Find the best movies and show to watch from the year 2009. These handpicked recommendations are highly-rated by viewers and critics.
A fantastic and light Canadian comedy, the Trotsky stars Jay Baruchel as Leon Bronstein, a young man who believes himself to be the reincarnation of the Soviet leader Leon Trotsky. True to his past life, Leon soon begins a quest to organize a revolution at his father's clothing company, while dealing with the transition from ritzy private to a Montreal public school. Smart and pointed, the Trotsky is a gem not to be missed.
A sincere portrayal of the gritty British working class life through the coming-of-age story of a girl who loves rap music and dancing to it. It features a stunning and powerful performance from newcomer Katie Jarvis who had no acting experience whatsoever, and who was cast in the street after she was spotted fighting. She plays Mia, a 15 year old teenager whose world changes drastically when her mother's new boyfriend (played by Michael Fassbender) turns his eyes to her. Don't watch this movie if you are looking for a no-brainer, definitely do watch it if you are interested in films that realistically portray others' lives and let you into them.
An award-winning American independent Fantasy, Ink has become a sleeper hit worldwide. The film portrays a struggle between the forces of good and evil over the soul of a man and a little girl caught in between. The film's deliriously realized dream sequences make clear that no matter what life throws at you, in the end the path you take is yours to choose, leaving the viewer with the simple message that, yes, there is hope.
Dogtooth is a bonkers tale about three teenagers who live an isolated life on their family’s estate due to strict rules set by totalitarian parents. Their vocabulary is limited and their perception of the world is strange. They’re taught that cats are bloodthirsty monsters, that disobedience is grounds for horrific punishment, and that the world outside the house will kill them.
Equal parts bizarrely funny and disturbingly terrifying, director Yorgos Lanthimos pulls no punches with this fascinating examination of authoritarianism. As usual with his actors, they are directed to deliver lines in a matter-of-fact, often even deadpan manner, making the escalating lies and deceptions more and more unsettling as the film goes on. Thimios Bakatakis’ cinematography also places the twisted tale in a home that has a somewhat dreamlike beauty.
Those who enjoy dark, comical situations told with dry humor will be amused by Dogtooth. Those who enjoy stories that quietly build up to gruesome conclusions will also be amused by Dogtooth. It takes a unique mind to depict nameless children being subjugated and stripped of the fundamentals of conceptualization in an isolated world, and treat it as an absurdist comedy rather than a flat-out horror film. Lanthimos does it.
Tilda Swinton stars in this gorgeous Italian production by Luca Guadagnino, part of the director’s “Desire Trilogy”, together with Call Me By Your Name and A Bigger Splash.
Swinton learned to speak Italian and some Russian for the movie, where she plays - to absolute perfection - the wife of a Milan textile mogul who starts having an affair with a cook.
It’s an elegant family drama that’s definitely more concerned with aesthetics than substance, but the setting in snowy Northern Italy and lush 35mm film make that very easy to look past.
A mother and her two children move from Colombia to Queens, New York to join the father. Once there, he abandons them and moves to Miami.
With no family to fall back on, barely speaking English, an inexistent social welfare system and two little kids who require care; the mother quickly runs out of options. At first, she tries to sell empanadas in the street, then tries to become a temporary worker, but a mixture of obstacles keeps getting in the way.
Entre Nos is about the precariousness of the immigrant experience: about how quickly things can go wrong. But it’s also about how survival instincts and motherly love can stand in the face of complete desperation.
Polytechnique directed by Denis Villeneuve, is a dramatization of the 1989 Montreal massacre of multiple female engineering students. This film focuses on a male student navigating the massacre for the majority of the film’s run time. The performances and minimal dialogue in this film certainly make this an unnerving film to watch. Littered with the screams of the actors portraying the engineering students, this could be mistaken as a gaudy horror film. However, this is far from a fictionalized horror.
This Villeneuve classic is undoubtedly one of the most emotionally brutal films of the 2000s, yet I appreciate the honesty of the storytelling. Polytechnique encourages its audience to ask itself if it truly understands the truth of misogyny.
I didn't know anything about the movie before watching it (this was my husband's pick for 'one of us picks something that the other knows nothing about' night). It is Korean, sweet, funny, touching, unique, odd, poignant. I think the fact I knew nothing about the movie when I watched made it even more enjoyable so I hesitate to write more details in this review! Since watching it I have read that an American remake may be in the works, so I would recommend watching it before there is too much info out there about what is destined to be a less charming and successful version
Shot as a single day, it tells the story of college professor George (Colin Firth) who, unable to cope with the death of his partner months prior, resolves to commit suicide. The movie is not all dark, however, there are moving, deeply human encounters as George moves through his last day. Fashion designer Tom Ford's directorial debut and set in 1960s Los Angeles, it speaks powerfully of the colour-stripping effects of grief and loneliness. Fantastic performance also by Julianne Moore as Charley, an equally lonely and desperate character, but with a markedly different story. A Single Man is a gorgeous film in every sense of the word.