Aspiring writer-director Vita of My First Film is insufferable. When she starts out making her first feature, she’s pleasantly surprised by the people who came to help her, but the repetition of the shoot, the scene not matching the idea in her head, which she tries to put into image and word, but can’t quite make the vision clear, the anxiety and pressure to be a professional filmmaker blinding her from the concerns of her cast and crew all combine to an inevitable failure of her first feature, which also happens to inspired by Vita’s actual life. Vita is insufferable, but writer-director Zia Anger manages to make her real in an eclectic meta multimedia patchwork that won’t work for everyone, but uniquely depicts an experience filmmakers, aspiring or otherwise, haven’t wanted to talk about.
Aspiring writer-director Vita of My First Film is insufferable. When she starts out making her first feature, she’s pleasantly surprised by the people who came to help her, but the repetition of the shoot, the scene not matching the idea in her head, which she tries to put into image and word, but can’t quite make the vision clear, the anxiety and pressure to be a professional filmmaker blinding her from the concerns of her cast and crew all combine to an inevitable failure of her first feature, which also happens to inspired by Vita’s actual life. Vita is insufferable, but writer-director Zia Anger manages to make her real in an eclectic meta multimedia patchwork that won’t work for everyone, but uniquely depicts an experience filmmakers, aspiring or otherwise, haven’t wanted to talk about.