14 Best Movies & Shows Released in 2014 On Netflix UK

Staff & contributors

Find the best movies and show to watch from the year 2014. These handpicked recommendations are highly-rated by viewers and critics.

Orlando von Einsiedel's epic documentary is at once a stunning natural film, an intimate human drama, and an intense political thriller slash investigative report. The titular Virunga National Park, a UNESCO world heritage site in Eastern Congo, serves as the magnifying glass through which we witness the natural, human, and political crisis of this embattled and volatile region. There are poachers killing endangered gorillas, the bloody business of Big Oil companies, government forces fighting a myriad of militias, and, lastly, the three individuals struggling to protect Virunga and its mountain gorillas from death and destruction. The result is a snap-crackle-pop-type situation, like sitting on a powder keg. The film captures all this superbly with great editing, compelling real-life material, and gripping action. Virunga's intensity can rival a well-made fictional thriller any day of the week.
Miles Teller plays Andrew Nieman, an ambitious young jazz drummer striving for greatness, who is edged towards breaking point by the sadism of his teacher and conductor, Terence Fletcher, played expertly by J.K. Simmons. Fletcher insults him, pressures him, and makes him cry in front of all his peers. Directed by Damien Chazelle, who was one of the youngest people to receive a Golden Globe and an Academy Award for the powerful La La Land, the aptly titled Whiplash poses some intense questions about artistry and ambition. Will Andrew survive? Will it lift him to a higher artistic level? Can his tormentor be appeased through accomplishment? It's almost impossible to single out the best part of this film, considering the flawless performances, masterful script, and meticulously crafted soundtrack. Cherishing the existential artist without giving easy answers, Whiplash is an inspiring watch.
The film stars Jake Gyllenhaal as Lou Bloom, an impromptu freelance videographer who begins covering the crime world in LA for a local TV station. Almost as dark as a mystery can get, it is disturbing, and plays out as a combination of "Drive" and "The Network". The film is visually stunning as well as immensely suspenseful. It then becomes almost impossible to look away, even when you're the most horrified by just how far Bloom is willing to go to reach success. Gyllenhaal's performance is widely compared to that of Robert De Niro in Taxi Driver, which should give you an idea of its caliber.

An amazing binge-worthy show that is a mix between a coming-of-age story, a romance, and a crime thriller. It tells the story of James, a 17-year-old who believes he is a psychopath (for some very convincing reasons). James decides he wants the victim of his first murder to be a new schoolmate, Alyssa.  He befriends her and keeps waiting for the perfect moment to kill Alyssa until he finds himself on a journey with her to escape her home. Somewhere near the middle of the show, and without you fully realizing it, it transforms from an original coming-of-age story or odd-boy-meets-odd-girl story to an intriguing view on adolescent insecurities and the role of parents into shaping them. It transforms from a mysterious, almost charming story to an interesting character study.  This is when the show will blow your mind.  It's a fresh, smart, funny yet disturbing emotional thrill ride.

 

It’s 1984 and miners in England are on strike against Prime Minister Margaret Thatcher’s plans to close pits. Their cause has unlikely appeal for Mark Ashton, a human rights activists who decides to take a group of people who had joined an early Gay Pride parade in London to rural England to show support for the (often socially-conservative) miners.

You can see how things might go wrong, but in this case they didn’t. This heartwarming tale is based on a true story. An easy, funny, and relevant movie about the bond that oppression brings to the oppressed. Super earnest, too.

Snowpiercer is an under-the-rader post-apocalyptic thriller that offers the grittiness that many times only Asian cinema may achieve. South Korean director Joon-ho Bong forces audiences to forget that Chris Evans was ever a Marvel superhero, as he leads a revolt of his fellow “low-class” citizens against the self-appointed gentry in a train that contains all remaining members of the planet. With immersive environments and a layered script, this film melds together social commentary and moral discourse in a visually arresting and vastly entertaining package.

Kilo Two Bravo (Originally named Kajaki) is a must-watch for anyone who likes war dramas. It tells the true story of British soldiers in the Afghanistan war who find themselves trapped in a minefield during a mission, with their rescue team coming in a helicopter that might set off mines if it lands. It's a slow, dialogue driven film that is interested in taking you to the war zone more than it cares about entertaining you. Ultimately, it becomes an essay on the horrors of war, and an anti-war war film. Because of this and given the blood and gore, this movie is definitely not for those who would feel nauseated at sight of blood. Great setting, good cinematography, realistic acting and script all do justice to the true story. It's a film that will grip your senses and keep you at the edge of the seat throughout.

Jeremy Renner (The Hurt Locker, The Town, Arrival) plays Gary Webb, a journalist in investigating the American government’s possible involvement in cocaine trafficking in Latin America. Based on a true story, it’s in the same vein as other recent movies on investigative journalism. Jeremy Renner’s performance is the main reason to watch this movie. Even as the story spins into deeper levels of complexity, he remains a coherent, steady point of reference. It was his chance to prove to directors that he can carry a big-budget movie and he nailed it.

This documentary is about the life of New York rapper Nas around the time of the release of his first album, Illmatic.

It spans a quick and summarized 74 minutes and, while embellished by the direction of street artist One9, it remains a great snippet of recent American history. Nas’s album was a reflection of many realities that characterized his upbringing, while the movie serves to further explore those very realities.

Though it starts off somewhat slow, I was delightfully surprised at how much I loved this movie. A 28-year-old man ventures through Europe with a buddy, ending in Copenhagen, where he hopes to contact the last of his family. There he enlists a local girl to help him. An interesting relationship unfolds as they take a captivating journey through Copenhagen in search of William’s grandfather. The tag line of the movie is “When the girl of your dreams is half your age, it’s time to grow up” and William really does have to grow up when he’s faced with his own personal tumult. The girl is played by Frederikke Dahl Hansen, who gives an exceptional natural performance, which adds even more to the abundance of charm in this film.

Pawn Sacrifice is a period drama about famed chess player Bobby Fischer (Tobey Maguire), following Fischer’s rise from his childhood in Brooklyn through to his famed matchup with Soviet Grandmaster Boris Spassky (Liev Schreiber) at the 1972 World Chess Championship. The film captures Fischer’s adolescence as a time of burgeoning mastery of the game, while struggling in a fatherless home and beset by early signs of mental illness. Set during the height of the Cold War, tensions between the United States and Russia play a critical role in the story, as they fuel many of Fischer’s fears and anxieties over perceived Russian spying and surveillance. His paranoia reaches a fever pitch in Reykjavik, Iceland, the site of his famous duel with Spassky for the world championship, leading to a remarkably compelling finale. Writer director Steven Knight and director Edward Zwick have crafted a striking depiction of a real-life genius grappling with fraying sanity, and Maguire is stunningly evocative as the abrasive and acerbic Fischer. For the viewer, no advanced knowledge of chess is necessary to enjoy this vivid depiction of one man’s historical achievement in the face of profound mental disturbance.