9 Best Movies to Watch by Will Patton

Martin Scorsese had just spent a year prepping for The Last Temptation of Christ when Paramount Pictures unceremoniously pulled the plug on the movie just one month before production was due to start. After Hours was Scorsese’s way of exorcising all that disappointment and frustration, and you can feel it: this black comedy vibrates with manic intensity as it charts a night from hell in the life of Paul (Griffin Dunne), a somewhat scuzzy yuppie living in ‘80s New York City.

In keeping with its title — which suggests the movie is suspended in temporal limbo — After Hours feels like it takes place in some mythological hellscape, a demonic underworld in which everyone Paul meets has been sent forth with the express mission to make his life more miserable. Surreal coincidences pile up, deepening his paranoia and turning his simple goal of returning home into a labyrinthine quest for survival on the deserted, rain-soaked streets of SoHo. It’s the kind of celluloid nightmare that terrorizes and thrills you at the same time (a la the Safdie brothers’ best works, which draw inspiration from After Hours). Only a director of Scorsese’s caliber could turn profound professional disappointment into such a win as this.

Genre: Comedy, Drama, Thriller

Actor: Bronson Pinchot, Catherine O'Hara, Charles Scorsese, Cheech Marin, Clarence Felder, Dick Miller, Frank Aquilino, Griffin Dunne, Henry Judd Baker, John Heard, Larry Block, Linda Fiorentino, Margo Winkler, Martin Scorsese, Murray Moston, Paula Raflo, Robin Johnson, Rocco Sisto, Rockets Redglare, Rosanna Arquette, Stephen Lim, Teri Garr, Tommy Chong, Verna Bloom, Victor Argo, Victor Bumbalo, Victor Magnotta, Will Patton

Director: Martin Scorsese

Rating: R

Wendy (Michelle Williams) is a drifter driving up to Alaska in hopes of finding work. When her car breaks down, she and her dog Lucy are stranded and forced to scrounge for food and repairs, hitting one roadblock after another on her path to an uncertain dream. This sympathetic and solemn look at poverty from director Kelly Reichardt serves as a reminder of how easy it is to fall through the fragile American safety net.   

Reichardt’s uncompromising approach paired with Williams’s restrained performance makes the experience authentic and intense, recalling the work of Ken Loach. This natural sharpness makes for an engrossing watch that builds in power until the emotional release of the film’s heartbreaking conclusion. 

Genre: Drama

Actor: Ayanna Berkshire, David Koppell, Deirdre OConnell, Gabe Nevins, Greg Schmitt, Jeanine Jackson, John Breen, John Robinson, Larry Fessenden, M. Blash, Marilyn Faith Hickey, Michelle Williams, Roger D. Faires, Tanya Smith, Wally Dalton, Will Oldham, Will Patton

Director: Kelly Reichardt

Rating: R

British filmmaker extraordinaire Andrea Arnold (Fish Tank) draws the perfect portrait of two young American drifters who fall in love.

Star (Sasha Lane) runs away with Jake (Shia Laboeuf), a traveling magazine salesman with more experience on the road. The freedom is tempting at first, especially given her difficult situation at home, but Star is quickly confronted with the risks that come with running away.

American Honey is shot in a succession of moments that take place almost entirely during golden hour, as if to say that the best part of the day comes right before dark.

Genre: Drama, Romance

Actor: Andrea Arnold, Arielle Holmes, Chad Cox, Chris Bylsma, Crystal Ice, Isaiah Stone, Kaylin Mally, Kenneth Kory Tucker, Laura Kirk, McCaul Lombardi, Riley Keough, Sam Williamson, Sasha Lane, Shawna Rae Moseley, Shia LaBeouf, Veronica Ezell, Will Patton

Director: Andrea Arnold, 安德里亚·阿诺德

Rating: R

Many films have been made about that uniquely taut mother-daughter bond, but maybe none is as delicate as Janet Planet. The film, written and directed by playwright and first-time filmmaker Annie Baker, explores that relationship in a way that may jar viewers, initially. The pauses are heavy and long as Baker lingers on mood, expressions, and the tiniest of details, like a flicker of light or a sudden movement. There are more scenes without dialogue than with it. The plot is also nonexistent as it simply follows Lacy and Janet for the whole summer, and a little during the fall. But that’s not the point. The point is that we can feel that palpable love-hate tension between mother and daughter, and relate to it too. You only need to know where to look.

Genre: Drama

Actor: Elias Koteas, Julianne Nicholson, Mary Shultz, Sophie Okonedo, Will Patton, Zoe Ziegler

Director: Annie Baker

Rating: PG-13

Making a film is sort of a miracle– to make one can sometimes come into fruition through a lucky combination of connections, creativity and circumstances all perfectly aligning as if by fate. But making a film takes cash to do it. In the Soup is an independent comedy centered on an aspiring auteur meeting an eccentric, creative gangster that’s willing to do everything (including crime) to fund it. The film does mostly depend on conversations between characters, witty repartee and Steve Buscemi’s voice-over, but it does capture the importance of patrons in the artistic process, how silly some lofty artistic aspirations can be, and to never forget the human side of the filmmaking process, not just the solitary brainstorming.

Genre: Comedy, Drama

Actor: Carol Kane, Debi Mazar, Elizabeth Bracco, Jennifer Beals, Jim Jarmusch, Michael J. Anderson, Pat Moya, Paul Herman, Richard Boes, Rockets Redglare, Ruth Maleczech, Sam Rockwell, Seymour Cassel, Stanley Tucci, Steve Buscemi, Steven Randazzo, Sully Boyar, Will Patton

Director: Alexandre Rockwell

Rating: R