7 Movies Like A Different Man (2024)

Chasing the feel of watching A Different Man ? Here are the movies we recommend you watch right after.

“Inner beauty is what counts” is a cliche many films have tried and failed to tackle, but A Different Man manages to make it feel unsettlingly new. The film follows Edward, a disfigured man who lives a normal but lonely life. No one is overtly mean to Edward—in fact, many are nice—but he’s consumed by the thought of What If. What if he looked like everyone else? Would his neighbor Ingrid finally make a move on him? Would he be the actor he dreamed he’d be? Would he finally get fewer stares on the street? Those questions are answered when a medical trial transforms his face, but they’re rarely pleasant. A Different Man is a dark comedy with some hints of meta; Stan’s character provides the tragedy, Pearson delivers the wry humor, while Reinsve, as the playwright in charge of dramatizing Edward’s life, is the source of the film’s meta-commentary. It’s the weakest link of the three--it feels like a cop-out when it forgives itself for being “exploitative” but the rest of the film’s elements gel to make a modern parable of sorts about appearance and contentment.

Read also:

1. Look Back, 2024

	
When the world gets dark– when something bad happens that makes you lose your faith in the world around you– it can be hard to think that art would be of any help. After all, a piece of paper with scribbles on it can’t undo the wrong that’s happened, or help out directly with the concrete, solidified systems and solutions to the world’s problems. Look Back even acknowledges the possibility of art harming its creators, but through the friendship forged by Fujino and Kyomoto, it also acknowledges the way art can save you and the people who share that love, through some of the most beautiful animation ever created.Genre: Animation, Drama
Actor: Daisuke Takahashi, Kota Oka, Kureha Maki, Maaya Sakamoto, Masumi Taira, Mizuki Yoshida, Rina Endou, Shinnosuke Tokudome, Toshiyuki Morikawa, Yoichiro Saito, Yuumi Kawai
Director: Kiyotaka Oshiyama
Rating: NR

Read also:

2. My Old Ass, 2024

	
My Old Ass has a very simple premise, one it doesn’t even take the effort of explaining. For whatever reason, 18-year-old Elliot meets her 39-year-old self, and they talk at length about life. Naturally, older Elliot gives her younger self some advice to improve her life. But she also gives her a grave warning: under no circumstances must she be with a man named Chad. The film then follows younger Elliot as she tries to heed her advice and learn a lot about life in the process. Now, on paper, that may sound like sentimental schmaltz, but the two actresses playing Elliot—Stella and Plaza—are what make the film so grounded and enjoyable. Stella is bursting with life and energetic humor, while Plaza delivers her signature stoic wit. That’s not to say she’s lifeless though. By the time the climax rolls in, you’ll be struggling to keep the tears in.Genre: Comedy, Drama, Romance, Science Fiction
Actor: Alain Goulem, Aubrey Plaza, Kerrice Brooks, Maddie Ziegler, Maisy Stella, Maria Dizzia, Percy Hynes White, Seth Isaac Johnson
Director:  Megan Park
Rating: R

Read also:

3. Gaea Girls, 2000

When caught between taking pro wrestling too seriously and looking at it like cosplay martial arts, I lean towards the latter precisely because of cultures like this. This documentary gets in the weeds of starry-eyed trainee aspirations, as well as the physical and psychological disfigurement of those dreams that come one dropkick to the face at a time. Saika Takeuchi getting to debut doesn’t even feel like a victory at all. I wonder how much of this only happened to the extent that it did because there were cameras present; then again, I try not to think about this documentary too much.

Genre: Documentary

Actor: Chigusa Nagayo, Hisako Sasaki, Kaoru Maeda, Meiko Satomura, Saika Takeuchi, Yuka Sugiyama

Director: Jano Williams, Kim Longinotto

Read also:

4. The Outrun, 2024

	
The Outrun, which follows Rona as she struggles to acknowledge and eventually overcome her alcoholism, is understandably in shambles. It’s non-linear (our only cues are her hair color) and occasionally fractured to show just how messed up Rona’s headspace is. These decisions may or may not feel necessary to the viewer, but what centers the film and makes it nonetheless worthwhile is Ronan’s performance. She is convincing and compelling as an addict—no overacting here or disrespectful flairs, just a simple performance carried by the weight of her eyes, the pain of gestures, and the occasional creak in her voice. It’s not always clear what’s happening in The Outrun despite its simple plot, but it is always watchable thanks to Ronan’s magnificent turn.Genre: Drama
Actor: Izuka Hoyle, Lauren Lyle, Nabil Elouahabi, Naomi Wirthner, Paapa Essiedu, Saoirse Ronan, Saskia Reeves, Seamus Dillane, Stephen Dillane
Director:  Nora Fingscheidt
Rating: R

Read also:

5. We Live in Time, 2024

	
For better or for worse, every romantic relationship anyone will ever have will end. This isn’t a bitter statement single or heartbroken people declare, it’s just that we have to keep in mind that time with our loved ones is limited. Romcom drama We Live in Time is titled as such for a reason– mentioning this could be a bit of a spoiler here– but fittingly, the film plays with time, taking a non-linear narrative that jumps back and forth within the timeline Tobias and Almut share together, comparing and contrasting between these moments as if in memory. Certain moments might feel a bit derivative, but We Live in Time ultimately works with the excellent chemistry shared by Florence Pugh and Andrew Garfield.Genre: Comedy, Drama, Romance
Actor: Adam James, Amy Morgan, Andrew Garfield, Ann Ogbomo, Aoife Hinds, Douglas Hodge, Eliot Salt, Florence Pugh, Grace Delaney, Grace Molony, Kerry Godliman, Lee Braithwaite, Lucy Briers, Marama Corlett, Niamh Cusack, Robert Boulter, Sam Kennard
Director: John Crowley
Rating: R

Read also:

6. It's What's Inside, 2024

	
It’s What Inside can seem like another obnoxious movie about adults acting like teens, edited with enough neon glare and social media cuts to make it palatable to a younger crowd. But the horror comedy is more than just streaming fodder; it’s fun, funny, and clever, unfolding like a game night gone terribly wrong. There are romantic entanglements, identity crises, steamy role play, and welcome jabs at our generation’s increasing tendency to replace personality with social media presence. Its critique may not be as sharp as other horror comedies that have come before it (most recently, Bodies Bodies Bodies and The Blackening), so it can feel a bit dated. But it’s still an enjoyable watch, one best seen with friends who you haven’t seen in a long while and who have maybe, once or twice, made you feel painfully, irrationally, (murderously?) jealous.Genre: Comedy, Mystery, Science Fiction, Thriller
Actor: Alycia Debnam-Carey, Brittany O'Grady, Dana Millican, David Thompson, Devon Terrell, Gavin Leatherwood, Hailee Keanna Lautenbach, James Morosini, Kyle Stoltz, Madison Davenport, Nina Bloomgarden, Reina Hardesty
Director: Greg Jardin
Rating: R

Read also:

7. The Apprentice, 2024

	
The Apprentice is as much about Roy Cohn as it is about the titular mentee, a very green Donald Trump. It’s Cohn who teaches Trump the dirty tricks and the power moves, and it’s he who instills in him his everlasting entitlement. It’s also Cohn who arguably steals the show. As expected, Strong disappears into his character and is at once terrifying and pathetic, but always arresting. Stan is less effective as Trump, but his more subtle turn as the real estate mogul still works, especially when set against Cohn’s more hardened and vulnerable persona. The film is powered by these two; without them, it moves like any old tale about greed, power, and betrayal. It doesn’t shy away from Trump’s known grotesqueries, but it also could’ve benefited from leaning into them more, a la Wolf of Wall Street. As it stands, The Apprentice is familiar fare elevated by the engaging performances of two of Hollywood’s best-working character actors.Genre: Drama, History
Actor: Ben Sullivan, Bruce Beaton, Catherine McNally, Charlie Carrick, Chloe Madison, Clare Coulter, Craig Burnatowski, Craig Warnock, Drew Catherine, Duane Keogh, Edie Inksetter, Emily Mitchell, Emma Elle Paterson, Frank Moore, Ian D. Clark, James Downing, Jason Blicker, Jeremy Strong, Joe Pingue, Luke Robinson, Maria Bakalova, Mark Rendall, Martin Donovan, Mary Krohnert, Michael Gordin Shore, Michael Hough, Mishka Thébaud, Moni Ogunsuyi, Patch Darragh, Peter Deiwick, Randy Thomas, Richard Nixon, Ron Lea, Ronald Reagan, Russell Yuen, Samantha Espie, Sebastian Stan, Stuart Hughes, Tom Barnett, Valerie O'Connor
Director: Ali Abbasi
Rating: R

Read also: