7 Best Movies to Watch by John Turturro

Staff & contributors

In Lumon, a company that resembles the increasingly intrusive oligarchs of Big Tech, Mark (Adam Scott) and his colleagues undergo a procedure that allows them to separate their work memories from their non-work memories. It sounds like a dream: the perfect work-life balance. But things get complicated when one colleague mysteriously leaves and is replaced by confused new hire, Helly (Britt Lower). Mark and Helly dig into shocking truths about what they really do, and for whom.

Just like the endless halls of Lumon, Severance is filled with twists and turns, many of which are impossible to see coming. Slow, smart, and sneaked with a dystopian eerieness that doesn’t feel all that far off, Severance is sure to leave you wary of corporate slavishness, if you aren’t already. 

“What is happiness?” is one of those philosophical questions that seem destined to go unanswered, one that, when asked, starts a debate that splinters into smaller debates, all of which lead to nowhere. This film is sort of an embodiment of that question, but instead of being vague and pointless, it revels in mystery and multitudes. What is happiness? We follow five different people who attempt to answer that in their own ways. 

It might seem gimmicky to try to link strangers’ lives with the concept of happiness,  but in the hands of a brilliant director and ensemble, it becomes a treat. With its deeply human characters, smartly structured plot, and eloquent dialogue, Thirteen Conversations About One Thing is a rare gem of a film, as perceptive as it is poignant. 

I think it’s safe to say you’ve never seen a Pinocchio adaptation quite like Guillermo del Toro's Pinocchio. It still largely stays true to the source material, which is to stay it’s still about a father grappling with the loss of his son and a boy figuring out where he figures in the world. But the movie departs from it in significant ways too. Instead of a fairy tale setting, for instance, this Pinocchio has 1930s fascist Italy as its background, lending the film a realism and historicism that weren’t there before.

Stars Ewan McGregor, Christoph Waltz, Tilda Swinton, and newcomer Gregory Mann lend their voice in this tender and stellar stop-motion animated movie.

In Rounders, Matt Damon plays a law student and reformed poker player who is forced back into the game in order to help his newly-paroled best friend (Edward Norton) pay off overwhelming gambling debts. It’s an enjoyable insider’s look into the world of high stakes gambling and of Poker specifically, giving the viewer compelling insights into Poker in terms of strategy as well as human psychology. Damon and Norton are well-cast in their roles — Norton particularly great as the sleazy and manipulative “Worm”. Not-overly-surprising in its storytelling, yet highly enjoyable from beginning to end, this one will appeal to fans of gambling and sports films, as well as those who enjoy modern film noir and pseudo-noir films with a nice dramatic edge.

Spike Lee’s adaptation of Richard Price’s novel might appear lesser next to his best work, but it still a gorgeous showcase for all of his talents as a director. Its case is further bolstered by a stacked cast including Delroy Lindo, Harvey Keitel, Mekhi Pfifer, Isaiah Washington, and John Turturro. 

Clockers is set in the world of small-time drug-dealers during the crack epidemic, and much like The Wire (which Price would go on to write for) applies a multifaceted lens to the material. Lee’s uncompromising and emphatic direction lends a gorgeous gravity to the taut drama while top-notch performances fuel the emotional furnace at its core.