7 Movies Like Thanks for Sharing (2013)

Written and directed by Academy-Award-winning Kenneth Lonergan (Manchester by the Sea, Gangs of New York), you can certainly count on the qualities of this subtle, beautiful, and moving drama about two siblings growing apart and reuniting later in life.

An Academy-Award-nominated Laura Linney plays Sammy, a single mother in a small town who is extremely protective of her 8-year-old son. When her younger and somewhat troubled brother Terry (played by the ever-reliable Mark Ruffalo) visits her out of the blue, Sammy has to deal with a slew of contradicting emotions towards her brother, whose appearance threatens to upend her life as she knew it.

Straight, thoughtful, and beautifully crafted, You Can Count on Me is an honest and genuine exploration of unconditional love in celluloid form. Think of it as much more hopeful The Skeleton Twins.

Genre: Drama, Family

Actor: Adam LeFevre, Amy Ryan, Betsy Aidem, Gaby Hoffmann, Halley Feiffer, J. Smith-Cameron, Jon Tenney, Josh Lucas, Kenneth Lonergan, Laura Linney, Lisa Altomare, Mark Ruffalo, Matthew Broderick, Michael Countryman, Nina Garbiras, Rory Culkin, Whitney Vance

Director: Kenneth Lonergan

Rating: R

Genre: Comedy, Drama, Romance

Actor: Alex ter Avest, Barbara Weetman, David Carzell, Glen Powell, Greg Kinnear, Jennifer Connelly, Josh Boone, Kristen Bell, Liana Liberato, Lily Collins, Logan Lerman, Michael Goodwin, Nat Wolff, Patrick Schwarzenegger, Rusty Joiner, Spencer Breslin, Stephen King, Zeeko Zaki

Director: Josh Boone

Rating: R

John Carney, who directed the critically and commercially successful Once, may be the world’s best captor of charm. Begin Again tells the story of a broken-hearted singer who gets discovered by a failed showbiz executive. Their ideas and love for music are all they have to face their failures and bring their creativity to life. The original songs are charming and from Keira Knightley and Mark Ruffalo to Yasiin Bey (Mos Def), Adam Levine, and Cee-Lo Green, the cast generate sparkling chemistry and portray the story beautifully. Begin again is a sweet and effortless watch, yet far from being your classic rom-com.

Genre: Comedy, Drama, Music, Romance

Actor: Adam Levine, Andrew Sellon, Aya Cash, Catherine Keener, Cee Lo Green, CeeLo Green, Danielle Brisebois, David Abeles, David Pendleton, Emily Yarbourgh, Eric Burton, Hailee Steinfeld, Harvey Morris, James Corden, Jen Jacob, Jennifer Li Jackson, Jimmy Palumbo, John Carney, Karen Pittman, Keen Ruffalo, Keira Knightley, Kena Onyenjekwe, Maddie Corman, Madison Love, Marco Assante, Mark Ruffalo, Mary Catherine Garrison, Mos Def, Paul Romero, Rob Morrow, Sama Fernands, Shannon Maree Walsh, Shannon Walsh, Simon Delaney, Stacey Maltin, Terry Lewis, Yasiin Bey

Director: John Carney

Rating: R

This sociologically revealing documentary follows the attempts of the largely “snow-white” staff of Amsterdam’s Stedelijk art museum to refresh the institution’s collection, just 4% of which was by women artists at the time of filming. The museum also featured exactly zero works by artists of color — another embarrassing truth that the Stedelijk’s staff, headed up by (white) museum director Rein Wolfs, work frantically to rectify by acquiring new works and “turning the mirror around” on the canon to contextualize whiteness as a distinct category of its own, rather than “the standard” (as the museum’s own Charl Landvreugd puts it). 

Though it features discussions on such worthy topics as artistic canons (who defines them?), linguistic nuances (should works with problematic titles be renamed?), and how to decide which art will be put into storage to make room for works that better reflect Amsterdam’s diverse population, this documentary is less interested in delving into the dark side of art history itself than the human behavior that arises when confronted with such uncomfortable truths. More than anything, what director Sarah Vos is perceptively spotlighting here is the intense discomfort and self-consciousness of the museum’s white staff when confronted with these historic issues — when, in a sense, the mirror is “turned around” on them.

Genre: Documentary

Director: Sarah Vos