8 Best Thought-provoking Movies On SHOWTIME

Nothing Compares weaves a poignant story about one of the most misunderstood artists of our time, Sinéad O’Connor. The iconoclast first made waves in the '80s with her catchy music, but she quickly reclaimed the reins of her own fame and used her platform to champion marginalized causes, long before pop stars were expected to do so. 

The documentary zeroes in on this part of O’Connor's life: what prompted her to music and how she used it as a tool of activism. The answers are multi-faceted and handled here with extreme grace. Like the many from her generation, O’Connor struggled with religion and abuse, such was the Catholic Church's hold on Ireland at the time time. 

The film contextualizes her once-shocking moments and reveals how they were all grounded on things she cared about. It’s a beautiful piece of work that reassesses and redeems a wronged artist who was ahead of her time.

A thoughtful drama about the financial crisis, Margin Call is gripping. Seriously, even something as convoluted as the 2008 global economic meltdown is not only accessible and understandable, but it's gripping. Margin Call transports you to the heart of Wall Street, both the financial institutions and the street, literally. It is exciting, well-acted and informative. Uh, also: Kevin Spacey.

A road trip movie with an unknown destination, Hit the Road plays with our expectations by avoiding any obvious questions we might have, and making us focus on the real important things. Informed by the censorship and persecution faced by critics of Iran's government—including director Panah Panahi's own filmmaker father, Jafar—the film places more focus on the very act of escape and what that can take from a family. And most importantly, through Panahi's skillful direction of rural Iran's varied, beautiful landscapes, he creates a conflicted relationship between character and setting, with entire emotional crescendos playing out just through a single shot of the environment. It's one of the most underappreciated movies of the year.

Snowpiercer is an under-the-rader post-apocalyptic thriller that offers the grittiness that many times only Asian cinema may achieve. South Korean director Joon-ho Bong forces audiences to forget that Chris Evans was ever a Marvel superhero, as he leads a revolt of his fellow “low-class” citizens against the self-appointed gentry in a train that contains all remaining members of the planet. With immersive environments and a layered script, this film melds together social commentary and moral discourse in a visually arresting and vastly entertaining package.

Twisted yet deep. Sad yet interesting. Slow yet exhilarating. A Ghost Story is an incredible artistic achievement. With hardly any dialog, and breathtakingly long takes in its first half, it manages to bring you in its own creepy world and not let go until you feel completely lonely. Starring Rooney Mara and Casey Affleck as a loving couple who are hit with a horrible tragedy, the beginning is slow, and it's not a plot driven movie, but if you give it a chance it will blow your mind.

This documentary follows eight men whose convictions were recently overturned based on exonerating evidence. Proven innocent after many years in the US prison system, they are suddenly free to return to the communities they had been expelled from, without any of the usual obligations (or resources) associated with parole or probation.

The exonerations featured in the film are largely thanks to the work of the Innocence Project, a nonprofit legal organization that works to free the wrongfully convicted through DNA testing and criminal justice system reform. While their work is central to the documentary, it's also clear that these failings of the system represent only the tip of the iceberg. What makes the movie unforgettable, though, is the exonerees' struggle to make sense of what remains possible in their lives, to embrace hope and reconcile with profound loss. All in all, it is as much a study of the deep costs of injustice as it is one of buoyant resilience.

Loosely based on the 1909 novel, Martin Eden is a stunning film about the hollow success of individualism. The plot points remain the same: Eden, a self-taught sailor, wants to win the heart of the wealthy Elena Orsini. To do this, he strives to break into the upper class with his writing. However, in this film, writer-director Pietro Marcello adds another dimension to the anti-individualist story: he transports Eden from his original California setting to Naples—allowing for views of different cultures, languages, and classes. By intercutting between old film stock and lingering close-ups, Marcello draws from his documentary background to masterfully evokes the process of remembering. And in refusing to define the time period, Marcello recognizes that Eden's struggle is still ongoing today—and that his success is still hollow.