2 Best Movies to Watch by Sathya Sridharan

1. World's Best, 2023

Much sweeter and much more bittersweet than one might expect, World's Best does some deceptively clever things with its major themes of math and rap. Somehow, this pre-teen coming-of-age story finds a way to play with preconceived notions of equations always resulting in certain answers, and of modern hip hop being all about swagger and status. Unsurprisingly (or maybe disappointingly for some), the film ultimately touches on grief and loss, which an increasing number of Disney films have been doing as of late. But World's Best keeps itself fresh through its sincere, energetic tone, colorful production design, and spirited performances by Utkarsh Ambudkar and the young Manny Magnus. So even when the rapping gets corny (which it does more often than it should), the spirit behind it is so endearing that it's hard to be mad.

Genre: Comedy, Family, Music

Actor: Chris River, Christopher Jackson, Dorian Giordano, Doug E. Fresh, Jake Choi, Jordan Heron, Jorja Rae Inksetter Lardy, Karan Soni, Kathryn Greenwood, Kayla Njeri, Manny Magnus, Max Malas, Maya McNair, Neil Crone, Noah Lamanna, Piper Wallace, Punam Patel, Robyn Matuto, Sathya Sridharan, Tricia Black, Utkarsh Ambudkar

Director: Roshan Sethi

Rating: PG

2. The Whale, 2022

At one point in The Whale, Brendan Fraser’s Charlie — a morbidly obese, reclusive teacher — describes an act of abject cruelty as “not evil” but “honesty.” Darren Aronofsky seems to believe the same about his movie, but alas, he's gravely misled, because The Whale is flooringly glib. From the outset, the film actively and incessantly tries to choreograph audience disgust for Charlie, all so that it can pull off a manipulative “he’s human, actually” swing later on — a “twist” that won’t work if you, you know, already accept people’s humanity irrespective of their appearance.

Cinematography, makeup, and score all conspire to paint Charlie as grotesque: the camera laboriously over-emphasizes his size and mobility issues, while histrionic music chimes in to frame trivial moments (like Charlie reaching to pick something up from the floor) as grand, tragic dramas. Even if you ignore all its needless cruelty, The Whale — which is adapted from a play — can never shed its stagy origins: the writing frequently reaches for transcendence, but its efforts are as subtle as its evidently retroactively-shoehorned-in-title. If it’s as sincere as it purports to be, this is one of the worst movies of recent years, and if it’s not — which is almost preferable — then it’s a landmark exercise in trolling.

Genre: Drama

Actor: Allison Altman, Brendan Fraser, Hong Chau, Jacey Sink, Sadie Sink, Samantha Morton, Sathya Sridharan, Ty Simpkins

Director: Darren Aronofsky