3 Best Movies to Watch by King Shih-Chieh

At nearly four hours long, A Brighter Summer Day is a sprawling, beautifully composed film that follows young Xiao Si’r and his eventual entanglements in nearly everything, from love to youth gangs to politics. While parts of the story, particularly its bone-chilling climax, are based on true events, the film is largely reconstructed from Edward Yang’s memories of the era he grew up in. As a result, the visuals feel crisp and true, tinged with just the right amount of nostalgia to balance the grittiness of its realism. 

As coming-of-age films go, A Brighter Summer Day is certainly more on the tragic side. It’s also seminal in its specificity and depth—an absolute must-watch for any and all filmgoers. 

Genre: Crime, Drama, Romance

Actor: Alex Yang, Chang Chen, Chang Han, Chang Kuo-chu, Chen Chang, Chen Shiang-Chyi, Chen Yiwen, Chiang Hsiu-Chiung, Chin Tsai, Chuan Wang, Danny Deng, Dao Nan Wang, Elaine Jin, Emily Y. Chang, Feng Guoqiang, Han Chang, Hsi-Sheng Chen, Hsu Ming, Joyce Ni Shu-Chun, King Shih-Chieh, Kuo-Chu Chang, Lang Tsu-Yun, Lawrence Ko, Liang-Tso Liu, Lisa Yang, Ni Shu-Chun, Ru-Yun Tang, Stephanie Lai, Tan Chih-Kang, Tang Ru-Yun, Tsu-Yun Lang, Wang Bosen, Wang Chi-tsan, Weiming Wang, Yi-Wen Chen

Director: Edward Yang

Rating: Not Rated

A City of Sadness is a film set in 1945, after Japan is defeated in the war and Taiwan is subject to uncertainties of a changing sociopolitical landscape. It follows the four Lin brothers, who each struggle in this tumultuous period — from Wen-heung, the eldest who gets on the bad side of a local gang, to Wen-ching, who chooses to stand against the Chinese Kuomintang government despite being deaf-mute. 

Instead of turning to the usual machinations of a historical family drama, director Hou Hsiao-hsien shows the vast expanse of Taiwanese countryside through steady, beautiful cinematography. In urban areas, the camera moves in scenes of sudden violence, which it pans toward until it exits frame for us to only hear the screams of people offscreen. There are also quiet interludes that barely last a minute, where dynamics between characters depict the anxiety of the times. Tony Leung, who plays the deaf-mute brother, hasn't refined the craft of subtle acting with his eyes yet, but traces of brilliance are already there. 

The trauma of rapidly changing times, as a nation is exploited from one war to the next, is depicted so clearly. The authoritarian state erodes families, and Hou paints a picture of a society on the brink, a representation of 1940s Taiwan that feels more like a tragic poem than a film.

Genre: Drama, History

Actor: Chan Chung-Yung, Grace Chen Shu-Fang, Hsin Shu-Fen, Jack Kao, Kelly Ko, King Shih-Chieh, Li Tian-Lu, Mei Fang, Tai Bo, Tony Leung Chiu-Wai, Tsai Chen-Nan, Wu Nien-Jen, 吴念真

Director: Hou Hsiao-hsien

Widely considered as the dawn of Chinese animation, Big Fish & Begonia frankly isn’t as outstanding as Japan’s Spirited Away, but it does share some of its charms. The awe-inspiring natural spirit world looks something akin to the worlds of Studio Ghibli, as well as the cute creatures, this time in dolphin-fish form. Even those unfamiliar with Chinese mythology can recognize the folklorish elements in the story, particularly the magic that feels reminiscent of Little Mermaid, and as each of the teen protagonists makes a sacrifice, it still tugs at the heartstrings. It’s not perfect, and the third act does get a tad convoluted, but Big Fish & Begonia still works emotionally as an homage to Chinese folklore.

Genre: Adventure, Animation, Fantasy

Actor: Ji Guanlin, Jie Zhang, King Shih-Chieh, Pan Shulan, Su Shangqing, Timmy Xu, Xue Lifang

Director: Liang Xuan, Zhang Chun

Rating: PG-13