The OA is one of those things that you’ll either absolutely love or loathe. If you like sprawling supernatural shows (like Lost) with Biblical references (like Supernatural), then the OA should be right up your alley. It’s philosophical and dramatic, asking questions about existence and the afterlife, and it has plenty of mystery to keep you tuned in for more. The performances are great, too, with Jason Isaacs playing yet another memorable villain and Brit Marling playing a likable lead. Even supporting actors like Brandon Perea and Phyllis Smith get short but compelling roles. However, if you’re not a fan of talky, self-serious, long-winding stories, then maybe it’s best to look elsewhere.
The OA is one of those things that you’ll either absolutely love or loathe. If you like sprawling supernatural shows (like Lost) with Biblical references (like Supernatural), then the OA should be right up your alley. It’s philosophical and dramatic, asking questions about existence and the afterlife, and it has plenty of mystery to keep you tuned in for more. The performances are great, too, with Jason Isaacs playing yet another memorable villain and Brit Marling playing a likable lead. Even supporting actors like Brandon Perea and Phyllis Smith get short but compelling roles. However, if you’re not a fan of talky, self-serious, long-winding stories, then maybe it’s best to look elsewhere.