30 Movies Like Monty Python and the Holy Grail (1975)

Mary and Max is the tale of an overlooked 8-year-old girl from Australia starting an unlikely friendship via mail with a middle-aged Jewish man from New York. Shot completely in monocromatic claymotion, it is the first feature film by Australian stop-motion animation writer, Adam Elliot, and the first ever animated film to score the opening slot at Sundance Festival. In all its playful absurdity, Mary and Max is an emotional and wise gem of a film that examines the human condition through the eyes of a troubled child and an autistic American. In contrast to its clay-based animation, it deals with some pretty dark and adult themes, but succeeds in balancing those with happiness and absurd humor. Moreover, Elliott gathered an ensemble cast to do the voice-overs, which includes Philip Seymour Hoffman, Toni Collette, and Eric Bana. We recommend it 8 condensed milks out of 10.

Genre: Animation, Comedy, Drama

Actor: Adam Elliot, Barry Humphries, Bethany Whitmore, Carolyn Shakespeare-Allen, Christopher Massey, Eric Bana, Henry Karjalainen, Ian 'Molly' Meldrum, Ian Meldrum, John Flaus, Julie Forsyth, Michael Ienna, Philip Seymour Hoffman, Renée Geyer, Renée Geyer, Toni Collette

Director: Adam Elliot

Rating: Not Rated

A woman yearns to find her biological mother, another woman struggles with infertility, a third wants to connect with her rebellious daughter. Director Mike Leigh has the prowess to seamlessly weave these stories together, and part of the joy is knowing, that like clockwork, these narratives are set on a spectacular collision course.

As melancholy as it is optimistic and as funny as it is tragic, Secrets & Lies is a perfect example of Leigh’s oeuvre and earned him a Cannes’ Palme d’Or. The film features a full cast of his regulars with the fantastic addition of Marianne Jean Baptiste as Hortense - the woman who sets the wheels of the film in motion.

Genre: Drama

Actor: Alison Steadman, Angela Curran, Annie Hayes, Anthony O'Donnell, Brenda Blethyn, Brian Bovell, Claire Rushbrook, Clare Perkins, David Neilson, Denise Orita, Elizabeth Berrington, Emma Amos, Frances Ruffelle, Gary McDonald, Gordon Winter, Grant Masters, Hannah Davis, Jane Mitchell, Janice Acquah, Jean Ainslie, Joe Tucker, Jonny Coyne, Kate O'Malley, Keylee Jade Flanders, Lee Ross, Lesley Manville, Linda Beckett, Liz Smith, Lucy Sheen, Margery Withers, Marianne Jean-Baptiste, Metin Marlow, Mia Soteriou, Michele Austin, Nitin Ganatra, Paul Trussell, Peter Stockbridge, Peter Waddington, Peter Wight, Phil Davis, Phyllis Logan, Richard Syms, Ron Cook, Ruth Sheen, Sheila Kelley, Stephen Churchett, Su Eliott, Su Elliot, Su Elliott, Terence Harvey, Theresa Watson, Timothy Spall, Trevor Laird, Wendy Nottingham

Director: Mike Leigh

Rating: R

This masterpiece from Norwegian director Joachim Trier is a clear-eyed movie that takes place in one day in the life of a 34-year-old. Anders, a recovering drug addict, gets to leave his rehab facility for the first time to take a job interview. He visits friends, tries to meet his ex, and goes to the interview. With every interaction, you get to know him more and understand that what he's going through is shared with everyone he meets. At 34, Anders feels it is too late to turn his life around, and so do his friends. He just happens to be a drug addict.

Genre: Drama

Actor: Aksel Thanke, Anders Borchgrevink, Anders Danielsen Lie, Hans Olav Brenner, Ingrid Olava, Kjærsti Odden Skjeldal, Malin Crepin, Øystein Røger, Petter Width Kristiansen, Renate Reinsve, Tone Beate Mostraum

Director: Joachim Trier

Rating: Not Rated

I’m Not There is an unusual biopic in that it never refers to its subject, Bob Dylan, by name. Instead, Todd Haynes’ portrait of the singer mimics his constant reinvention by casting six separate actors to play as many reincarnations of the same soul. It’s an ingenious spin on a usually stale genre, one that liberates the film from the humdrum restrictions of a literal retelling of Dylan's life.

If there’s anyone who warrants such an inventive approach to biography, it’s Dylan, whose public and private personas are so numerous that it’s only by angling six different mirrors at him that Haynes can hope to catch some of his essence. Impressionistic editing toggles freely between these vignettes, each visually distinct: from the 11-year-old Woody Guthrie-obsessive (Marcus Carl Franklin) and the black-and-white Super 16mm-shot poet (Ben Whishaw) to the aging cowboy outlaw (Richard Gere), all by way of Christian Bale, Heath Ledger, and Cate Blanchett’s incarnations. To be sure, this is a somewhat challenging film, reflecting, in places, the enigmatic surrealism of Dylan’s lyrics and his refusal to be pinned down to one thing. But, as Blanchett’s embodiment says, “Mystery is a traditional fact,” and that’s no more true than of Dylan, making Haynes’ film a fascinatingly fitting spiritual biopic.

Genre: Drama, Music

Actor: Alison Folland, Andrew Shaver, Andrew Simms, Angela Galuppo, Arthur Holden, Ben Whishaw, Benz Antoine, Bill Croft, Bob Dylan, Brett Watson, Bruce Greenwood, Cate Blanchett, Catherine Colvey, Charlotte Gainsbourg, Christian Bale, Craig Thomas, Danny Blanco Hall, David Cross, David Gow, Dennis St John, Dominic James, Don Francks, Emmanuel Schwartz, Eric Newsome, Eugene Brotto, Fanny La Croix, Garth Gilker, Gordon Masten, Graham Cuthbertson, Greg Kramer, Heath Ledger, Holly Uloth, Ivan Freud, Jane Gilchrist, Jane Wheeler, Jason Cavalier, Jennifer Rae Westley, Jesse Todd, Jessica Kardos, Jim James, Jodie Resther, Joe Cobden, John Koensgen, Julianne Moore, Kathleen Fee, Kim Gordon, Kim Roberts, Kris Kristofferson, Kristen Hager, Kyle Gatehouse, Kyle Switzer, Larry Day, Leif Anderson, Leigh Ann Taylor, Lina Roessler, Lisa Bronwyn Moore, Lorne Brass, Maggie Castle, Marcus Carl Franklin, Marie-Julie Rivest, Mark Camacho, Matt Holland, Matthew Boylan, Matthew Harbour, Melantha Blackthorne, Michelle Williams, Nathalie Girard, Noel Burton, Patrick Costello, Paul Cagelet, Paul Johnston, Paul Spence, Pauline Little, Peter Friedman, Phyllis Gooden, Pier Paquette, Pierre Leblanc, Pierre-Alexandre Fortin, Richard Gere, Richard Jutras, Richard Robitaille, Richie Havens, Rob Burns, Roc LaFortune, Sharlene Royer, Shawn Baichoo, Steve Godin, Susan Glover, Terry Haig, Thiéry Dubé, Tim Post, Trevor Hayes, Tyrone Benskin, Vito DeFilippo, Wyatt Bowen, Yolonda Ross

Director: Todd Haynes

Rating: R

An old friend shows up on the doorstep of a happy family home and brings a whirlwind of trouble with him. Charles Burnett’s startling parable is tinged with magic and creeping danger. It digs into the tensions between African American folklore of the rural South and the assimilated middle-class lifestyle out West. 

This rift takes the form of Harry, whose disquieting presence throws his old friend Gideon’s Los Angeles home into disarray. Danny Glover is captivating as the devilish visitor, delivering each line with playful ease and simmering menace. Burnett’s sly narrative doesn’t boil down to good and evil but instead offers a layered and enigmatic exploration of identity.

Genre: Drama

Actor: Carl Lumbly, Danny Glover, Davis Roberts, DeForest Covan, DeVaughn Nixon, Ethel Ayler, Jimmy Witherspoon, Julius Harris, Mary Alice, Paul Butler, Paula Bellamy, Reina King, Richard Brooks, Sheryl Lee Ralph, Sy Richardson, Vonetta McGee, Wonderful Smith

Director: Charles Burnett

The title of Paweł Pawlikowski’s sophomore feature has a double meaning: it’s not only about the extraordinary lengths a Russian mother goes to remain in the UK, but it’s also set in the last seaside resort anyone would ever want to visit. While travelling to meet her English fiancé, Tanya (Dina Korzun) and son Artyom (Artyom Strelnikov) are detained at customs after failing to satisfy the immigration officer’s queries. With her fiancé refusing to answer her calls, Tanya panics and claims political asylum, not knowing that doing so means she’ll have to wait for over a year in a grim coastal town requisitioned as an asylum-seeker “holding area.”

Pawlikowski uses realism to highlight the crushing bureaucracy, dehumanizing conditions, and threats of exploitation that come with being an asylum seeker, but remarkably, bleakness isn’t the overriding tone. Local arcade worker Alfie (Paddy Considine) takes a shine to the duo and does what he can to brighten their gloomy situation — and, in the cruel limbo they find themselves in, his warm generosity and fondness for them imbues the film with an undeniable sense of hopefulness. It never detracts from the film’s realism (see: its bittersweet ending) but neither does Pawlikowski allow the precious gift of someone who genuinely cares to go ignored.

Genre: Drama, Romance

Actor: Adrian Scarborough, Bruce Byron, Dave Bean, David Auker, Dina Korzun, Paddy Considine, Perry Benson

Director: Paweł Pawlikowski

Even a director of William Friedkin’s caliber had his work cut out for him with this remake of the towering 1957 drama tracking a jury's fraught deliberations in an apparently open-and-shut murder trial. Wisely, he changes little: most of the incisive dialogue remains the same, and the film still only takes place in one sweltering room on New York’s hottest day.

There are some key differences, though: namely, in a few of the characters (most notably Mykelti Williamson’s ex-Nation of Islam member Juror #10, who helps update the story to the '90s) and the intensification of the ensemble’s star power. The all-star quality of the cast is never wielded to call attention to itself, though; everyone, from James Gandolfini and William Petersen to Tony Danza and Edward James Olmos is on fine character acting form here. Replacing the unforgettable Henry Fonda is Jack Lemmon (exuding warmth and good sense) as the principled lone dissenter who calmly wages a war of words with George C. Scott’s bigoted Juror #3 to give real justice a chance. The 1957 version is admittedly a timeless classic, but Friedkin's version isn't very far off from reaching its predecessor’s dazzling heft — plus, this stands as a compelling argument that every era should have its own 12 Angry Men.

Genre: Crime, Drama, TV Movie

Actor: Armin Mueller-Stahl, Courtney B. Vance, Dorian Harewood, Douglas Spain, Edward James Olmos, George C. Scott, Hume Cronyn, Jack Lemmon, James Gandolfini, Mary McDonnell, Mykelti Williamson, Ossie Davis, Tony Danza, Tyrees Allen, William Petersen

Director: William Friedkin

Rating: PG-13

“As fragile as she was strong, as vulnerable as she was dynamic, she was African royalty. How does royalty stomp around in the mud and still walk with grace?”. What Happened, Miss Simone? will surprise you no matter how much you thought you knew about the soul singer - not only in its exploration of Nina Simone’s personal life and complexities, but by being both a personal and political documentary. As you discover an original singer with talents that reach all the way to performance art, you will also learn about a Civil Rights activist’s journey and an unstable woman’s struggle. The documentary is not about answering the question of what happened, Miss Simone? – it’s an exploration of why that question is so important.

Genre: Documentary, Music

Actor: Dick Gregory, Elisabeth Henry-Macari, James Baldwin, Lisa Simone, Liz Garbus, Nina Simone, Stokely Carmichael, Walter Cronkite

Director: Liz Garbus

Rating: Not Rated

Man on Wire is a true technical masterpiece. You can almost feel the director telling the cameraman what angle to choose, or thinking about the questions that will generate the most resounding answers. However, this does not diminish the story this documentary tells one bit. It’s one that is glorious, riveting, and fun. It’s one where you feel like an insider to a world lived on and below wires, with high-stake risks. Hopefully the edge of your seat is comfortable, because this is where the movie will keep you till the very end.

Genre: Documentary

Actor: Annie Allix, David Forman, Jean François Heckel, Jean-Louis Blondeau, Mark Lewis, Philippe Petit

Director: James Marsh

Rating: PG-13

Muriel is a young social outcast who spends her time obsessively planning a dream wedding without ever having been on a date. Her life is flipped upside down when she steals $15,000 from the family business to go on a tropical getaway. This brilliant comedy is memorable as much for Toni Collete’s breakout role as it is for its snarky subversion of rom-com tropes.

Muriel’s Wedding arrived in a wave of bright and brash Australian comedies of the early 90s like Priscilla Queen of the Desert and Strictly Ballroom. And like these counterparts, its heightened reality gives way to a surprising and heartbreaking emotional core. Director PJ Hogan would go on to direct My Best Friend’s Wedding - a fun but watered-down imitation of the surprising storytelling that made this a cult classic.

Genre: Comedy, Drama, Romance

Actor: Annie Byron, Barry Crocker, Basil Clarke, Belinda Jarrett, Bill Hunter, Cecily Polson, Chris Haywood, Dan Wyllie, Daniel Hepner, Daniel Lapaine, Darrin Klimek, Di Smith, Frankie Davidson, Fred Rouady, Gabby Millgate, Geneviève Picot, Gennie Nevinson, Heather Mitchell, Jacqueline Linke, Jeanie Drynan, John Gaden, John Walton, Jon-Claire Lee, Julian Garner, Kevin Copeland, Kirsty Hinchcliffe, Kuni Hashimoto, Louise Cullen, Matt Day, Penne Hackforth-Jones, Pippa Grandison, Rachel Griffiths, Richard Carter, Richard Sutherland, Rob Steele, Robert Alexander, Robyn Pitt Owen, Roz Hammond, Scott Hall-Watson, Sophie Lee, Susan Prior, Toni Collette, Vincent Ball

Director: P.J. Hogan

Rating: R