Four Lions is as black and as dark as a movie can ever get, mixing cultural relevancy with humor and ridiculousness. It is insensitive to Islam, insensitive to terrorism and insensitive to the viewer. But it is hilarious. The director spent three years talking to Imams, terrorism experts and basically everyone. The result? A legit 97 minutes that will dazzle even extremists with its knowledge of Islam and the accuracy of its lines. Needless to say that it will upset quite a few people, but that is always a good sign for black comedy movies, right?
A young Steve Buscemi leads this wry farce about a calamitous film set where nothing goes right. The sardonic script skewers the ins and outs of low budget film production and the various personalities on set from belligerent directors, pretentious cinematographers, and egotistic actors.
A playful three-act structure and trips into dream sequences keep things light, while a strong supporting cast, including a cheeky appearance by Peter Dinklage and the fantastic Catherine Keener, gives the film the backbone it needs.
This original comedy-drama is about a young man on the autism spectrum called Luke. Propelled by a scandalous grandpa with no filters, Luke decides that what he needs in his life is to lose his virginity.
His dysfunctional family setting, which includes a mother who left him and a neurotic step-mother, makes his search more difficult but more also pressing. Luke decides he first has to get a job, and with a world that doesn’t expect much from him, his unbreakable determination is a joy to watch.
A story about inspectors on the Hungarian subway and their struggle to get travelers to pay up. Skinheads with attack dogs, drunks and freaks are the harsh reality of these working-class heroes, who themselves of course are quite the weird bunch. Dark post-soviet humor, refreshingly politically incorrect characters and an abstract parallel love story which barely makes sense even at the end. Kontroll is a movie you will regret having waited 10 years to see.
This quirky 1988 adventure drama is newly available on Amazon Prime. It’s the classic that never was, the story of a rundown gas station motel in the Southern US where a lonely West German lady called Jasmin Munchgstettner ends up by accident.
The owner of the operation, a short-tempered woman by the name of Brenda, doesn’t really take to Jasmin. However, the longer the West German guest stays at the motel, the more a friendship forms between the two.
Summary: it’s a really unusual movie, especially for a star like Robin Williams. It’s almost an indie film actually. Robin Williams plays Lance Clayton, the father of a typical rude teenage boy Kyle Clayton (Daryl Sabara) wherein Sabara’s character meets an unusual demise, and out of embarrassment of the situation the father ghost-writes a suicide note from his son. This white lie leads to another and another and so on until his lies spread further than anticipated. The movie definitely earns points for making the film that was set out to be made. They wanted to make a dark comedy and a dark comedy was what they made. It’s even uncomfortable to watch at times. Between Lance’s love life and Kyle’s non-existent one there’s enough awkwardness that you feel like you can’t wait to get to the next scene just so this one can be over. All in all the actors did a truly fantastic job. Each character seemed well developed by the individual actor to the point where every gesture, line delivery, and awkward silence seemed too natural and organic. Additionally, the writing was exceptional for this movie, as no dialogue was ever wasted. Each and every little detail in each and every shot of each and every scene was very carefully designed to continually push the aesthetics, this film is a big success.