100 Best Uplifting Movies to Watch

Staff & contributors

Find the best uplifting movies to watch, from our mood category. Like everything on agoodmovietowatch, these uplifting movies are highly-rated by both viewers and critics.

Directed by Taika Waititi, who also gave us Boy (2010) and co-produced What We Do in the Shadows (2014), Hunt for the Wilderpeople is the quirky and magical buddy movie you want if you’re in need of an antidote to a bad day or a steady diet of sad movies.

It tells the off-kilter adventure story of misfit, rap-loving city kid Ricky Baker and his crusty and cantankerous foster parent ‘Uncle’ Hec, played by Sam Neill. ‘Very bad egg’ Ricky has been bounced out of more foster families than he cares to remember and is given one last chance of living with a couple out on a farm in rural New Zealand. After tragedy strikes early in the film, the unlikely pair gets lost in the wilderness and becomes subject to a nationwide manhunt.

Full of dead-pan humor and warm-hearted mockery, this audience favorite fuses visual gags delivered by a charming cast with sweeping shots of spectacular scenery!

A wealthy paraplegic needs a new caretaker. His choice is surprising -- an ex-con down on his luck. Both of their lives are changed forever. Based on a true story, it is funny, touching, and very surprising.  It will have you rolling on the floor laughing one minute and reaching for your hankie the next. Intouchables is one of those perfect movies, that will easily and instantly make anyone's all-time top 10 list.

American folk singer Sixto Diaz Rodriguez recorded two albums in Detroit in the 1970s, which he played live across the city, but never to critical acclaim or commercial success. Disappointed, he soon quit his musical career, bought a run-down house in the Motor City, and lived a simple life working in construction. So far, this sounds like the biography of many musicians that never quite made it, talented or otherwise.

However, a strange thing happened. By the mid-1970s, his albums were getting significant airplay in countries like Australia, Zimbabwe, and Apartheid-era South Africa, where he was soon considered a musical voice on par with the Beatles. While living a reclusive life in Detroit, Michigan, he unwittingly became a star on the other side of the globe. This engaged and visually appealing documentary by the late Swedish director Malik Bendjelloul tells his story and spells out a fascinating footnote of global music history.

There’s a lot of good to be found in the charming, poignant, and endlessly quotable Marcel the Shell With Shoes On. It follows a documentarian named Dean, who has as his subject the one-inch talking shell that is Marcel. Marcel looks after an empty house along with his grandma Connie, and together they run a delightfully intricate system subsisting on electric mixers, tennis balls, and the occasional human hair.

Despite his small size, Marcel unwittingly makes big observations about life and the world around him, often moving Dean (and this writer) close to tears. It’s a simple film with a grand message, with lots to say about the importance of participating in life as opposed to merely observing it. But ultimately this is a movie with a precocious talking shell at the heart of it all, so really, what’s not to like?

You know you're in for a treat when you see Julia Louis-Dreyfus and James Gandolfini heading the cast of a sweet and slightly goofy comedy. Steadily going beyond his persona in The Sopranos, you see James Gandolfini playing a role that his fans have probably always imagined him playing: a nice, funny guy with an endearing personality. Directed by Nicole Holofcener, Enough Said almost has a sit-com feel to it: a divorced single parent and masseuse, Eva (Louis-Dreyfus), is looked up by a guy, she briefly met at a party, Albert (Gandolfini). Upon finding out they have much in common, the two start dating. At the same time, she meets Marianne (Catherine Keener), who she becomes friends with and who cannot stop talking ill of her apparently awful ex-husband. You guessed it: it's her new, promising date, Albert. Things get muddy and very funny as she starts to doubt, whether she has made a big mistake. Hilarious, romantic, and smart, it's very much like we expected: a real treat.

It might seem like a no-brainer that trying to make a comedy movie featuring a character with cancer is not a great idea. And while there may be a good share of failed attempts in that category, 50/50 is not one of them. And then it might come as a surprise that this subtle attempt at cancer comedy comes courtesy of Superbad creators Seth Rogen and Evan Goldberg. It also stars indie cutie Joseph Gordon-Levitt as the young and fit Adam Lerner, who works as a writer for public radio before learning that he has malignant tumors all along his spine. Between his overbearing mum (Anjelica Huston), slightly obnoxious but good-hearted bestie (Seth Rogen), self-help groups, and his therapist (played by Anna Kendrick), he struggles to find a way of acquiescing to his 50/50 chance of survival. Similarly, 50/50 strikes a delicate balance between the bromance gags, the date-movie elements, and the grave subject matter at its heart. It manages to mine humor, pathos, and simple honesty from a dark situation, and is not afraid to “go there”. The result is truly compassionate comedy.

Difficult but essential viewing, Procession tracks the progress of six men undergoing art therapy—specifically, by creating short filmed scenes to process their trauma from being sexually abused by Catholic priests. The resulting films we get to see are wildly varied in the emotions they express, forming a rich and powerful tapestry of the effects abuse can leave on individuals. And to see these men confront the worst events of their lives through filmmaking begins to feel like validation for filmmaking itself, that it can truly be an art form that changes and saves lives. But even more striking, somehow, is the unbreakable bond that forms among these survivors throughout this entire process, captured with reverence and overflowing compassion by director Robert Greene.

If you thought Dallas Buyers Club, Interstellar, or True Detective was already the pinnacle of what Mathew McConaughey could do, wait until you see this film! Created by writer-director Jeff Nichols and set in the American South, Mud is a beautiful tale of love, loss, and personal growth. Two children, Ellis (Tye Sheridan) and Neckbone (Jacob Lofland), come across the elusive Mud (who is played by McConaughey), a man on the run wanted for murder. Initially scared of his mysterious character, the kids end up wanting to help and protect him from his those pursuing him. Ultimately a story of love, the film deals with a very human crisis seen through the eyes of children, drawing from American adventure tales and the humidity of the South. Mud is exciting, uneasy, sad, and quite beautiful. All at once.

Shot by Sergio Pablos, a weathered animation film creator, here's a future holiday classic to be reckoned with. Klaus is a beautifully old-school-looking, 90s Disney-style animation movie about the origin story of the world's most beloved toymaker, Santa Klaus. Dispatched to a bleak arctic town, because he really wasn't very good at his job at all, mailman Jesper stumbles upon the now-famous Klaus, making an acquaintance that will change the town forever, and, with it, the way Christmas is celebrated around the world. In addition to its homely warmth, funny moments, and nostalgic hand-drawn animation style, you will recognize many famous voice-overs in this festive family film, including the always amazing J.K. Simmons, Rashida Jones, and Jason Schwartzman, to name a few.

An inspired by true events tale about an elderly Irish woman trying to find the child she was forced to give up many years earlier. Steve Coogan co-wrote the script and, though the base story is a tragic one, his special brand of very subtle, wry wit is apparent in the dialogue throughout. Judi Dench plays the mother who had kept her “sinful” past a secret for fifty years and, being Judi Dench, I don’t need to bother going on about her exemplary talent, suffice to say she’s charming beyond measure in the role. Steven Frears directs, as usual, deftly, and keeps the story compelling scene after scene, intensifying the emotions inherent to each, whether they be heart-warming, comedic, or outright enraging. Whoever decided to let Steve Coogan have his way with the script, it was a brave and wise choice and together this cast and crew have produced a wonderful and important piece of cinema.

After third-grader Ali loses the only pair of shoes his sister Zahra owns, the siblings agree to share Ali's sneakers for school. Zahra uses the tattered, ill-fitting footwear in the morning, and in the afternoon, she hands them over to Ali, who then races to get into school in time. The siblings wait for things to get better at home before they mention anything to their already-burdened parents, but in the meantime, they persevere, scooping up every bit of silver lining they find, whether it's popping soap bubbles or taking in the city's ultramodern sights. 

In this way, Children of Heaven is neither cynical nor cheesy. It presents the harsh reality of Tehran's poor without robbing them of hope and agency, giving the movie the right amount of self-aware and feel-good that elevates it into a classic. Thanks to this masterful balance, plus many awe-inspiring shots and lines, it should come as no surprise that Children of Heaven is the first Iranian film to be nominated for Best Foreign Language Feature at the Oscars.

Adapted from the Japanese film Ikiru, which in turn was adapted from the Russian story The Death of Ivan Ilyich, Living is a parable about, well, living. Specifically, it's about the importance of wonder and the magic of the mundane. It's also about legacy and the stories we leave in our wake, which live on long after we're gone. This familiar premise could have very easily been turned into another trite and cheesy movie that warns you to make the most out of your life, but thanks to a lean script, assured camerawork, and powerfully restrained performances, Living is elevated into something more special than that. It’s a technically beautiful, well told, and profoundly moving film, with Bill Nighy giving a career-best turn as a repressed man aching for meaning in his twilight years. 

A seven year old Bryce (Callan McAuliffe) moves to a new neighbourhood across the street from a very spirited little girl named Juli (Madeline Carroll). She falls in love at first sight much to the dismay of the shy young lad. For the next six years, Juli overwhelms Bryce with her affections until a series of events and misunderstandings leaves her heartbroken and angry at him. Fed up, Juli begins to ignore him. However, her absence triggers a change of heart as Bryce realizes his fondness of her. He will do anything to win her back. The whole film, set in the late fifties holds the warmth and charm of small town living. With a balance of passion and playfulness, the extraordinary young cast are brilliant in their roles. Based on the novel by Wendelin Van Draanen, this endearing story of young puppy love, will make your heart melt!

Summer of Soul would already be remarkable if it was just a collection of some of the greatest live performances ever put to film. Boasting a roster that includes Stevie Wonder, Nina Simone, Gladys Knight, and Sly and the Family Stone, the nearly-forgotten 1969 Harlem Cultural Festival featured in the documentary was an all-star catalog of some of the biggest names in popular music, all at pivotal moments in their careers. Seeing them at the height of their powers, in front of a Black audience that meant so much to them, makes for an unexpectedly emotional experience.

But Summer of Soul also expands beyond the actual concert, using the Harlem Cultural Festival to represent a turning point in Black culture and history, especially after the death of Martin Luther King Jr. Through the film's pristine, electric editing and gorgeous archival restoration, music becomes a communal act of mourning, a rallying cry to face the uncertain future, and a celebration of a people and a heritage continuing to fight against erasure and persecution.