5 Movies Like LaRoy Texas (2024)

You don’t have to be a theater kid to enjoy this feel-good mockumentary set in a summer camp for junior thespians. While there are plenty of in-jokes here for those who might have spent a summer or two somewhere like AdirondACTS, Theater Camp also good-naturedly lampoons every instantly recognizable stereotype of theater kids and the classic failed-performer-turned-teacher. 

Amongst the note-perfect ensemble, particularly hilarious standouts include co-writer Ben Platt and co-director Molly Gordon as camp instructors and best friends Amos and Rebecca-Diane. Both are Juilliard rejects with codependency issues and a classic case of actorly self-indulgence — as encapsulated in the moment they accuse a young attendee of “doping” for using artificial tears during a performance (“Do you want to be the Lance Armstrong of theater?”). But even seasoned performers like Platt and Gordon can’t pull the spotlight away from the film’s absurdly talented young ensemble, who are just as game for poking fun at their passion: standouts include Luke Islam, Alexander Bello, and Minari’s Alan Kim as a pint-sized “aspiring agent” who skips dance class to make business calls. All this self-satirising never obscures the movie’s heart, though; what begins as a self-deprecating ribbing of theater-heads ultimately becomes a rousing love letter to those very same misfits.

Genre: Comedy, Music

Actor: Alan Kim, Alexander Bello, Amy Sedaris, Ayo Edebiri, Ben Platt, Caroline Aaron, David Rasche, Dean Scott Vazquez, Donovan Colan, Jimmy Tatro, Kyndra Sanchez, Luke Islam, Max Sheldon, Molly Gordon, Nathan Lee Graham, Noah Galvin, Olivia Puckett, Owen Thiele, Patti Harrison, Priscilla Lopez, Tyrone Mitchell Henderson

Director: Molly Gordon, Nick Lieberman

Rating: PG-13

As the title suggests, Saturday Night takes place in all of one night, during the very first airing of the titular NBC show. Everyone’s naturally nervous, not least of all Lorne Michaels (Gabriel LaBelle), who runs the entire circus. The suits are keeping eye, the cast clashes egos, no one knows where the lighting director is or if costume change can happen just in time. The guests are unhappy, there are too many sketches, and to top it all off, Lorne’s wife Rosie doesn’t know if she wants to use his last name in the credits. The stakes are high. But are they, really? Saturday Night often feels arrogant and self-important in how it assumes we’d care how things went down that fateful night. Still, it tempers that with a humorous self-awareness, some fine performances, an infectious buzzing energy, and well-timed reminders that SNL is, in fact, that show. It changed the trajectory of comedy in TV, and so that arrogance is earned (though still admittedly annoying at times). And lest you think it’s all laughs and nerves, Saturday Night also harbors some surprising sweet stuff in the center. The film doubles as a love letter to New York City, specifically the NYC of the late 20th century. Though that expression can be overloaded too, it’s endearing and enjoyable nonetheless.

Genre: Comedy, Drama

Actor: Andrew Barth Feldman, Billy Bryk, Brad Garrett, Catherine Curtin, Cooper Hoffman, Cory Michael Smith, Drew Scheid, Dylan O'Brien, Ella Hunt, Emily Fairn, Finn Wolfhard, Gabriel LaBelle, J.K. Simmons, Jacob Berger, James Logan, Jeff Pope, Jeff Witzke, Jon Batiste, Josh Brener, Justin Matthew Smith, Kaia Gerber, Kim Matula, Lamorne Morris, Leander Suleiman, Martin Garner, Matt Wood, Matthew Rhys, Nicholas Braun, Parker Wierling, Paul Rust, Rachel Sennott, Robert Wuhl, Taylor Gray, Tommy Dewey, Tracy Letts, Willem Dafoe

Director: Jason Reitman

Rating: R

There is some dissonance here. A heavy coming of age backstory serves as the foundation to an otherwise straightforward, even feel-good plot involving fighting and protecting kaiju. The film doesn’t do the best job merging the shiny animations and cute story beats with the threat of the kaiju and the weight of the atmosphere set early on. Individually, however, each side is enjoyable, with the strained father-son relationship in particular being a worthwhile endeavor and full of honesty. But all things considered, there isn’t a whole lot of tension here, even for a film intended for younger audiences, making its 2-hour runtime unnecessarily long given everything it lacks.

Genre: Action, Animation, Family, Science Fiction

Actor: Artt Butler, Bret Marnell, Brittany Ishibashi, Christopher Sean, François Chau, Frank Buckley, Gedde Watanabe, Jonathan Groff, Julia Harriman, Julia Kato, Keone Young, Lee Shorten, Masa Kanome, Mayumi Yoshida, Paul Nakauchi, Rob Fukuzaki, Robert Yasumura, Tamlyn Tomita, Vic Chao

Director: Shannon Tindle

Rating: PG

The Beautiful Game starts off with a hilarious, brilliantly written opening sequence that should have set the tone for the film. Then almost immediately, we're met with some shoddy writing, and in a strange way, that is what sets the tone for the film, instead. This film presents the story of the Homeless World Cup and how it empowers those who feel they have no direction, and so naturally we want to feel their triumph. But the film seems to want to cross over the jovial and wholesome line and deeper into the characters' struggles, and while some characters only need a glimpse of it, it generally comes across like a jarring lack of commitment. The film isn't carrying home any writing gold, but it's not really about winning, is it?

Genre: Drama

Actor: Anna Maria Everett, Aoi Okuyama, Bill Nighy, Callum Scott Howells, Colin Azzopardi, Cristina Rodlo, Daniel Attwell, Gabriel Akuwudike, James McNicholas, Jessye Romeo, Kazuhiro Muroyama, Kit Young, Layo-Christina Akinlude, Massimo Scola, Micheal Ward, Robin Nazari, Shane Casey, Sheyi Cole, Sian Reese-Williams, Susan Wokoma, Tom Vaughan-Lawlor, Valeria Golino

Director: Thea Sharrock

Rating: PG-13

Lovers share moments and memories intertwined with music, to the point that when the relationship ends, listening to an old track brings back the past. For Harriet in The Greatest Hits, this is literal, to the point that random music playing outside prolongs her grief. The story is familiar– it’s sort of similar to 2022’s Press Play– and frankly, the cinematography relies a bit too much on lens flares, but the cast makes the best of it, with Lucy Boynton having compelling chemistry with both Justin H. Min and David Corenswet. That being said, the film has a dated feel, with most of the tracks coming from the previous decade, and the conclusion it makes would feel totally insulting if they wrote Harriet’s relationship with Max in depth. But it’s still a fairly decent launching point for the cast and maybe a decent ad for silent disco spots and Spotify.

Genre: Drama, Fantasy, Music, Romance

Actor: Andie Ju, Austin Crute, David Corenswet, Evan Shafran, Jackson Kelly, Jenne Kang, Justin H. Min, Lucy Boynton, Mary Eileen O'Donnell, Nelly Furtado, Retta, Rory Keane, Shelby Cobb, Thomas Ochoa, Tom Yi

Director: Ned Benson

Rating: PG-13