4 Best Movies to Watch by Julie Delpy

Staff & contributors

Krzysztof Kieślowski’s trilogy reflects both the colors and the values of the French republic: liberté, égalité, fraternité. In Trois couleurs : Blanc (Three Colors: White), Kieślowski explores not only the theme of equality, but also the ramifications of defining and “achieving” equality as a European ideal.

After failing to consummate their marriage, Dominique (the ever-bewitching Julie Delpy) divorces Karol (Zbigniew Zamachowski), leaving him broke and humiliated. Karol plots to exact revenge on his ex-wife, becoming richer and cruller in the process. 

Although this is often regarded as the weakest of the trilogy, White is worth a watch not just for completionists. Kieślowski interrogates what it means to be equal in sex and socioeconomic class—and if when we strive to move upward in society, whether we are really debasing our basic humanity and humility.

Genre: Comedy, Drama, Mystery

Actor: Aleksander Bardini, Andrzej Precigs, Barbara Dziekan, Bartłomiej Topa, Bozena Szymanska, Cezary Harasimowicz, Cezary Pazura, Florence Pernel, Francis Coffinet, Grażyna Szapołowska, Grzegorz Warchoł, Janusz Gajos, Jerzy Nowak, Jerzy Stuhr, Jerzy Trela, Julie Delpy, Juliette Binoche, Krystyna Bigelmajer, Małgorzata Prażmowska, Marzena Trybała, Philippe Morier-Genoud, Piotr Machalica, Piotr Zelt, Teresa Budzisz-Krzyżanowska, Wanda Wróblewska, Zbigniew Zamachowski, Zdzisław Rychter

Director: Krzysztof Kieślowski

In war, sometimes, what stands between life and death is convenient papers, passable acting, and a buttload of luck. That was true of real-life World War II survivor Solomon Perel, whose story is depicted in Europa Europa. Somewhat like a Jewish Forrest Gump, all Perel wants to do is survive, but through his pretenses, he inadvertently witnesses the ideologies that tore the European continent apart, revealing the hypocrisy and arbitrariness of the ideas that needlessly pushed them into war. The film also acknowledges the toll it took on him, the way he finds friendship and love from the people who would have killed him if not for his lies. Europa Europa is a striking survival tale that proves how absurd real life can be.

Genre: Drama, History, War

Actor: Aleksander Bednarz, Aleksey Maslov, Alfred Freudenheim, André Wilms, Andrzej Mastalerz, Anna Seniuk, Artur Barciś, Ashley Wanninger, Bogusława Schubert, Bohdan Ejmont, Cezary Morawski, Delphine Forest, Erich Schwarz, Grzegorz Wons, Halina Łabonarska, Hanns Zischler, Holger Kunkel, Jan Paweł Kruk, Jarosław Gajewski, Jarosław Gruda, Jörg Schnass, Julie Delpy, Kama Kowalewska, Klaus Abramowsky, Marco Hofschneider, Martin Latallo, Martin Maria Blau, Michèle Gleizer, Nathalie Schmidt, Piotr Kozłowski, René Hofschneider, Ryszard Pietruski, Solomon Perel, Stanisław Zatłoka, Tadeusz Wojtych, Włodzimierz Musiał, Włodzimierz Press, Wojciech Skibiński, Wolfgang Bathke, Zbigniew Bielski

Director: Agnieszka Holland

Rating: R

Appropriately for its literary focus, The Lesson feels, in places, like the gripping adaptation of a bestselling psychological thriller. Unfortunately, though, its initial cleverness peters out in a contrived ending that ironically feels like it belongs to the pulpy airport fiction that one character accuses another of writing.

The Lesson’s early chapters (another way the movie’s form mirrors its content) crackle with tension, as Oxford grad and aspiring writer Liam observes the icy dynamics of the Sinclair family, whose son he’s been hired to provide university admission tuition to. The Sinclairs are still grieving the loss of another child, a process made more painful by the brittle ego of their patriarch — JM (Richard E. Grant), a celebrated author who happens to be Liam’s literary hero. Liam’s career ambitions complicate his position: he’s as much an enthusiastic student as he is a teacher here, and among the screenplay’s many suggestions is also Tom Ripley-style envy. The Lesson ultimately scuppers this complexity, though, as the writing eventually abandons its psychological study aspirations and swerves into melodrama, leaving the cast struggling to make it all believable. Still, while the ending may disappoint, there are juicy, intelligent ideas to be pondered over — not quite a bestseller, then, but definitely not airport fiction either.

Genre: Drama, Thriller

Actor: Crispin Letts, Daryl McCormack, Julie Delpy, Richard E. Grant, Stephen McMillan, Tomas Spencer

Director: Alice Troughton

Rating: R

Waking Life is composed exclusively of a series of conversations involving the main character, with him sometimes participating and sometimes just as a spectator. The discussions revolve around issues such as metaphysics, free will, social philosophy or the meaning of life. The title refers to a quote from Jorge Santayana: "sanity is a madness put to good uses; waking life is a dream controlled.", and the whole movie wanders around the state of a lucid dream, emphasized by the rotoscoping technique in which it was filmed. Waking Life is not just a movie worth watching, it is a movie worth watching a thousand times, because you will always notice something that you have previously missed out.

Genre: Animation, Drama, Fantasy

Actor: Adam Goldberg, Alex Jones, Bill Wise, Caveh Zahedi, Charles Gunning, Ethan Hawke, Glover Gill, Jason Liebrecht, Jeanine Attaway, John Christensen, Julie Delpy, Kelly Rebecca Nichols, Ken Webster, Kim Krizan, Lorelei Linklater, Louis Black, Mona Lee Fultz, Nicky Katt, Peter Atherton, Richard Linklater, Ryan Power, Steve Brudniak, Steve Fitch, Steven Prince, Steven Soderbergh, Timothy "Speed" Levitch, Trevor Jack Brooks, Wiley Wiggins

Director: Richard Linklater

Rating: R