In Reboot, a famous sitcom from the early 2000s is revived for a modern audience. While members of the cast attempt to rekindle their fame, the writers behind the show stir up endless debates about what constitutes “funny” in an age of political correctness. The hijinks and meta-humor that arise from this are admirable, but what really makes Reboot tick is its obvious love for the sitcom format. Underneath all the jokes is a commitment to TV comedies; like the most typical of them, Reboot switches from laugh-out-loud hilarity to tender moments of joy and sorrow. The only difference is that Reboot benefits from being self-aware—it’s unafraid to make fun of itself and all the people and shows that came before it.
In Reboot, a famous sitcom from the early 2000s is revived for a modern audience. While members of the cast attempt to rekindle their fame, the writers behind the show stir up endless debates about what constitutes “funny” in an age of political correctness. The hijinks and meta-humor that arise from this are admirable, but what really makes Reboot tick is its obvious love for the sitcom format. Underneath all the jokes is a commitment to TV comedies; like the most typical of them, Reboot switches from laugh-out-loud hilarity to tender moments of joy and sorrow. The only difference is that Reboot benefits from being self-aware—it’s unafraid to make fun of itself and all the people and shows that came before it.