2 Best Movies to Watch by K. Todd Freeman

Staff & contributors

Of the many violence-inflected black comedies that Pulp Fiction spawned, Grosse Pointe Blank ranks among the best. Though it’s patently inspired by Tarantino’s magnum opus — John Cusack plays a sardonic, amoral hitman, and the film features bursts of stylized violence and a retro soundtrack — it never feels derivative. The film finds its own identity as a quirky romcom when Cusack’s character, Martin Blank, returns to his hometown for a 10-year high-school reunion on the advice of his terrified therapist (Alan Arkin).

Martin is experiencing professional disillusionment as part of the quarter-life crisis that often takes hold when one realizes it’s been a whole decade since high school. His profession puts a darkly comic spin on that convention, but the film doesn’t treat that element entirely flippantly. Unlike Martin — and so many of the film’s Pulp Fiction-inspired brethren — Grosse Pointe Blank isn’t nihilistic, but quite sincerely romantic. Its hybrid nature and surprising heart come to the fore in Martin’s renewed relationship with the girlfriend he jilted at prom: Debi (Minnie Driver), now a ska-loving radio DJ. Cusack and Driver have sparkling chemistry, which makes the sincerity with which their characters grapple with the possibility of a second chance at happiness all the more absorbing to watch.

Genre: Action, Comedy, Drama, Romance, Thriller

Actor: Alan Arkin, Ann Cusack, Barbara Harris, Belita Moreno, Benny Urquidez, Bill Cusack, Bobby Bass, Carlos Jacott, Dan Aykroyd, David Barrett, Doug Dearth, Hank Azaria, Jenna Elfman, Jeremy Piven, Joan Cusack, John Cusack, K. Todd Freeman, Lance Gilbert, Michael Cudlitz, Minnie Driver, Mitchell Ryan, Steve Pink

Director: George Armitage

The first thing we learn about Dolores Roach is that she is a person of sensation and scandal, a masseuse who, as the newspaper clippings reveal, turned out to be a murderous cannibal serving human flesh to unwitting customers at a local eatery, a la Sweeney Todd. But the series is less about the horrors of the act and more about the woman behind the front. “I was never the blood-hungry sociopath people say I am,” Dolores claims early in the first episode. “I was just some chick in Washington Heights.” In an attempt to humanize Dolores, we’re made privy to the unforgiving circumstances surrounding her case, namely: the desperation of poverty, the relentlessness of discrimination, the brokenness of the criminal justice system, and the inevitability of gentrification, all of which play a crucial role in Dolores’ eventual descent into misdeed and madness. It’s an interesting idea, fleshing out her darkness in a comic tone and pitting it against systemic social problems, but sadly the show never pulls off the balance it needs to become an effective dark comedy. Maybe something was lost when it was adapted from a one-woman play to TV series, but it never really shakes off that amateur approach to telling its delicate story. The heavy-handed narration and the occasional gimmicks overshadow the horrific deaths that occur, and they don’t leave enough space for the story’s relevant themes to aerate and make a significant impact. It’s also not nearly as scandalous nor as sexy as it thinks it is, lacking passion both in its love and murder scenes. They come off scrubbed and squeaky, blunting what could have been, at the very least, a sharp murder thriller. 

Genre: Comedy, Drama

Actor: Alejandro Hernandez, Justina Machado, K. Todd Freeman, Kita Updike