-director Nicolas Winding Refn made his mark through this debut, inadvertently creating a franchise and influencing Danish cinema.

Genre: Action, Crime, Drama

Actor: Gordon Kennedy, Gyda Hansen, Jesper Lohmann, Karsten Schrøder, Kim Bodnia, Lars Bom, Laura Drasbæk, Levino Jensen, Lisbeth Rasmussen, Liv Corfixen, Mads Mikkelsen, Michael Hasselflug, Nicolas Winding Refn, Peter Andersson, Slavko Labović, Thomas Bo Larsen, Vanja Bajicic, Zlatko Burić

Director: Nicolas Winding Refn

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Empirical truth is something that is observable, objective, and verifiable. However, without the ability to observe, one must find other means to obtain a set of observations– repeated, consistent answers to eventually parse out the reality. One must obtain proof. Proof is an Australian drama about a blind photographer named Martin, who uses his photos to get multiple viewpoints of what was present in that specific moment. Writer-director Jocelyn Moorhouse brilliantly uses that idea to craft a character that wields objectivity in order to protect himself and keep himself distant, as seen through the way he instantly trusts Andy due to his straightforward demeanor, and the way he attempts to drive away his housekeeper Celia to get her to see the worst of him, instead of the idealized, perhaps fetishized, image she creates of him. Proof challenges the photograph as a medium of truth, as well as the idea of complete honesty and trust in another person.

Genre: Drama, Romance

Actor: Belinda Davey, Cliff Ellen, Daniel Pollock, Frank Gallacher, Frankie J. Holden, Geneviève Picot, Heather Mitchell, Hugo Weaving, Jeffrey Walker, Russell Crowe, Saskia Post

Director: Jocelyn Moorhouse

Rating: R

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When the wider culture doesn’t treat you the same way they treat the majority, it’s sometimes necessary to get mad, pivot, and assimilate to the majority’s ways in order to navigate the country and advocate for your rights. That’s the path Northern Cheyenne activist Buddy Red Bow took in Powwow Highway, one borne out of clear love of the community. But the beauty of this Native American story is the way Buddy learns to heal, to reconcile with his community’s folklore, and to recognize the resistance in serenely keeping what the wider majority tried to erase. Powwow Highway won’t be a perfect depiction of Native American culture, but it speaks true to the anger and heart the community still feels to this day.

Genre: Comedy, Drama

Actor: A Martinez, Amanda Wyss, Gary Farmer, Geoffrey Rivas, Graham Greene, Joanelle Romero, Rodney A. Grant, Sam Vlahos, Wes Studi

Director: Jonathan Wacks

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The subject of the Catholic Pieta– the Virgin Mary cradling the corpse of Jesus– has captivated plenty of artists, most famously in the sculpture by Michelangelo in St. Peter’s Basilica. This time, however, director Kim Ki-duk twists the image into modern day Seoul, with a mourning mother and a loan shark in place of their more innocent inspirations. Though with more dialogue than his other works, Kim delves into this crime thriller with his signature slow burn, crafting an intense, emotional healing for the gruff, violent Lee Kang-do, while his past deeds come to catch up with him, and while he reckons with the way money has replaced all what makes life meaningful. While the (thankfully, pseudo-) incest may be hard to stomach, Pieta is nonetheless a haunting, compelling portrayal of revenge. Just don't watch this with your mom, though.

Genre: Drama

Actor: Cho Min-soo, Heo Joon-seok, Jin Yong-uk, Kang Eun-jin, Kim Jae-rok, Kwon Yul, Lee Jung-jin, Woo Ki-hong, Yoo Ha-bok

Director: Kim Ki-duk

Rating: NR

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When depicting a novel, book adaptations on film, especially earlier on in the medium, tend to be quite lengthy. The film version of Pelle the Conqueror does have this quality, and the storylines that aren’t directly connected to Pelle and Lasse do feel randomly stitched in. But, when this epic film focuses on Pelle and Lasse– their struggles immigrating to another country, dealing with harassment from the Danish majority, and the rare moments of joy once they finally figure things out– it shines. The legendary Max von Sydow and Pelle Hvenegaard (who was one of the many boys named after the title character) share a tender father-son dynamic that easily stirs one’s heart, and it’s all beautifully captured within Denmark’s lovely countryside. Pelle the Conqueror may only adapt the first of four volumes of the iconic Danish novel, but it does compassionately capture the struggles of the country’s impoverished immigrants.

Genre: Drama

Actor: Astrid Villaume, Axel Strøbye, Bjorn Granath, Buster Larsen, Erik Paaske, John Wittig, Karen Wegener, Kristina Törnqvist, Lars Simonsen, Lena-Pia Bernhardsson, Max von Sydow, Nis Bank-Mikkelsen, Pelle Hvenegaard, Sofie Gråbøl, Thure Lindhardt, Troels Asmussen, Troels II Munk, Troels Munk

Director: Bille August

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, 2023

Teen thrillers are fun, but there’s only so many times you can enjoy the warnings to not sneak out at night, to not give into peer pressure, and to not trust random strangers. NAGA is another teen night gone wrong, but unlike the regular suburban dangers, Sarah deals with, of all things, a vindictive camel out for blood, on top of teenage hijinks and other dangers women face in the conservative country of Saudi Arabia. While there are a tad too many events and some visuals might prove too dizzying for some viewers, NAGA is such a wild ride that’s so fun to follow.

Genre: Comedy, Drama, Horror, Thriller

Actor: Adwa Bader, Amal Alharbi, Jubran Al Jubran, Khalid Bin Shaddad, Yazeed Almajyul

Director: Meshal Aljaser

Rating: R

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Movie vampires are usually depicted in the spooky gothic way or the sexy, supernaturally romantic way. Mr. Vampire instead depicts this undead creature in a goofy manner, taking the Chinese jiangshi as an unfortunate mentorship program between Master Kau and his silly, incompetent assistants. It’s a bit corny, but director Ricky Lau creates action-packed yet comedic fights that Hong Kong cinema is known for, taking this creepy mythology with much more playfulness than we’re used to with vampires. Horror fans looking for a scare won’t find what they’re looking for in this flick, but action-comedy fans, as well as viewers that want to start watching horror films, might enjoy this slapstick satire in anticipation for Halloween.

Genre: Action, Comedy, Horror

Actor: Anthony Chan Yau, Billy Lau, Chan Ming-Wai, Chin Siu-Ho, Chow Gam-Kong, Huang Ha, Lam Ching-Ying, Moon Lee, Pauline Wong Siu-Fung, Ricky Hui, Tenky Tin Kai-Man, Wong Wan-Si, Wu Ma, Yuen Biao, Yuen Wah

Director: Ricky Lau

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Of course, it won’t be surprising that Man Bites Dogs is particularly violent, given that the entire film is basically a documentary of a serial killer. But even those used to the gore, murders, and gruesomeness might be taken aback by Benoît (Poelvoorde)’s immediate murders, the matter-of-fact explanations of how he selects his targets, the casual conversations about random topics inbetween kills, and the easy way he lures the filmmakers (and the audience) to the amusement he gains from all of it. Man Bites Dog isn’t an easy watch, and it definitely deserved its controversial reputation, but we can’t deny how hard it is to look away.

Genre: Comedy, Crime

Actor: André Bonzel, Benoît Mariage, Benoît Poelvoorde, Édith Le Merdy, Jacqueline Poelvoorde-Pappaert, Jenny Drye, Malou Madou, Rémy Belvaux, Valérie Parent

Director: André Bonzel, Benoît Poelvoorde, Rémy Belvaux

Rating: NC-17

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If given the outline of this film, it might be easy to just call it poverty porn. But there’s a genuineness to Mambar Pierrette that keeps this film from sliding into melodrama, a certain subtlety that captures the everyday life in Douala, Cameroon. Filmmaker Rosine Mbakam, who made her start through documentary films, brings her naturalistic style here, placing the titular seamstress front and center as she responds to each and every difficulty that comes her way. And as the flood comes, and so too her troubles, Pierrette Aboheu Njeuthat shines with a subtle charisma, a performance full of dignity for the titular single mother that carved out a life through her craft. Mambar Pierrette might have a familiar neo-realist story, but it’s done well due to its excellent balance.

Genre: Drama

Actor: Cécile Tchana, Fabrice Ndjeuthat, Karelle Kenmogne, Pierrette Aboheu

Director: Rosine Mbakam

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