3 Best Movies to Watch by Dawayne Jordan

Staff & contributors

In the year of the Netflix TV Show Maniac, another absurdist title stole critics’ hearts. Sorry to Bother You is a movie set in an alternate reality, where capitalism and greed are accentuated. Lakeith Stanfield (Atlanta) is a guy called Cassius who struggles to pay his bills. However, when at a tele-marketing job an old-timer tells him to use a “white voice”, he starts moving up the ranks of his bizarre society. A really smart movie that will be mostly enjoyed by those who watch it for its entertaining value, and not so much for its commentary. It is like a Black Mirror episode stretched into a movie.

Genre: Comedy, Fantasy, Science Fiction

Actor: Annie Chen, Armie Hammer, Damion Gallegos, Danny Glover, David Cross, David Fine, Dawayne Jordan, Ed Moy, Eric Jacobus, Forest Whitaker, James D. Weston II, Jermaine Fowler, Jerry McDaniel, John Ozuna, Jonathan Duffy, Kate Berlant, Kelly Williams, Ken Gamble, Lakeith Stanfield, Lily James, Marcella Bragio, Michael X. Sommers, Molly Brady, Omari Hardwick, Patton Oswalt, Robert Longstreet, Rosario Dawson, Safiya Fredericks, Shelley Mitchell, Steven Yeun, Terel Gibson, Teresa Navarro, Terry Crews, Tessa Thompson, Thessaly Lerner, Tom Woodruff Jr., Tony Toste, Val Garrahan, W. Kamau Bell, William W. Barbour

Director: Boots Riley

Rating: R

It’s hard to pin point exactly what makes this movie so good. It’s an all-around “movie” movie. I think it can be called a buddy comedy because it is about two best friends who are also movers. It’s about their day-to-day, their families and their relationships. They’re both from the underclass of Oakland, and one of them is black, the other is white. And that’s where it stops being a comedy and becomes a more hard-hitting film. It illustrates gentrification better than any other movie I’ve ever seen. It has relevant and striking commentary on the main characters’ race, upbringing, and identity. But at the end of the day, it has a great plot, and for the most part it’s an easy-flowing movie. It’s half entertainment, half social commentary, and both parts are equally well-done. It’s like movie unicorn, and it’s perfection. One of the two friends is played by Daveed Diggs, who you might know from Hamilton.

Genre: Comedy, Crime, Drama

Actor: Aviel Ayoung, Carlos López Estrada, Casey Adams, Cassie Hendry, Charles Johnson, Chris Harding, Daveed Diggs, Dawayne Jordan, Eduardo Ambriz DeColosio, Emmy Raver-Lampman, Ethan Embry, Geoffrey Quan, George Watsky, Janina Gavankar, Jasmine Cephas-Jones, John Lobato, Jon Chaffin, Jonathan Groff, Justin Chu Cary, Ke'Mari Moore, Kelli McCrann, Kendra Andrews, Kevin Carroll, Leland Orser, Margo Hall, Matt McAbee, Molly Shaiken, Nyambi Nyambi, Peter Fitzsimmons, Rafael Casal, Rahul Gupta, Rashida Clendening, Rayna Angélique, Sean Michael McGrory, Steven Wiig, Tina Gilton, Tisha Campbell, Tisha Campbell-Martin, Travis Parker, Utkarsh Ambudkar, Wayne Knight, Zack Duhame

Director: Carlos López Estrada

Rating: R

, 2024

Atlas is bad on every conceivable level. The writing is hackneyed, the cinematography is soulless, and the acting (save for a few) is one-dimensional. Only Jennifer Lopez and Sterling K. Brown are turning in serious performances, but somehow that makes the film worse, not better, because of how mismatched the energy is. If the acting wasn’t so serious, then Atlas could probably pass as camp—so bad and corny that it actually becomes fun to watch. If that’s the kind of film you’re looking for, then by all means, put on this Netflix film. But if you’re looking for genuine sci-fi fare, films with something meaningful and enlightening to say about the scary future of AI, then I suggest you look elsewhere.

Genre: Action, Science Fiction

Actor: Abraham Popoola, Amy Sturdivant, Briella Guiza, Dawayne Jordan, Gloria Cole, Gregory James Cohan, Howland Wilson, Jennifer Lopez, Justin Walker White, Lana Parrilla, Lesley Fera, Logan Hunt, Mark Strong, Mel Powell, Michelangelo Hyeon, Nicholas Walker, Paul Ganus, Samantha Hanratty, Simu Liu, Sterling K. Brown, Vaughn Johseph, Zoe Boyle

Director: Brad Peyton

Rating: PG-13