536 Best TV-MA Movies to Watch (Page 8)

After the only war the Americans have lost, American post-Vietnam war portrayals tend to lean as patriotic revenge fantasies or romanticized disillusionment, but rarely do they portray the people caught in between. HBO’s The Sympathizer is an adaptation of the Pulitzer winning novel of the same name, and while it’s mainly an American production, Park Chan-wook and Robert Downey Jr.’s collaboration sticks to the Captain’s perspective, as the unnamed mole protagonist writes his confession years after from a jail in Vietnam. Chan-wook excellently mirrors his approach to Viet Thanh Nguyen’s agile storytelling, shifting time periods and languages the same way the Captain shifts perspectives, though Nguyen’s dry humor sometimes wavers when translated to the screen. Still, it’s certainly a well-crafted, ambitious depiction coming from a unique perspective.

Genre: Comedy, Drama, War & Politics

Actor: Alan Trong, Duy Nguyen, Fred Nguyen Khan, Hoa Xuande, Kiều Chinh, Nguyễn Cao Kỳ Duyên, Phan Gia Nhật Linh, Robert Downey Jr., Sandra Oh, Toan Le, Vy Le

Rating: TV-MA

Intricately constructed and unbearably suspenseful from beginning to end, the first season of The Promised Neverland is a masterclass in using the episodic structure of TV to maximize the effect of a mystery-driven thriller. By placing us firmly within the perspective of its child protagonists (who are, to be fair, incredibly smart and determined), every step towards freedom still feels like a shot in the dark, and every setback becomes increasingly more devastating. Even as the season hurtles towards its conclusion, it never becomes clear how much its characters will succeed, if at all. Intelligent editing and animation that goes from ominous to fully grotesque ensures that something always feels off or too good to be true, no matter what.

And it says a lot about the sheer quality of the first season that it's still worth recommending despite a truly awful, rushed second season, which ignores its own themes and resorts to lazy animation just to get through the story faster. Viewed as a two-season series, The Promised Neverland can't help but look disappointing, squandering an exhilarating first half with developments that lead nowhere. But even on its own, season one stands tall as a stunning achievement in anime—a self-contained story of selflessness and hope in the face of dehumanization and despair.

Genre: Action & Adventure, Animation, Crime, Drama, Horror, Mystery, Sci-Fi & Fantasy, Thriller

Actor: Ai Kayano, Ari Ozawa, Erisa Kuon, Hiyori Kono, Lynn, Maaya Uchida, Mari Hino, Mariya Ise, Nami Fujita, Nao Fujita, Shinei Ueki, Shizuka Ishigami, Sumire Morohoshi, Yoshino Aoyama, Yuhko Kaida, Yuko Mori

Rating: TV-14, TV-MA

Anyone tired of the same old cliches found in true crime shows (and there are a lot of them) will feel reinvigorated watching The Jinx. Director Andrew Jarecki goes one step further from the usual fare by interrogating the subject, himself an unnerving character, and unearthing evidence that changes the trajectory of his story. The Jinx is a great true crime documentary in that it’s gripping and well-researched, but it’s also great television, point blank. It’s thought-provoking, unsettling, and strives to always keep the viewer at the edge of their seat.

Genre: Crime, Documentary

Actor: Andrew Jarecki, Robert Durst

Rating: TV-MA

With years of films depicting Italian crime syndicates, most focus on their leaders – the Dons, the Capos, and the Consiglieres. Most of them focus on the mafia’s men. However, in this series, it’s the women who are the stars of the show. Based on the novel of the same name, The Good Mothers is a compelling crime drama, focused on the women, not the men, of the 'Ndrangheta clan. It’s from their perspective we see the mafia. The masterful way the series unfolds makes it clear that their lives are constrained, that this dated way of life still prioritizes the family over their individual women. It makes it all the more satisfying when they’re given the opportunity to retaliate, and when they choose to take that opportunity. And it’s so much better knowing that this was real.

Genre: Crime, Drama

Actor: Barbara Chichiarelli, Francesco Colella, Gaia Girace, Marco Zingaro, Micaela Ramazzotti, Simona Distefano, Valentina Bellè

Director: Elisa Amoruso, Julian Jarrold

Rating: TV-MA

When talking about pioneers of the mockumentary format, people like Larry David (Curb Your Enthusiasm), Garry Shandling (The Larry Sanders Show), and Ricky Gervais (The Office) come to mind, but rarely do people bring up Lisa Kudrow, whose entry in cringe comedy is just as funny and prickly as the ones mentioned above. The Comeback, which she co-created and stars in, is peak awkward comedy. Kudrow plays Valerie with the same narcissism, desperation, and lack of self-awareness as your usual comedy anti-hero, but she also gives her character vulnerability and depth, making you want to protect and root for her even in the cringiest of moments. The show itself is also a piercing satire that knows, way before anyone else, exactly what to poke fun at. In 2005, when the show first aired, it critiqued the shallowness of reality TV and network sitcoms, as well as the blatant sexism that occurred not just onscreen but behind it as well. In fact, the darkest moment of the show happens in the writers’ room. And when it was resurrected in 2014 (to the shock of everyone) it satirized the bloat of prestige TV and how much it got away with under the guise of being edgy. Who knows if The Comeback will make another comeback, but best believe it will be ahead of its time and probably, unfortunately, fly under the radar once more.

Genre: Comedy, Drama

Actor: Damian Young, Lance Barber, Laura Silverman, Lisa Kudrow, Robert Michael Morris

Rating: TV-MA

Do mysteries get better the more questions you resolve? They often don’t, plus resolutions can also eliminate a need for rewatching. But that’s not the case here with Tales from the Loop, a story that gets tighter and more substantial the more answers you get. It goes for an eerie, atmospheric vibe, allowing viewers to get a feel for the world with a slow burn unveiling of context. There’s a gloom to the way it handles the bridge between reality and its (for lack of a better word) supernatural, but it’s still a comfort to watch. It’s easy on the eyes, dialogue and performances are measured, and if you have the headspace for long episodes, it’s a well-executed show in general that’s worth your time.

Genre: Drama, Mystery, Sci-Fi & Fantasy

Rating: TV-MA

Search Party starts off with a simple mystery: whatever happened to Chantal, that girl Dory (Alia Shawkat) barely knew in college? She's been pronounced dead by authorities but Dory is sure she's seen her alive just recently. With nothing else going on in her life, a life she imagined would be filled with big feats and adventures by now, Dory enlists the help of her fellow 20-something friends and decides to get to the bottom of the case.

What ensues is a terrific mystery—perfectly paced and twisted—elevated by Dory and company's comic self-absorption, which buoys the story with great wit and humor. It's both a self-contained mystery and a satire, and none overwhelms the other. 

As the series progresses, Search Party gets even deeper down the loony hole. The crimes get darker, the stakes get higher, and their sanities barely withstand the new cracks they get. But it also gets even more complex and interesting, with many things to say about our so-called lost generation, the millennial generation, who would rather solve mysteries and find simple cure-alls than look at ourselves in plain light.

Genre: Comedy

Actor: Alia Shawkat, John Early, John Reynolds, Meredith Hagner

Rating: TV-MA