3 Best Movies to Watch by James Northcote

Staff & contributors

Danish writer-director Lars von Trier concludes his so-called Depression trilogy with the two parts of Nymphomaniac, an elaborate retelling of the life of a young woman (played by Stacy Martin and then, by Charlotte Gainsbourg) lived from one libidinous pleasure to another. The film's elaborate subplots have a life of their own and flashbacks often take center stage in Joe's auto-narration. Nymphomaniac I introduces the audience to adolescence and early adulthood, through disappointments, adultery, death drive, and extreme ambivalence. Joe's process of self-actualization seems contested and inspiring at the same time, and Gainsbourg is really given the screen time to shine; even more so than in Trier's previous psycho-social drama, Antichrist. Typically for the rich treasury of cultural references, Bach, Edgar Allan Poe, and Fibonacci play crucial parts in reconstructing the symbolic planes in Joe's story. Oh, and Part One opens with Rammstein's "Führe mich", which in itself is an perfectly valid reason to give it a go.

Genre: Drama

Actor: Ananya Berg, Anders Hove, Andreas Grötzinger, Charlie Hawkins, Charlotte Gainsbourg, Christian Slater, Christoph Jöde, Christoph Schechinger, Clayton Nemrow, Connie Nielsen, Cyron Melville, David Halina, George Dawson, Hugo Speer, James Northcote, Jamie Bell, Jeff Burrell, Jens Albinus, Jesper Christensen, Jesse Inman, Johannes Kienast, Jonas Baeck, Maja Arsovic, Markus Tomczyk, Mia Goth, Michael Pas, Nicolas Bro, Peter Gilbert Cotton, Saskia Reeves, Shia LaBeouf, Simon Böer, Sofie Kasten, Sophie Kennedy Clark, Stacy Martin, Stellan Skarsgård, Tomas Spencer, Uma Thurman, Willem Dafoe

Director: Lars von Trier

Rating: Not Rated, NR

, 2013

When it comes to British period dramas, aristocrats are rarely portrayed as Black until relatively recently, with colorblind casting tending to focus more on acting talent rather than how race would affect and shape a character. That being said, while rarely acknowledged, Black descendants of British aristocracy actually did exist, and one of whom has been depicted in Belle. With the excellent Gugu Mbatha-Raw making her film breakthrough here, Belle reckons with the difficult questions of race and sex in 18th century Britain, contemplating the real woman’s options in a world determined entirely by blood and inheritance, a discussion brushed aside in other period dramas, but one that should be examined. While director Amma Asante does take plenty of liberties in the actual facts, she also excellently balances both the fictional romance and the historical realities Dido Elizabeth Belle had faced, making both parts as compelling and as essential as each other.

Genre: Drama

Actor: Alan McKenna, Alex Jennings, Andrew Woodall, Daniel Wilde, Emily Watson, Gugu Mbatha-Raw, James Northcote, James Norton, Matthew Goode, Miranda Richardson, Natasha Williams, Penelope Wilton, Sam Reid, Sarah Gadon, Tom Felton, Tom Wilkinson

Director: Amma Asante

Rating: PG