8 Best Movies to Watch From Les Films du Losange

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Éric Rohmer’s The Green Ray is the kind of film that you come away from being more honest with yourself. That effect is thanks to the contagious directness of its protagonist: Delphine (Marie Rivière), a newly single young French woman whose summer vacation plans have just been unceremoniously upturned after the friend she was going away with takes off with a man instead. Now at a loose end, the indecisive Delphine meanders between her home in Paris and several gorgeous holiday spots, but that old saying — “wherever you go, there you are” — proves true. Neither the beaches of Cherbourg and Biarritz nor the lofty beauty of an Alps resort can soothe her restlessness or give her what she’s looking for, probably because she doesn’t quite know what that is herself.

Delphine’s is an achingly familiar search for anyone who’s ever felt like they’ve drifted off of life’s path, but blessedly, the conversation-driven Green Ray doesn’t leave us wallowing in that despair. That’s partly thanks to its final moments — which rank among cinema’s most stunning — but mostly because Rivière, who improvised much of her incisive dialogue, puts into words things that so many have felt but few would admit. In that sense, The Green Ray feels as much like a miracle as its last shot does.

Genre: Drama, Romance

Actor: Béatrice Romand, Carita Holmström, María Luisa García, Marie Rivière, Rosette, Vincent Gauthier

Director: Éric Rohmer

In Things to Come, life tests a philosophy professor on the very same subject she teaches. For Nathalie (Isabelle Huppert) — who has two grown-up children, a husband of 25 years, and a recurring publishing contract — the future isn’t something she gives much thought, because she assumes it’ll be more of the same. When her students protest against a law to raise the pension age, this middle-aged ex-anarchist can’t bring herself to engage with their apparently far-sighted cause; unlike them, all she can think about is the present. But then a series of events overturn her life as she knew it and she finds herself, at middle age, staring at a blank slate.

This is a movie about our surprising ability to deal with disaster — the instincts that emerge when we least expect them to. What’s more, it’s about the insistence of life to keep going no matter how difficult a period you’re experiencing — something that might initially seem cruel but that is, actually, your salvation. The film’s academic characters and philosophical preoccupations never feel esoteric, because Hansen-Løve’s gentle, intelligent filmmaking puts people at its center as it explores human resilience — not through stuffy theory, but an intimate study of someone coming to terms with a freedom she never asked for.

Genre: Drama

Actor: André Marcon, Charline Bourgeois-Tacquet, Edith Scob, Edward Chapman, Elie Wajeman, Élise Lhomeau, Grégoire Montana-Haroche, Guy-Patrick Sainderichin, Isabelle Huppert, Jean-Charles Clichet, Julianne Binard, Lina Benzerti, Lionel Dray, Margaretta Scott, Olivier Goinard, Rachel Arditi, Ralph Richardson, Raymond Massey, Roman Kolinka, Sarah Le Picard, Solal Forte, Yves Heck

Director: Mia Hansen-Løve, Mia Hansen-Løve, William Cameron Menzies

Rating: Not Rated, PG-13

Éric Rohmer movies are what you watch when you want to experience the thrill of someone putting into words something you might never have been able to express yourself. The magic of his characters is that they’re breezily candid, even if that honesty doesn’t protect them from committing the same contradictory foibles we all do. Pauline at the Beach is a dazzling example of that quality; it may even be more honest than usual, because it also tells a truth about its characters that they’re not even aware of themselves.

The most perceptive character is actually the youngest: 15-year-old Pauline (Amanda Langlet), who’s vacationing with her older cousin Marion (Arielle Dombasle). Having never fallen in love herself, Pauline receives a thorough education in the matter by observing the love triangle that Marion becomes entangled in with needy Pierre (Pascal Greggory) and predatory Henri (Féodor Atkine). Though the adults give the film its brilliantly articulate philosophical meditations on love — ranging from the idealistic to the dispassionate — their actions often fall short of their words. Shot through Pauline’s keen eyes, Rohmer’s film wryly reveals the decisive role that delusion and unchecked ego play in so many grown-up lives — ironically making the self-aware and measured teenager the most mature of all.

Genre: Comedy, Drama, Romance

Actor: Amanda Langlet, Arielle Dombasle, Féodor Atkine, Pascal Greggory, Rosette, Simon de La Brosse

Director: Éric Rohmer

Rating: R

The sunniest installment of Éric Rohmer’s Tales of the Four Seasons series is a sly, slow burn of a character study. Everything looks sensuously beautiful in the honey-toned French sunshine, except for the ugly egotism of Gaspard (Melvil Poupaud), the full extent of which is gradually revealed over the film’s runtime to amusing — if maddening — effect.

A brooding twenty-something, Gaspard has the traumatic task of having to decide between three beautiful and brilliant young women while vacationing alone on the French coast one summer. He dithers and delays his choice, each woman appealing to a different insecurity of his — but, as frustrating and plainly calculating as he is, you can’t help but be charmed by Gaspard. That’s partly because of Poupaud’s natural charisma, but also because Rohmer grants Gaspard as many searingly honest moments as he does deceitful ones. These come through Rohmer’s hallmark naturalistic walking and talking scenes (a big influence on the films of Richard Linklater), coastal rambles that produce conversations of startling, timeless candor. That inimitable blend of breeziness and frankness is never better matched in the director’s films than by the summer setting of this one, the sharp truths going down a lot smoother in the gorgeous sunlight.

Genre: Comedy, Drama, Romance

Actor: Aimé Lefèvre, Amanda Langlet, Aurelia Nolin, Gwenaëlle Simon, Melvil Poupaud

Director: Éric Rohmer

Danish writer-director Lars von Trier concludes his so-called Depression trilogy with the two parts of Nymphomaniac, an elaborate retelling of the life of a young woman (played by Stacy Martin and then, by Charlotte Gainsbourg) lived from one libidinous pleasure to another. The film's elaborate subplots have a life of their own and flashbacks often take center stage in Joe's auto-narration. Nymphomaniac I introduces the audience to adolescence and early adulthood, through disappointments, adultery, death drive, and extreme ambivalence. Joe's process of self-actualization seems contested and inspiring at the same time, and Gainsbourg is really given the screen time to shine; even more so than in Trier's previous psycho-social drama, Antichrist. Typically for the rich treasury of cultural references, Bach, Edgar Allan Poe, and Fibonacci play crucial parts in reconstructing the symbolic planes in Joe's story. Oh, and Part One opens with Rammstein's "Führe mich", which in itself is an perfectly valid reason to give it a go.

Genre: Drama

Actor: Ananya Berg, Anders Hove, Andreas Grötzinger, Charlie Hawkins, Charlotte Gainsbourg, Christian Slater, Christoph Jöde, Christoph Schechinger, Clayton Nemrow, Connie Nielsen, Cyron Melville, David Halina, George Dawson, Hugo Speer, James Northcote, Jamie Bell, Jeff Burrell, Jens Albinus, Jesper Christensen, Jesse Inman, Johannes Kienast, Jonas Baeck, Maja Arsovic, Markus Tomczyk, Mia Goth, Michael Pas, Nicolas Bro, Peter Gilbert Cotton, Saskia Reeves, Shia LaBeouf, Simon Böer, Sofie Kasten, Sophie Kennedy Clark, Stacy Martin, Stellan Skarsgård, Tomas Spencer, Uma Thurman, Willem Dafoe

Director: Lars von Trier

Rating: Not Rated, NR

The film for which Kristen Stewart became the first American actress to win the César Award. The Twilight star turned indie prodigy plays next to another award favorite, Juliette Binoche, as her assistant. When rehearsing for the play that launched her career many years earlier, Binoche's character, Maria, blurs the line between fiction and reality, her old age and her assistant's young demeanor, and the romance story portrayed in the play and her own life. The movie itself is stylized as a play, adding another interesting layer of artistic creativity to the complex plot line. A film for film lovers.

Genre: Drama

Actor: Aljoscha Stadelmann, Angela Winkler, Ben Posener, Benoit Peverelli, Brady Corbet, Caroline De Maigret, Chloë Grace Moretz, Claire Tran, Gilles Tschudi, Hanns Zischler, Jakob Köhn, Jerry Kwarteng, Johnny Flynn, Juliette Binoche, Kristen Stewart, Lars Eidinger, Luise Berndt, Nora von Waldstätten, Nora Waldstätten, Ricardia Bramley, Sean McDonagh, Steffen Mennekes, Stuart Manashil

Director: Olivier Assayas

Rating: R

This 2009 Palme d'Or winner is filmed beautifully in black and white by Michael Haneke. In equal parts mysterious and disturbing, it is set in a northern German village in between 1913 and 1914 where strange events start to happen seemingly on their own. The people of the village, who feel as if they were punished, try to investigate it as the events start affecting them one by one. As they speculate on who is behind the acts that never stop, the film unfolds its slow but captivating plot. A brilliant and unique movie.

Genre: Drama, Mystery

Actor: Aaron Denkel, Anne-Kathrin Gummich, Arndt Schwering-Sohnrey, Birgit Minichmayr, Branko Samarovski, Burghart Klaußner, Burghart Klaussner, Carmen-Maja Antoni, Christian Friedel, Detlev Buck, Enno Trebs, Ernst Jacobi, Fion Mutert, Gabriela Maria Schmeide, Hanuš Polak jr., Janina Fautz, Jonas Jennerjahn, Josef Bierbichler, Kai-Peter Malina, Klaus Manchen, Krzysztof Zarzecki, Leonard Boes, Leonard Proxauf, Leonie Benesch, Levin Henning, Lilli Fichtner, Luzie Ahrens, Malin Steffen, Marcin Tyrol, Maria Dragus, Maria-Victoria Dragus, Marisa Growaldt, Mercedes Jadea Diaz, Michael Kranz, Michael Schenk, Miljan Chatelain, Paraschiva Dragus, Paula Kalinski, Rainer Bock, Roxane Duran, Sebastian Badurek, Sebastian Hülk, Sebastian Łach, Sebastian Pawlak, Simon Pawlowsky, Steffi Kuhnert, Stephanie Amarell, Susanne Lothar, Theo Trebs, Thibault Sérié, Ulrich Tukur, Ursina Lardi, Vincent Krüger

Director: Michael Haneke

Rating: R

, 2005

Beginning with a great opening shot of townhouse on a side street in Paris, only ti discovers that the shot is actually from a video sent to Anne and Georges Laurent (Juliette Binoche and Daniel Auteuil). The married couple who live in that house have no idea who sent the video. More videos appear and events unfold. I can't say much more about this film without ruining it, it's definitely one of those films better enjoyed if you go into it not knowing a lot. Directed by Michael Haneke who won the Cannes Best Director Award for it.

Genre: Drama, Mystery, Thriller

Actor: Aissa Maiga, Annie Girardot, Bernard Le Coq, Caroline Baehr, Christian Benedetti, Daniel Auteuil, Daniel Duval, Denis Podalydès, Diouc Koma, Dioucounda Koma, François Négret, Jean Teulé, Juliette Binoche, Laurent Suire, Lester Makedonsky, Loïc Brabant, Louis-Do de Lencquesaing, Marie Kremer, Marie-Christine Orry, Maurice Bénichou, Mazarine Pingeot, Nathalie Richard, Nicky Marbot, Paule Daré, Philippe Besson, Walid Afkir

Director: Michael Haneke

Rating: R