5 Best Movies to Watch by Sara Martins

Genre: Crime, Drama, Mystery, Thriller

Actor: Alexandra Mercouroff, André Dussollier, Anne Marivin, Brigitte Catillon, Christof Veillon, Daniel Znyk, Danièle Ajoret, Dorothée Brière, Éric Naggar, Eric Savin, Florence Thomassin, François Berléand, François Cluzet, Gilles Lellouche, Guillaume Canet, Hugo Sélignac, Jalil Lespert, Jean Rochefort, Jean-Noël Brouté, Jean-Pierre Lorit, Joël Dupuch, Kristin Scott Thomas, Laurent Lafitte, Ludovic Bergery, Marie-Josée Croze, Marina Hands, Martine Chevallier, Mikaela Fisher, Nathalie Baye, Olivier Marchal, Philippe Lefebvre, Samir Guesmi, Sara Martins, Thierry Neuvic

Director: Guillaume Canet

Rating: Unrated

Summer Hours centers on three siblings tasked with sorting the valuable pieces their mother left behind. Frédéric (Charles Berling), the eldest, has different ideas about inheritance than his overseas siblings. Will their beloved house stay or go? Will the art? The furniture? Can they afford to keep all these for sentimental reasons or would it be wiser to sell them? They go back and forth on these questions, rarely agreeing but always keeping in mind the life these seemingly inanimate objects occupy, as well as the memories they evoke, which are beyond priceless.  

Summer Hours resists melodrama, opting instead for the simple power of restraint—of unspoken words and charged glances. And the result is a quietly affecting movie that basks in the details to paint a wonderful, overall picture of home and family.

Genre: Comedy, Drama, Family

Actor: Alice de Lencquesaing, Arnaud Azoulay, Charles Berling, Dominique Reymond, Edith Scob, Émile Berling, Eric Elmosnino, François-Marie Banier, Gilles Arbona, Isabelle Sadoyan, Jean-Baptiste Malartre, Jérémie Renier, Juliette Binoche, Kyle Eastwood, Odile Michel, Philippe Paimblanc, Sara Martins, Valérie Bonneton

Director: Olivier Assayas

Rating: Not Rated

This anthology of 18 short films — directed by the likes of the Coen brothers, Gurinder Chadha, Wes Craven, and Olivier Assayas — is a cinematic charcuterie board. Each director offers their own creative interpretation of one north star: love in Paris. Romantic love is heavily represented, naturally, but in diverse forms: love that’s run its course, dormant love in need of rekindling, electric chance encounters, and, apt given the location, honeymoon love. Segments like the one starring Juliette Binoche and Alfonso Cuarón’s five-minute-long continuous take opt to focus on parental love instead, with the former also exploring love through the frame of grief. 

If this all sounds a little syrupy and sentimental, fear not: there are dashes of bubble-bursting humor from the Coens, whose short stars a silent Steve Buscemi as a stereotypically Mona Lisa-obsessed American tourist who commits a grave faux pas in a metro station. Instead of sightseers, some directors offer more sober reflections on the experience of migrants in the city, which help ground the film so it doesn’t feel quite so indulgent. Still, the limited runtime of each vignette (sub-10 minutes) doesn’t let any one note linger too long, meaning the anthology feels like a series of light, short courses rather than a gorge of something sickly.

Genre: Drama, Romance

Actor: Aissa Maiga, Alexander Payne, Axel Kiener, Barbet Schroeder, Ben Gazzara, Bob Hoskins, Bruno Podalydès, Catalina Sandino Moreno, Cyril Descours, Elias McConnell, Elijah Wood, Emilie Ohana, Emily Mortimer, Fanny Ardant, Florence Muller, Gaspard Ulliel, Gena Rowlands, Gérard Depardieu, Hervé Pierre, Hippolyte Girardot, Javier Cámara, Joana Preiss, Julie Bataille, Julien Béramis, Juliette Binoche, Leila Bekhti, Leonor Watling, Li Xin, Lionel Dray, Ludivine Sagnier, Maggie Gyllenhaal, Margo Martindale, Marianne Faithfull, Martin Combes, Miranda Richardson, Natalie Portman, Nick Nolte, Olga Kurylenko, Paul Putner, Rufus Sewell, Sara Martins, Sergio Castellitto, Seydou Boro, Steve Buscemi, Thomas Dumerchez, Wes Craven, Willem Dafoe, Yolande Moreau

Director: Alexander Payne, Alfonso Cuarón, Bruno Podalydès, Christopher Doyle, Daniela Thomas, Ethan Coen, Frédéric Auburtin, Gérard Depardieu, Gurinder Chadha, Gus Van Sant, Isabel Coixet, Joel Coen, Nobuhiro Suwa, Oliver Schmitz, Olivier Assayas, Richard LaGravenese, Sylvain Chomet, Tom Tykwer, Vincenzo Natali, Walter Salles, Wes Craven

Rating: R

The humor, oh the humor! It's a breath of fresh air to be laughing with a Woody Allen film and not at it. He is so good at capturing the cheekiness in meet-cutes, secrecies, and lies, all powdered with exaggerated Frenchness. Forgive my surprised tone, but Coup de Chance surpasses all expectations in the way it turns a rather banal plot into an entertaining game of cat and mouse, without overstepping the boundaries of good taste. In developing a story about female infidelity (or all infidelity, for that matter), one can be overly moralistic just to squeeze out laughs and empathy from the viewer, but Allen refrains from all those cheap tricks. His script is tight and at times ridiculously funny. Whether or not you get behind Fanny and her convoluted ways of seeking happiness, Coup de Chance will offer you plenty of instances to better understand the character in a constellation of other people, who are equally affected by her decisions. In a way, the film is a comedy of ethics as well — something the American director hasn't successfully done in a long, long while.

Genre: Comedy, Crime, Drama, Romance, Thriller

Actor: Anne Loiret, Arnaud Viard, Benoît Forgeard, Bruno Gouery, Christophe Kourotchkine, Constance Dollé, Elsa Zylberstein, Emilie Incerti-Formentini, Éric Frey, Grégory Gadebois, Guillaume de Tonquédec, Isabelle De Hertogh, Jamel Elgharbi, Jeanne Bournaud, Juliette Plumecocq-Mech, Lou de Laâge, Melvil Poupaud, Naidra Ayadi, Niels Schneider, Philippe Uchan, Sâm Mirhosseini, Samantha Fuller, Sara Martins, Valérie Lemercier, William Nadylam

Director: Woody Allen