5 Best Movies to Watch by Toshinori Omi

Staff & contributors

Still Walking, Shoplifters, Broker), who generously allows up-and-coming directors to take the helm on certain episodes, The Makanai feels at once light and hefty, comforting and challenging. We're seeing mundane events unfold before us as if we were bystanders, but we also understand that there is so much more happening than what meets the eye. A prolonged gaze, a lovingly prepped meal, an especially sharp wing-eye, all of these have much to say about the state of mind of these girls. 

It’s a supremely gentle and culturally rich show with a tender heart; a truly great watch on all accounts.

Genre: Comedy, Drama

Actor: Ai Hashimoto, Aju Makita, Arata Iura, Jyo Kairi, Kairi Jo, Kanji Furutachi, Keiko Matsuzaka, Keiko Toda, Lily Franky, Mayu Matsuoka, Momoko Fukuchi, Nana Mori, Natsuki Deguchi, Ryota Suzuki, Takako Tokiwa, Toshinori Omi, Win Morisaki, Yukiya Kitamura

Director: Hirokazu Kore-eda, Hiroshi Okuyama, Megumi Tsuno, Takuma Sato

Rating: TV-14

As time goes by, the youth doesn’t recognize how connected they are to previous tragedies, more so when it comes to war. Some even say that they have no part in it. Nobuhiko Obayashi’s later years have been preoccupied in countering this idea. Casting Blossoms to the Sky is the first of Obayashi’s anti-war trilogy, with the film inviting its audience to follow a journalist rediscovering the city of Nagaoka after the 2011 Tohoku earthquake. There’s a certain dreamlike approach to the way the various war stories are weaved together, with vibrant frames, simple CGI, and prominent green screen that grants some distance between the audience and the actual wartime reality, but it’s no less potent as Reiko interviews those that remember the scars of the past, and the rituals, practices, and art they’ve taken up in response. Casting Blossoms is a depressing story about war and disaster, one that is a tough one to watch. But it never forgets the humanity, the kindness and love that allowed Japan to recover, the very qualities we must protect and remember in ourselves.

Genre: Drama, Fantasy, War

Actor: Akira Emoto, Bengal, Chōei Takahashi, Hirona Yamazaki, Hiroshi Inuzuka, Kanae Katsuno, Koji Ishikawa, Mansaku Ikeuchi, Masahiro Takashima, Masao Kusakari, Masayuki Yui, Mayuu Kusakari, Minami Inomata, Misako Renbutsu, Naoyuki Morita, Natsuki Harada, Saki Terashima, Seina Suzuki, Shiho Fujimura, Shirô Namiki, Sumiko Fuji, Takahito Hosoyamada, Takashi Sasano, Takehiro Murata, Takuro Atsuki, Tomoko Hoshino, Tōru Shinagawa, Toshie Negishi, Toshinori Omi, Toshio Kakei, Tsurutaro Kataoka, Yasuko Matsuyuki, Yuto Kobayashi

Director: Nobuhiko Obayashi

Coming-of-age films are usually optimistic, but sometimes, growing up isn’t as rosy as portrayed to be, as kids start to learn the failings of the adults that should know better and the tension that lies between sexes. Typhoon Club is like an anti-Breakfast Club, with the kids stuck in school overnight, not just one morning, due to a natural typhoon instead of randomly assigned detentions, and with the kids returning home traumatized instead of triumphant. Director Shinji Sōmai crafts a raw, turbulent experience, alternating between before, during, and after their stay that steadily heightens the uneasy, sometimes dangerous, experiences where these teenagers directly confront the disappointment that is adulthood. It’s a challenging film to watch, but Typhoon Club’s early exploration of teen ennui made it to be considered one of the best Japanese films ever made.

Genre: Drama

Actor: Kaori Kobayashi, Makoto Satō, Minori Terada, Saburo Date, Tomiko Ishii, Tomokazu Miura, Toshinori Omi, Youki Kudoh, Yuichi Mikami, Yuka Ônishi, Yuriko Fuchizaki

Director: Shinji Sōmai

The film follows Yuma, a young woman with cerebral palsy who dreams of becoming a manga artist but struggles to find independence while living with an overprotective mother. That, however, doesn’t stop her from applying to work at an erotica manga publishing house. In this moving narrative, the themes of identity and self-discovery are tenderly portrayed through the lens of disability as Yuma embarks on a  journey toward self-acceptance and sexual empowerment. Despite a rocky and somewhat dragging last act, the respectful depictions of sex work and disability make this film's warm heart feel genuine.

Genre: Drama

Actor: Eita Okuno, Haruka Imou, Itaya Yuka, Kiyohiko Shibukawa, Makiko Watanabe, Mei Kayama, Minori Hagiwara, Misuzu Kanno, Nanami Kawakami, Nobu Morimoto, Shizuka Ishibashi, Shohei Uno, Shunsuke Daitoh, Toshinori Omi, Yuka Itaya

Director: Hikari

Rating: R, TV-MA

Made to commemorate Toei Studio’s 70th anniversary, The Legend & Butterfly seemed like a good choice for this purpose. As a historical epic about the first Great Unifier of Japan, the film could have enabled the production company to show off their studio’s best in production design, set pieces, costumes, and score, through a familiar story Japanese audiences would care about. And with Nohime having a near blank slate in history, it gives enough creative freedom for the team to craft a heartrending romance. While the design aspects definitely succeeded, the romance did not. On top of this, the film’s focus on the romance takes away time, effort, and emotional resonance from the large-scale spectacular war battles that epics like these are known for.

Genre: Drama, History, Romance

Actor: Ai Mikami, Daisuke Honda, Haruka Ayase, Hideaki Ito, Hio Miyazawa, Hirotaro Honda, Ichikawa Somegorō VIII, Jun Hashimoto, Kinya Kitaoji, Kokoro Morita, Manabu Hamada, Mansaku Ikeuchi, Masato Wada, Miki Nakatani, Shuichiro Masuda, Takuma Otoo, Takumi Saitoh, Takuya Kimura, Toshinori Omi, Tsutomu Takahashi

Director: Keishi Otomo