5 Best Movies to Watch by Lily Franky

1. Shoplifters, 2018

The title of this 2018 Palme D'or winner is not to be taken metaphorically: Shoplifters is about a marginalized family of day workers, crooks, and small-time outlaws, who live on the fringes of Japanese society. Osamu (Lily Franky) and Nobuyo (Sakura Andô) both have jobs but spruce up their low-wage income by committing petty crimes. One day in winter, Osamu takes in a bruised girl he finds outside in the cold and introduces her to the family in his ramshackle house. But when the second-youngest member of the family, Shota (Kairi Jyo), finds himself teaching her how to shoplift, he faces a moral dilemma that threatens to unravel the family's fabric. If you were hitherto unfamiliar with the unique storytelling and social realism of Hirokazu Koreeda, we really recommend checking it out—as well as his other movies, namely, Still Walking, Like Father, Like Son, I Wish, and After the Storm. His 2018 outing features the last ever performance of Kirin Kiki, who plays the elderly matriarch and passed away that same year. Like many of Koreeda's works, Shoplifters is an understated, beautiful, and mysterious study of the effects of poverty and trauma and a delicate portrait of a family in Japan's urban underbelly.

2. After the Storm, 2016, 2017

There are many movies by the much-celebrated Japanese auteur director Hirokazu Koreeda on A Good Movie to Watch. Why? Because, like all the movies we showcase here, his work is often little-known, but unbelievably good. After the Storm is no different. Much like his other works, notably Like Father, Like Son, Shoplifters, and Nobody Knows, it deals with the topic of family dynamics, regret, and disappointment. But his movies are never dramatic downers but delicate dioramas, understated in tone. Once a successful writer, Ryota (Hiroshi Abe) is now a private detective who spends the little money he makes on gambling instead of paying child support. His ex-wife and son are increasingly alienated by his behavior until one day, during a storm, they all find themselves trapped in Ryota's childhood home. Subtly touching on notions of inter-generational bond and tension –⁠ Koreeda's works are mesmerizing and stick with you long after you've finished watching.

3. Like Father, Like Son, 2013

Koreeda's troubled childhood often serves as the inspiration for his poignant Japanese dramas that deal with loss, the meaning of being a child, and of being parent. In Like Father, Like Son, Ryota Nonomiya (Masaharu Fukuyama), a hard-working architect, who is married to his work, comes home from work. He receives a call from the hospital where his son Keita was born and learns that he was switched at birth with their biological son Ryūsei. His wife and him are not only faced with the prospect of having to switch the two six-year-olds back, but also with the rickety family his 'real' son grew up in—and his aversion to what they stand for. But who is real and who isn't? Must they be switched back? The age-old question of nature vs. nurture and the relationship of love and biology is at the heart of the parent's struggle. As always with Koreeda's works, the result is soft-spoken, sensitive, and symphonically directed. Winner of the Jury Prize at Cannes.

4. The Makanai: Cooking for the Maiko House, 2023

On the surface, The Makanai is a simple, slice-of-life show about food and friendship. While it is that, to be sure, it's also a substantial drama that tackles questions about art vs. love, and love vs. companionship, and career vs. purpose. Under the gentle guidance of showrunner Hirokazu Kore-eda (Still Walking, Shoplifters, Broker), who generously allows up-and-coming directors to take the helm on certain episodes, The Makanai feels at once light and hefty, comforting and challenging. We're seeing mundane events unfold before us as if we were bystanders, but we also understand that there is so much more happening than what meets the eye. A prolonged gaze, a lovingly prepped meal, an especially sharp wing-eye, all of these have much to say about the state of mind of these girls.

It’s a supremely gentle and culturally rich show with a tender heart; a truly great watch on all accounts.

5. Our Little Sister, 2016

Hirokazu Koreeda can do no wrong. The director of Shoplifters and Still Walking is a master of dissecting complex family dynamics through a handful of events. In Our Little Sister, three close sisters who live at their grandmother's house learn that their absent father has passed. They travel to the mountains to attend his funeral and meet their half-sister, Suzu, for the first time. Suzu is invited to live with the sisters and join their bond.

This movie is a true-to-the-form slice of life, it's almost drama-free. This absence of plot is an absence of distractions: the sisters are all that matters to Koreeda. His only focus is on how this family becomes bigger, sees past grief, and how the group of close-knit sisters that grew up together can make room for a new addition.