3 Movies Like Just My Luck (2006)

Staff & contributors

Joy is a dutiful, overseas Filipino worker supporting her entire family back home. Ethan is a well-off bartender who has, time and again, put himself first before others. They couldn’t be any more different, yet in Hong Kong, their alien status and ambitious goals make them kindred spirits. What starts as a low-stakes bond quickly turns into an essential relationship, one that puts their personal commitments to the test. 

Hello, Love, Goodbye may appear formulaic at first, but it is heightened by a keen understanding of life overseas. It avoids romanticizing the migrant experience and sees it for what it truly is: a harsh but necessary means to an end. If this seems too severe, it’s also softened by an enchanting romance and some welcome comic relief in the form of the pair’s friends. Because of this nice mix, it’s no surprise that Hello, Love, Goodbye instantly broke domestic records and remains the highest-grossing Filipino movie of all time. 

Genre: Drama, Romance

Actor: Alden Richards, Anthony Jennings, Jameson Blake, Jeffrey Tam, Jerome Ponce, Joross Gamboa, Kaka Bautista, Kakai Bautista, Kathryn Bernardo, Lito Pimentel, Lovely Abella, Maricel Laxa, Maxine Medina, Maymay Entrata, Pang Mei-Seung, Wilbert Ross, William Lorenzo

Director: Cathy Garcia-Molina, Cathy Garcia-Sampana

Rating: TV-PG

Summary: it’s a really unusual movie, especially for a star like Robin Williams. It’s almost an indie film actually. Robin Williams plays Lance Clayton, the father of a typical rude teenage boy Kyle Clayton (Daryl Sabara) wherein Sabara’s character meets an unusual demise, and out of embarrassment of the situation the father ghost-writes a suicide note from his son. This white lie leads to another and another and so on until his lies spread further than anticipated. The movie definitely earns points for making the film that was set out to be made. They wanted to make a dark comedy and a dark comedy was what they made. It’s even uncomfortable to watch at times. Between Lance’s love life and Kyle’s non-existent one there’s enough awkwardness that you feel like you can’t wait to get to the next scene just so this one can be over. All in all the actors did a truly fantastic job. Each character seemed well developed by the individual actor to the point where every gesture, line delivery, and awkward silence seemed too natural and organic. Additionally, the writing was exceptional for this movie, as no dialogue was ever wasted. Each and every little detail in each and every shot of each and every scene was very carefully designed to continually push the aesthetics, this film is a big success.

Genre: Comedy, Drama, Romance

Actor: Alexie Gilmore, Bobcat Goldthwait, Bruce Hornsby, Cheri Minns, Daryl Sabara, Ellie Jameson, Ellyn Jameson, Evan Martin, Geoff Pierson, Henry Simmons, Jermaine Williams, Jill Talley, Krist Novoselic, Lorraine Nicholson, Mitzi McCall, Morgan Murphy, Naomi Glick, Rebecca Erwin Spencer, Robin Williams, Toby Huss, Tom Kenny

Director: Bobcat Goldthwait

Rating: R

There’s no way to escape it– the plotline of One True Loves feels like the other side of Cast Away (2000), but instead of focusing on the survival aspect, it focuses on the wife trying to move on with grief. The original novel portrays Emma moving on through reclaiming her past, and learning to appreciate the roots she’s tried to forget with her lost husband. However, the film adaptation falters in depicting the personal, inner world of Emma, as it bungles through the timelines with Hallmark-esque quotes and disarranged scenes. It tries to save the film through its star-studded cast, but their decent performances can’t save the way the film is structured.

Genre: Comedy, Drama, Romance

Actor: Beth Broderick, Christina Bach, Cooper van Grootel, Gabriella Garcia, Gary Hudson, Jacinte Blankenship, Jay DeVon Johnson, Jessi Goei, Kelvin Hodge, Lauren Tom, Luke Bracey, Michael OKeefe, Michaela Conlin, Oceana Matsumoto, Oona Yaffe, Phillipa Soo, Simu Liu, Tom Everett Scott, Victoria Blade, Wil Deusner

Director: Andy Fickman

Rating: PG-13