Find the best movies and show to watch from the year 2016. These handpicked recommendations are highly-rated by viewers and critics.
Like all great documentaries, Angry Inuk is about way more than its tagline. At first glance, it's about how anti-sealing activism has been harming Inuit communities since the 1980s, to the point of instituting the highest rates of hunger and suicide anywhere in the "developed" world. But beyond, it's about the complicity of the government of Canada. A crushed seal-based economy means that the Inuit have to agree to oil and uranium mining in the Arctic.
Angry Inuk is also about the corrupt behavior of animal rights organizations like Greenpeace: seals are actually not on the endangered animal list but NGOs focus on them because they make them money.
It's an infuriating but incredibly important documentary. One that is not about how Canada has a bad history, but about how Canada is harming the Inuit right now.
This autobiographical documentary covering the span of Brian DePalma’s 50+ year filmmaking career is taken from the man himself. From budget-less independent films to multi-million dollar box-office projects, he offers a fascinating professional history. But don’t expect critical analysis of his frequently controversial choices (such as the infamous oversized drill used as a murder weapon in Body Double)—he will acknowledge the existence of these issues, if only to grin and shrug them off, at times literally. What you can expect is to feel you are taken by the hand through Hollywood filmmaking experiences over the course of decades: negotiations, rewrites, stolen scripts, scuffling actors; tours of technical points of interest from his movies with commentary on deftly chosen film clips. You don’t have to be a fan to get a wealth of entertainment here. Not to be missed.
A zombie virus breaks out and catches up with a father as he is taking his daughter from Seoul to Busan, South Korea’s second-largest city. Watch them trying to survive to reach their destination, a purported safe zone.
The acting is spot-on; the set pieces are particularly well choreographed. You’ll care about the characters. You’ll feel for the father as he struggles to keep his humanity in the bleakest of scenarios.
It’s a refreshingly thrilling disaster movie, a perfect specimen of the genre.
This small movie set over one summer weekend is a tender and affecting coming-of-age drama.
Jack is a bullied adolescent who lives in a run-down small town. When his aunt falls sick, he has to take care of his cousin, a younger and even more vulnerable kid. Their relationship evolves in this sensitive drama that spans a quick hour and 15 minutes.
I can’t get a song out of my head from this movie: the 1985 UK hit Desire As from Prefab Sprout.
It plays when the two main characters, a sensitive kid who’s bullied by his school for not liking rugby, and the school’s rugby star; talk over the “Berlin Wall” that separates their dorm room.
The song echoes “It's perfect as it stands, so why then crush it in your perfect hands?”. These two seemingly incompatible personalities form a friendship that comes under threat from their school’s traditional authority, especially as one of them is revealed to be gay.
It might seem like a tough premise, but Handsome Devil is actually a comedy. It’s a sweet and easy coming-of-age comedy.
The Last Man on the Moon is a documentary about astronaut Eugene Cernan, Commander of the Apollo 17 lunar landing mission in 1972. Chronicled by Cernan himself as he reminisces on his life, the film follows his early career with the Navy, his recruitment and training as an astronaut, and his participation in 3 trips to space: Gemini 9A, Apollo 10 and eventually Apollo 17—the last of NASA’s six expeditions to the Moon. Cern also delves heartfully into his loss of friends as well as his regretfulness for missing out on so much family time while away. It’s a poignant and inspiring account, with Cern providing a fine lesson in the confidence and diligence in takes to pursue and accomplish one’s dreams
When Russian director Vitaly Mansky is commissioned by the North Korean government to make a documentary about an average Pyongyang child, he follows their every guideline. Except the end result, Under The Sun, is the complete opposite of what they had intended. For example starting every take earlier than they thought, he makes the documentary about the watchdogs around the child and other mechanisms of propaganda. He uses quiet storytelling to expose how brainwashing in a fascist regime takes place, and how the people caught in it function. May just be the smartest, most important film you can watch on North Korea.
Sunday Beauty Queen starts with a basic but startling fact: there are about 190,000 Filipina domestic workers in Hong Kong. They toil for six days a week, with little breaks in between, but on Sundays, the one day they are given rest, they choose to take part in a fabulous beauty pageant.
More than just a mere show, the pageant is a source of joy and relief for the migrant workers who, despite earning significantly more abroad than they would back home, are mired in a host of problems, including discrimination, loneliness, and underemployment. Because of the Philippines’ and Hong Kong’s stringent statutes, some helpers are also forced to go into hiding, unsure of who will protect them each time.
It’s to director Baby Ruth Villarama’s credit that the film feels both like a criticism and celebration of this migrant reality. She exposes the rotten system that forces these women to flee their country but doesn’t forget to highlight the humanity that keeps them going. This result of this deft balance is a story that is just as warm and exacting as any old home.
Classroom chatter and inside jokes; the rhythmic routine of class, band practice, and communal mealtime; colorful paints and a keen Shakespeare play; paperback books, pages bookmarked with dogears. These are the precious, ordinary wonders of Headfort, a preparatory boarding school in Ireland.
School Life observes Amanda and John Leyden, who have each taught at Headfort for over four decades. As they both near retirement, so too looms the promise of a tranquil retreat into the countryside—and questions of what they leave behind in their school, their classrooms, and their students. Idyllic and gentle, this documentary offers a brief but meaningful look into the school lives of bright children indelibly influenced by their earliest mentors.
Bryan Cranston, best known for his role as Walter White in the Breaking Bad series, stars as Robert Mazur, a federal agent, who goes undercover to infiltrate the trafficking network of Colombian drug kingpin Pablo Escobar. With the film based on Mazur’s memoir, Bryan Cranston gives an impressive lead performance that captures the intense distress that deep cover can bring. Besides Cranston, co-stars Benjamin Bratt, Diane Kruger, Amy Ryan, and an exceptional John Leguizamo are entirely persuasive and make the film experience enjoyable and intense. The Infiltrator is entertaining and maintains a good pace, with a great cast that makes it a true joy to watch, especially for those who enjoy stories based on real criminals.
There are two ways to sum up this documentary. One will make you decide against watching it. Here’s that pitch: This is the story of a homeless woman who was found dead.
Here’s the better pitch: That woman was highly educated and generally lived a happy life. But she also left behind a detailed journal that recounts her final days in one of the coldest winters on record. She lived on apples and rainwater and fought off insanity.
Her heartbreaking story is one of disappointment and betrayal by society at a time when she was most vulnerable. A haunting and compelling documentary that is sure to stay with you for a long time and, in a way, might help you take on adversity.
This drama from France and Canada is about Matthieu, a 33-year-old from Paris who never knew his father. One morning he gets a call to go to Montreal, where he is told his dad has passed away and where a funeral will take place.
To add to his confusion, upon arrival Matthieu is asked to conceal his identity from his step-mother and step-brothers.
A Kid is made as though the filmmaking styles from the countries it’s set in were mixed together. There are complicated family dynamics reminiscent of Xavier Dolan movies; and identity issues and comments on different compositions of families like the films of Mia Hansen-Løve.