Find the best dramatic movies to watch, from our mood category. Like everything on agoodmovietowatch, these dramatic movies are highly-rated by both viewers and critics.
There are only two main characters in Good Luck to You, Leo Grande: Nancy, a retired teacher who was recently widowed, and Leo, an adept sex worker with a mysterious past. They're almost always in one place and work on a single goal: pleasure. But despite the seeming monotony, the movie is crackling with wit and sensuality every step of the way. It doesn't waste any time getting to the heart of the matter. Nancy and Leo go back and forth about their past, with Nancy divulging much about the stigma of aging and Leo about the stigma of sex work. They also dive into the shame attached to pleasure, ultimately revealing more than just their naked bodies to each other and to the audience.
Three half-Puerto-Rican, half-white boys grow up in suburban New York in this personal movie shot on stunning 16mm film.
This movie follows the boys, often literally with the camera behind their backs, as their parents’ relationship goes through turmoil. The kids are often left unattended and have to fend for themselves. The beauty of We the Animals is illustrating how they grow-up swinging between the angry character of their father and the protective nature of their mother.
This is one of the best movies I’ve seen in a long time, and I think I loved it so much because I was able to relate and feel for the main character (one of the boys). I really hope you will too.
Director Thomas Vinterberg (The Hunt) reunites with Mads Mikkelsen to tell the story of four teachers going through a mid-life crisis. They’re not sad, exactly—they have homes and jobs and are good friends with each other—but they’re not happy either. Unlike the ebullient youth they teach, they seem to have lost their lust for life, and it’s silently eating away at them, rendering them glassy-eyed and mechanic in their everyday lives.
Enter an experiment: what if, as one scholar suggests, humans were meant to fulfill a certain alcohol concentration in order to live as fully and present as possible? The teachers use themselves as the subjects and the tide slowly starts to turn to mixed effects. Are they actually getting better or worse?
With an always-satisfying performance by Mikkelsen and an instant classic of an ender, it’s no surprise Another Round took home the award for Best Foreign Film in the 2020 Academy Awards.
The Dropout is an eight-part series about disgraced biotech entrepreneur Elizabeth Holmes, played here to eerie perfection by Amanda Seyfried. The show follows Holmes as she drops out of Stanford and pursues her dream to be rich and famous at any cost—even if it means swindling her way to the billion-dollar finish line.
With the facts of the case publicly available and a plethora of scammer shows already streaming on the internet, it's a small miracle that The Dropout is still able to stand out as a compelling series. This is thanks in large part to Seyfried: she plays Holmes as a shaky, self-conscious, and hyper-ambitious magnate with little to no remorse, and it works. Even though Holmes is pretty much a cautionary household name at this point, The Dropout is still worth watching if only to see Seyfried's thoughtful portrayal.
In Under the Banner of Heaven, Andrew Garfield plays Detective Jeb Pyre, a devout Mormon whose faith is shaken when he takes up a violent case that involves his church. When he discovers the gruesome death of a fellow worshipper and her 15-month-old child, he is driven mad by the choices he needs to make about his faith, his family, and the threat of fundamentalism these two pillars present. Terrifying and compelling, Under the Banner of Heaven is not for the weak-hearted, but it is recommended to anyone up for a good, challenging watch.
Summary: it’s a really unusual movie, especially for a star like Robin Williams. It’s almost an indie film actually. Robin Williams plays Lance Clayton, the father of a typical rude teenage boy Kyle Clayton (Daryl Sabara) wherein Sabara’s character meets an unusual demise, and out of embarrassment of the situation the father ghost-writes a suicide note from his son. This white lie leads to another and another and so on until his lies spread further than anticipated. The movie definitely earns points for making the film that was set out to be made. They wanted to make a dark comedy and a dark comedy was what they made. It’s even uncomfortable to watch at times. Between Lance’s love life and Kyle’s non-existent one there’s enough awkwardness that you feel like you can’t wait to get to the next scene just so this one can be over. All in all the actors did a truly fantastic job. Each character seemed well developed by the individual actor to the point where every gesture, line delivery, and awkward silence seemed too natural and organic. Additionally, the writing was exceptional for this movie, as no dialogue was ever wasted. Each and every little detail in each and every shot of each and every scene was very carefully designed to continually push the aesthetics, this film is a big success.