6 Best Movies & Shows Released in The 1970s

Staff & contributors
A film like Autumn Sonata shouldn’t work; on paper, it’s simply a confrontation between a resentful daughter and her vain mother. But in the masterful hands of Ingmar Bergman, their knotty relationship unfolds in thrilling, cathartic, and painfully relatable ways. Every accusation feels like a lashing. Every breakdown rips your heart. As a viewer, you sympathize with whoever is onscreen--that’s how real each character seems. You root for the neglected daughter, but also for the pianist who followed her heart and chose career over children. As with most Bergman films, Autumn Sonata feels like an evisceration of one’s soul, but it will feel extra relatable to those of us who’ve harbored secret resentments over our parents or children.

Genre: Drama

Actor: Erland Josephson, Gunnar Björnstrand, Halvar Björk, Ingrid Bergman, Lena Nyman, Liv Ullmann, Marianne Aminoff, Mimi Pollak

Director: Ingmar Bergman

Rating: PG

Before the advent of cruel reality shows and their doomed attempts at realism, and before shows and movies like The Office and Borat made mockumentary the popular genre that it is today, there was a little Albert Brooks film called Real Life. In it, Brooks plays a version of himself obsessed with portraying the “real life” of a classic American family on film, and yet whenever he feels bored, he can’t help but meddle and poke at his subjects to start a fire. The results are unexpected. The humor is quick and deadpan. The satire is sharp and frighteningly prescient. It’s the perfect movie about how truth—no matter how hard we try—can never really be captured in a form like film. All the while Brooks keeps you on your toes with his razor-sharp script. Your favorite mockumentary films will suddenly feel small after watching this underrated great.

Genre: Comedy

Actor: Albert Brooks, Charles Grodin, David Spielberg, Dick Haymes, Frances Lee McCain, Harry Shearer, J.A. Preston, James L. Brooks, James Ritz, Jennings Lang, Johnny Haymer, Julie Payne, Lisa Urette, Norman Bartold, Robert Stirrat, Thelma Leeds

Director: Albert Brooks

Rating: PG

Making a video for a concept album isn’t particularly new, but you’d be hard pressed to find a feature as whimsical as Harry Nilsson’s The Point. Framed as a fable a father tells his son, The Point takes Nilsson’s psychedelic soundtrack to score a pun-filled fairytale with a seemingly on-the-nose moral, but the combination proves to be charming, as Oblio’s journey unfolds in children’s storybook scrawling and watercolor fills, and expands past the obvious message about acceptance into interesting, if a bit rambling, forays about meaning, power, and community. The Point! is quite obvious, but the film reaches it through surprisingly simple genius.

Genre: Adventure, Animation, Family, Fantasy

Actor: Alan Thicke, Bill Martin, Buddy Foster, Dustin Hoffman, Joan Gerber, Lennie Weinrib, Paul Frees, Ringo Starr

Director: Fred Wolf

Rating: NR

Filmed in 1970s Manila, at the height of dictatorship in the Philippines, Manila in the Claws of Night is above all else a political statement—against tyranny, yes, but more significantly, against imperialism, capitalism, and class divide. It’s a weighty film, but director Lino Brocka, with help from cinematographer Mike de Leon, balances his potent ideas with stunning visuals. He captures Manila’s essence perfectly: neon signages point to its crippled reliance on capitalism, while the clash of old structures and weak new buildings point to colonialism’s reigning grip. Those familiar with the wrought history of the Philippines (or other third-world countries subjugated and then forgotten by Western powers, for that matter) will relate to Julio’s struggles. Those who aren’t, however, are in for an eye-opening experience.

Genre: Drama, Mystery

Actor: Bembol Roco, Hilda Koronel, Joe Gruta, Joonee Gamboa, Lily Gamboa Mendoza, Lorli Villanueva, Lou Salvador Jr., Orlando Nadres, Sibyl Santiago, Spanky Manikan, Tommy Abuel

Director: Lino Brocka

“What if I meet my soulmate while in a relationship with someone else?” It’s a worry we’ve all had, but The Heartbreak Kid’s protagonist Lenny takes it a step further. He acts upon his desires and pursues a woman he met while on a honeymoon trip with his wife. Suddenly, the lines are blurred. Is he being romantic or irrational? Positive or delusional? If he’s such a prick, why is his character so compelling? Why is he so easy to root for? The Heartbreak Kid has been labeled a romantic comedy, and it is, but it’s also a character study about the so-called Nice Guy, the leading men who feel entitled to good things because they don’t (overtly, at least) treat their partner like a hunk of meat. It’s also a lesson in how we tend to use people and confuse things like aspiration and fear of loneliness for love. Plenty of things happen all at once in The Heartbreak Kid, making it a bit more layered than your typical romcom.

Genre: Comedy, Romance

Actor: Art Metrano, Audra Lindley, Augusta Dabney, Charles Grodin, Cybill Shepherd, Doris Roberts, Eddie Albert, Jeannie Berlin, Joel Thingvall, William Prince

Director: Elaine May

Rating: PG

Robert Altman’s 3 Women begins normally—it follows the flirtatious Millie, the childlike Pinky, and the silent Willie, all of whom seem to represent different phases of womanhood. Their interactions are mundane but relatable, but then the film takes a turn for the surreal. Mysterious people show up. Personalities are exchanged. Questions are never resolved. As in a dream, the lack of logic in 3 Women makes sense: you follow the women and the strange things happening around them because it feels imperative and significant. This is the kind of film that will inspire endless debate and discussions once the credits roll in. Alternatively, it could leave you stunned, already trying to remember what just happened as if you’ve just woken up.

Genre: Drama

Actor: Barrie Youngfellow, Belita Moreno, Craig Richard Nelson, Dennis Christopher, Janice Rule, John Cromwell, Mary Carver, Maysie Hoy, Robert Fortier, Ruth Nelson, Shelley Duvall, Sierra Pecheur, Sissy Spacek

Director: Robert Altman

Rating: PG