Genre: Animation, Drama
Actor: Alain Ughetto, Ariane Ascaride, Bruno Fontaine, Christophe Gatto, Diego Giuliani, Laura Devoti, Stefano Paganini
Director: Alain Ughetto
When the mildly weird and funny come together, great things happen—especially in film. Whether you're up for some alternative comedies or romantic dramedies, here are the best quirky movies and show to stream now.
Find the best quirky movies to watch, from our mood category. Like everything on agoodmovietowatch, these quirky movies are highly-rated by both viewers and critics.
Genre: Animation, Drama
Actor: Alain Ughetto, Ariane Ascaride, Bruno Fontaine, Christophe Gatto, Diego Giuliani, Laura Devoti, Stefano Paganini
Director: Alain Ughetto
A wacky viral story — the kind that gets played for laughs at the end of news broadcasts — gets uncommonly deep consideration in this documentary gem. That’s not to say that Finders Keepers ignores the surreal comedy of the situation that John Wood and Shannon Whisnant, two star-crossed North Carolina men, found themselves in in 2007: battling over the custody rights of John’s mummified amputated leg. The humor in this bizarre tale and all the myriad eccentricities of its real-life characters is never left untapped, but to simply focus on that would add nothing new to the way the story had been told thus far.
Unlike the many clips from news segments and reality TV that we see in the film, Finders Keepers instead looks beyond the low-hanging fruit and finds deep pathos simmering under the surface of this wacky tale. What emerges is a complex, often tragic, and very American picture of the way traumas shape our lives, the addictive pull of drugs and attention, and fate’s habit of twisting nightmares into blessings and vice versa. It’s the kind of film that makes you wonder how many other unexpectedly poignant stories have been short-changed by our impulse to be flippant.
Genre: Documentary
Actor: John Wood, Shannon Whisnant
Director: Bryan Carberry, J. Clay Tweel
Be prepared to have the expectations you form after reading Scrapper’s synopsis shattered: though it is about a 12-year-old dealing with grief following her mother's death, it’s remarkably upbeat. It gets that quality by positioning itself in the buoyant headspace of young Georgie, a resilient, cheeky youngster who retains much of her whimsical childlike spirit in spite of her profound bereavement. Director Charlotte Regan’s debut feature is bursting with imagination: there are surreal stylized touches all over the movie, from talking video-game-style spiders to magical realist metaphors of Georgie's grief.
That’s not to say that Scrapper is flippant about the inherent tragedy of its story, though. As in The Florida Project, you can feel the escapist motivations of Georgie's colorful imagination, which only deepens the poignancy of her situation and the precarious relationship she forms with her father, a barely-old-enough manchild who only makes an effort to meet Georgie after her mother’s death. Amidst all the intentional artificiality of the filmmaking, their largely improvised interactions never ring false — a dynamic that’s also crucial to making the movie feel genuinely touching and real rather than saccharine and shallow. A very impressive debut, and a much-deserved recipient of Sundance’s World Cinema Grand Jury prize and a whopping 14 nominations at the BIFAs.
Genre: Comedy, Drama
Actor: Alin Uzun, Ambreen Razia, Asheq Akhtar, Aylin Tezel, Harris Dickinson, Laura Aikman, Lola Campbell, Olivia Brady
Director: Charlotte Regan
There’s more than a touch of Louis Theroux to this engrossing documentary — fronted by New Zealander pop-culture journalist David Farrier — about an innocuous-seeming Internet phenomenon: the actually-sinister subculture of “competitive endurance tickling”, in which young men undergo “tickle torture” for money on camera. When Farrier unassumingly requests an interview with an American producer of tickle content, it kickstarts a bizarre campaign of harassment and opens up a rabbit hole of unbelievable twists and turns. The wild places this documentary goes are best left as unspoiled as possible, but it’s no spoiler to say this emerges from its seemingly lighthearted premise as a deeply unnerving story about money, power, sex, and shame in the Internet age.
Genre: Documentary, Drama
Actor: David Farrier
Director: David Farrier, Dylan Reeve
Michael Jackson’s death triggers the sudden unraveling of a young imam’s buttoned-up life in this idiosyncratic Egyptian character study. The news of the singer’s passing sets Khaled (Ahmed El-Fishawy) straining against reawakened memories of his youth as a mullet-sporting MJ fanatic, before his joyful creative spark was stamped out by two disparate forces: a mocking, macho dad who punished Khaled for his vulnerability and the conservative uncle who took him under his wing.
Sheikh Jackson mostly takes place across two intertwining timelines: Khaled’s free-spirited adolescence and his adulthood, which has so far been defined by a self-flagellating, fire-and-brimstone brand of Islam. These two strands form a neat illustration of the binary options Khaled was led to believe he had to choose from — but, as the movie’s title hints, he might not have to choose at all, a revelation that doesn’t come easy because it flies in the face of everything he’s been taught. Free from the judgemental impulses of Western cinema when it comes to characters like Khaled, Sheikh Jackson is both an introspective portrait of the universal struggle of defining one’s own identity and a refreshingly nuanced look at how that experience might play out in the modern Arab world.
Genre: Drama
Actor: Ahmed Al Fishawy, Ahmed Malek, Amina Khalil, Basma, Dorra, Hazem Ehab, Ibrahim Farah, Maged El Kedwany, Mahmoud Al Bezzawy, Mahmoud Gomaa, Omar Ayman, Salma Abu Deif, Yasmin Raeis
Director: Amr Salama
The idea of representation in movies is often limited to superficial gestures of putting on screen people who look a certain way. Kokomo City is a reminder of cinema's possibilities when one really tries to queer filmmaking itself, with genuine queer voices driving a production. This documentary is messy and incredibly playful in its style—in ways that might read to some as lacking cohesiveness, or as tonally inconsistent. But the way director D. Smith is able to capture the dynamic energy of a series of conversations makes these powerful, funny, tragic anecdotes and dialogues feel truly grounded in people's everyday experiences, and makes the plea for protection of trans lives all the more urgent.
Throughout Kokomo City, this collection of individuals goes off on various tangents that never become difficult to follow. They speak about the nature of sex work, hidden desires felt by traditionally masculine male clients, and various degrees of acceptance within the Black community. And between these statements alternating from impassioned to emotional to humorously candid, Smith injects cheeky cutaway footage, layers text on screen, and plays an eclectic rotation of music throughout. It's about as real and as three-dimensional as these trans lives have ever been shown on screen.
Genre: Documentary
Actor: Daniella Carter, Dominique Silver, Koko Da Doll, Liyah Mitchell, XoTommy
Director: D. Smith
Jules’ wacky premise — an extra-terrestrial crash-lands in eccentric widower Milton’s (Ben Kingsley) flowerbeds — is a bit of a misdirection. While the movie is technically a sci-fi (featuring, as it does, some very out-there alien engineering), it’s really a charming, mostly-human drama about the isolation and surreality of aging.
Though the mute presence of the alien (nicknamed Jules and played brilliantly by a totally silent Jade Quon) is a constant reminder of the expansiveness of the universe and strange wonders yet to be discovered, the movie keeps its feet firmly on the ground with a sensitive exploration of just how small the worlds of lonely, dementia-struck Milton and two other isolated elderly townspeople (Jane Curtin and Harriet Sansom Harris) are. Rather than expand outwards into a story about the extra-terrestrial itself, Jules focuses on the painful disorientation felt by its lonely trio of protagonists, who all find therapeutic relief and connection by way of the alien and its “understanding eyes.” Though the movie's zany forays into sci-fi territory do sometimes boggle the mind, they never undermine the genuine emotion in Jules’ raw grappling with the experience of aging, as well as give the movie a quirky charm that ensures you won't see anything like this again soon — an increasingly rare experience in itself.
Genre: Comedy, Drama, Science Fiction
Actor: Andy Daly, Anna George, Ben Kingsley, Cody Kostro, Donald Paul, Edward James Hyland, Eric T. Miller, Harriet Sansom Harris, Jade Quon, Jane Curtin, Lee Sellars, Patrick Noonan, Teddy Cañez, Zoe Winters
Director: Marc Turtletaub
When citizenship and rights can only be achieved through federal service, you have no choice but to militarize. Johnny Rico is young, impressionable, but noble; in other words, he is an archetypal hero even if he initially enlists just to be close to his girlfriend Carmen (Denise Richards). From then on, Starship Troopers unfolds as a high-strung high school drama, but in the middle of a space colonization. During one such mission, a highly evolved insectoid race, Arachnids, proves to be the most dangerous enemy to human supremacy and the fight is on. What's interesting about Starship Troopers is that it shows how a well-oiled propaganda machine works and for that reason, it was accused of indoctrination and army endorsement. Even more, it was dubbed fascist, instead of the fascist satire it claimed to be. But today, it's indisputably a cult film and a great introduction to the Paul Verhoeven's work in Hollywood.
Genre: Action, Adventure, Science Fiction, Thriller
Actor: Aaron Stielstra, Amy Smart, Anthony Ruivivar, Betty Hankins, Blake Lindsley, Brad Kane, Brenda Strong, Brooke Morales, Bruce Gray, Bruce Holman, Casper Van Dien, Christopher Curry, Clancy Brown, Curnal Achilles Aulisio, Dale Dye, Dan Olivo, Dean Norris, Denise Dowse, Denise Richards, Dina Meyer, Edward Neumeier, Eric Bruskotter, Eric DaRe, Greg Travis, Hunter Bodine, Jake Busey, John Cunningham, Jon Davison, Julianna McCarthy, Julie Pinson, Kai Lennox, Lenore Kasdorf, Marshall Bell, Mary Ann Schmidt, Matt Entriken, Matt Levin, Michael Ironside, Michael Papajohn, Neil Patrick Harris, Parry Shen, Patrick Bishop, Patrick Muldoon, R. Lee Ermey, Robert David Hall, Rue McClanahan, Seth Gilliam, Stephanie Erb, Steven Ford, Tami-Adrian George, Timothy McNeil, Timothy Omundson, Ungela Brockman, Zoë Poledouris
Director: Paul Verhoeven
One woman’s main character syndrome reaches shocking lows in this vicious Norwegian satire of social-media-era narcissists. Signe (Kristine Kujath Thorp) and her artist boyfriend Thomas (Eirik Sæther) are a deeply toxic couple who torture everyone around them with their constant, petty one-upmanship. When he lands a flashy magazine spread, though, Signe’s usual tactics for slyly redirecting attention her way don’t cut it anymore, and so this compulsive liar takes drastic action and begins overdosing on pills banned for their serious dermatological side effects.
Signe's Munchausen-esque actions have their desired effect: the physically dramatic results instantly make her the center of attention — but not indefinitely. As she craves increasingly bigger spotlights, the film toggles between reality and scenes from her imagination, including a morbid sexual fantasy in which her funeral proves so popular the priest becomes a bouncer, turning away sobbing mourners whom Signe noticed hadn’t visited her in hospital. The rampant narcissism on display here is at turns hilarious and excruciating: Sick of Myself’s sharp social observation skills make it feel, in places, like a movie by cringe-master Ruben Östlund. That stomach-turning effect carries through to the ending, which darkly suggests that, for someone like Signe, even narcissism itself is a condition that can be weaponized for attention.
Genre: Comedy, Drama
Actor: Anders Danielsen Lie, Andrea Bræin Hovig, Fredrik Stenberg Ditlev-Simonsen, Henrik Mestad, Kristine Kujath Thorp, Kristoffer Borgli, Robert Skjærstad, Terje Strømdahl
Director: Kristoffer Borgli
The sooner you accept that Bottoms is not, in fact, rooted in reality in any way, the easier it should become to get on its wavelength for its uniquely absurd brand of comedy. This is ostensibly a satire, though it isn't totally clear what exactly the film is trying to comment on. And its loosely defined world makes it challenging to get emotionally invested in any of the characters' failures or victories. But it does—more than any comedy we'll probably get in a while—capture this feeling of high school being its own heightened, insulated world, where the class system of strict high school stereotypes clashes with the unchecked id and ego of teenagers who think they're more grown-up than they really are.
Director and co-writer Emma Seligman gives this movie a certain sheen that you rarely find in comedies this lowbrow (care of lush cinematography by Maria Rusche, and a bumping electronic score by Leo Birenberg and pop star Charli XCX). This contrast between polished exteriors and unapologetically raunchy content makes the jokes all the more startling—which are delivered by a cast clearly having great fun. Rachel Sennott and Ayo Edebiri stick to their cringe-comedy skill set to great effect, while Ruby Cruz and Havana Rose Liu shine with deceptively tricky material, and Nicholas Galitzine gets to be a himbo for the ages.
Genre: Comedy
Actor: Alyssa Matthews, Ayo Edebiri, Bruno Rose, Cameron Stout, Dagmara Domińczyk, Havana Rose Liu, Kaia Gerber, Krystal Alayne Chambers, Liz Elkins Newcomer, Marshawn Lynch, Miles Fowler, Nicholas Galitzine, Punkie Johnson, Rachel Sennott, Ruby Cruz, Ted Ferguson, Toby Nichols, Virginia Tucker, Wayne Pére, Zamani Wilder
Director: Emma Seligman
Genre: Comedy, Drama
Actor: Alexander Altomirianos, Andreas Schroders, Annika Ernst, Arnd Klawitter, Fred Aaron Blake, Frederick Lau, Friederike Kempter, Inga Birkenfeld, Justus von Dohnányi, Katharina Schüttler, Katharina Schüttler, Leander Modersohn, Lis Böttner, Marc Hosemann, Martin Brambach, Michael Gwisdek, Robert Hofmann, Rolf Peter Kahl, Sanne Schnapp, Steffen Jürgens, Theo Trebs, Tim Williams, Tom Schilling, Ulrich Noethen
Director: Jan-Ole Gerster
Genre: Comedy, Crime
Actor: Al Hunter Ashton, Andrew MacLachlan, Cynthia Cleese, David Simeon, Geoffrey Palmer, Jamie Lee Curtis, Jeremy Child, John Cleese, Kate Lansbury, Ken Campbell, Kevin Kline, Llewellyn Rees, Maria Aitken, Mark Elwes, Michael Palin, Michael Percival, Neville Phillips, Pamela Miles, Patricia Hayes, Peter Jonfield, Robert Putt, Roger Brierley, Roger Hume, Roland MacLeod, Sharon Marino, Stephen Fry, Tom Georgeson
Director: Charles Crichton