4 Best Movies to Watch by Nigel Hawthorne

Staff & contributors

One of Shakespeare’s most indelible works is brought roaring to life in this explosive adaptation. The action is transposed from the 1400s to brutalist 1930s England, with the bloody civil war between the houses of Lancaster and York being waged by tanks and planes instead of cavalry. The switch isn’t merely cosmetic, though: in an inspired move, usurper Richard is reimagined here as the fascist head of an army of Nazi-esque Blackshirts (an analog of real militant far-right leader Oswald Mosley). Ian McKellen, who also co-wrote the screenplay, gives an odious but brilliant performance as the titular Machiavellian schemer who will stop at nothing to seize the crown, even betraying his own blood.

McKellen is joined by a gluttony of acting talent: Maggie Smith plays the King's despairing mother, Annette Bening and Robert Downey Jr. are the unfortunate American queen and her brother, while the likes of Jim Broadbent, Bill Paterson, Kristin Scott Thomas, and Jim Carter fill up the royal court. All the richness of Shakespeare’s original writing is retained, charging the performances and the film around them with a grand sense of drama. Peter Biziou’s ostentatious cinematography is a perfect frame for it all, and helps cement this as much, much more than a piece of filmed theater.

Genre: Drama, War

Actor: Adrian Dunbar, Andy Rashleigh, Annette Bening, Bill Paterson, Bruce Purchase, Christopher Bowen, Denis Lill, Derek Lyons, Dominic West, Donald Sumpter, Edward Hardwicke, Edward Jewesbury, Ian McKellen, James Dreyfus, Jim Broadbent, Jim Carter, John Wood, Kate Steavenson-Payne, Kristin Scott Thomas, Maggie Smith, Marco Williamson, Michael Elphick, Nigel Hawthorne, Robert Downey Jr., Roger Hammond, Tim McInnerny, Tres Hanley

Director: Richard Loncraine

Rating: R

With his long and extensive career, it can feel that Steven Spielberg can direct everything. The question is, can he direct a movie that depicted one of the most important freedom suits America has ever faced? Amistad, titled after the ship in the case, is his attempt, and while it does employ some tired tropes and it is a tad lengthy, it does a fair job of balancing the real history and the cinematic drama. Detractors have denounced this film as a white savior narrative due to the way the characters that go through the most growth are the white characters, but it’s Cinqué’s story that moves us through Djimon Hounsou’s performance and Spielberg's direction. Amistad is not perfect, but it at least ensures that Cinqué’s actual life would be remembered and learned from for much longer.

Genre: Drama, History, Mystery

Actor: Allan Rich, Anna Paquin, Anthony Hopkins, Arliss Howard, Austin Pendleton, Castulo Guerra, Chiwetel Ejiofor, Daniel von Bargen, Darren E. Burrows, David Paymer, Djimon Hounsou, Eric Bruno Borgman, Geno Silva, George Gerdes, Gerald R. Molen, Harry Groener, Hawthorne James, Jake Weber, Jeremy Northam, John H. Tobin, John Ortiz, Kevin J. O'Connor, León Singer, Matthew McConaughey, Michael Massee, Michael Riley, Morgan Freeman, Nigel Hawthorne, Paul Guilfoyle, Pedro Armendáriz Jr., Pete Postlethwaite, Peter Firth, Ralph Brown, Razaaq Adoti, Rusty Schwimmer, Stellan Skarsgård, Tomas Milian, Victor Rivers, Willie Amakye, Xander Berkeley

Director: Steven Spielberg

Rating: R

At first glance, The Madness of King George seemed like a history lesson about King George III. Like plenty of British royalty dramas, the film has all the opulent trappings in its sets and costumes, as well as some of the best actors from the British isles. However, unlike other depictions of the monarchy, the film depicts the king not as a benevolent ruler or oppressive tyrant– instead, King George III is terribly human, with his memory failing, being unsettled by loss, and concern over his health, which involves having to look at his urine. But the historical satire, based on the 1991 stage play, still manages to have the same mockery towards the opportunistic court, while still retaining sympathy for the very nobility it mocks, through original playwright Alan Bennett’s adept writing, as well as the excellent performance of the stacked ensemble cast.

Genre: Comedy, Drama, History

Actor: Adrian Scarborough, Alan Bennett, Amanda Donohoe, Anthony Calf, Barry Stanton, Caroline Harker, Charlotte Curley, Clive Brunt, Colin McPhillamy, Cyril Shaps, David Leon, Dermot Keaney, Geoffrey Palmer, Helen Mirren, Iain Mitchell, Ian Holm, Janine Duvitski, Jeremy Child, Jim Carter, Joanna Hall, John Wood, Julian Rhind-Tutt, Julian Wadham, Michael Grandage, Nicholas Irons, Nicholas Selby, Nick Sampson, Nigel Hawthorne, Paul Corrigan, Peter Woodthorpe, Robert Swann, Roger Ashton-Griffiths, Roger Hammond, Rupert Everett, Rupert Graves, Selina Cadell, Struan Rodger

Director: Nicholas Hytner

Rating: PG-13

When a student is accused of stealing something as small as a five shilling postal order, it just seems so miniscule that expelling the child, and the child’s family suing the college, can seem all rather ridiculous. And yet, that is exactly what happened in London just before the world war, a nationwide viral case that ended up to be depicted in The Winslow Boy. The mail order may seem small, and the court proceedings do feel sometimes tedious, but The Winslow Boy shines through its performances, the style, and the insistence to stand up for the truth, even when it means going against societal pressures and hierarchies to have truth recognized.

Genre: Drama

Actor: Aden Gillett, Colin Stinton, Gemma Jones, Jeremy Northam, Nigel Hawthorne, Rebecca Pidgeon, Sara Stewart, Sarah Flind

Director: David Mamet

Rating: G