2 Best Gripping Movies On Showtime

A road trip movie with an unknown destination, Hit the Road plays with our expectations by avoiding any obvious questions we might have, and making us focus on the real important things. Informed by the censorship and persecution faced by critics of Iran's government—including director Panah Panahi's own filmmaker father, Jafar—the film places more focus on the very act of escape and what that can take from a family. And most importantly, through Panahi's skillful direction of rural Iran's varied, beautiful landscapes, he creates a conflicted relationship between character and setting, with entire emotional crescendos playing out just through a single shot of the environment. It's one of the most underappreciated movies of the year.

Genre: Comedy, Drama

Actor: Amin Simiar, Hasan Ma'juni, Pantea Panahiha, Rayan Sarlak

Director: Panah Panahi

One woman’s main character syndrome reaches shocking lows in this vicious Norwegian satire of social-media-era narcissists. Signe (Kristine Kujath Thorp) and her artist boyfriend Thomas (Eirik Sæther) are a deeply toxic couple who torture everyone around them with their constant, petty one-upmanship. When he lands a flashy magazine spread, though, Signe’s usual tactics for slyly redirecting attention her way don’t cut it anymore, and so this compulsive liar takes drastic action and begins overdosing on pills banned for their serious dermatological side effects.

Signe's Munchausen-esque actions have their desired effect: the physically dramatic results instantly make her the center of attention — but not indefinitely. As she craves increasingly bigger spotlights, the film toggles between reality and scenes from her imagination, including a morbid sexual fantasy in which her funeral proves so popular the priest becomes a bouncer, turning away sobbing mourners whom Signe noticed hadn’t visited her in hospital. The rampant narcissism on display here is at turns hilarious and excruciating: Sick of Myself’s sharp social observation skills make it feel, in places, like a movie by cringe-master Ruben Östlund. That stomach-turning effect carries through to the ending, which darkly suggests that, for someone like Signe, even narcissism itself is a condition that can be weaponized for attention.

Genre: Comedy, Drama

Actor: Anders Danielsen Lie, Andrea Bræin Hovig, Fredrik Stenberg Ditlev-Simonsen, Henrik Mestad, Kristine Kujath Thorp, Robert Skjærstad

Director: Kristoffer Borgli