12 Best Movies In Tagalog On Netflix

Staff & contributors
Find the best Tagalog-language movies to watch. These movies in Tagalog are: highly-rated by critics, highly-rated by viewers, and handpicked by our staff.

Third World Romance is what it says in the tin– it’s a love story that blooms in the rundown side of the capital of a developing country. The plot is familiar, especially for people familiar with Filipino rom coms, but writer-director Dwein Baltazar approaches this with a grounded approach. With fancy dinner dates substituted with shared packed rice meals and emotional apologies interrupted by their shifts in the grocery, Bree and Alvin carve out a love that still feels passionate, perhaps made even more so, as they navigate a city where they are disenfranchised. Charlie Dizon and Carlo Aquino’s excellent performances keep their characters’ struggles real, but also make their love feel joyful in spite of that.

Genre: Comedy, Romance

Actor: Ana Abad-Santos, Archie Adamos, Carlo Aquino, Charlie Dizon, Donna Cariaga, Gardo Versoza, Iyah Mina, Jun Jun Quintana

Director: Dwein Ruedas Baltazar

In the years since Fan Girl's original release in the Philippines, its ultimate message and execution has become polarizing: is it enough that the film shows the corruption of a parasocial relationship into an abusive one, without offering much hope? Is its vision of justice actually constructive or disappointingly limited? No matter where you fall, it's exciting that a movie can stir up these kinds of questions through a bizarre dynamic between characters, in a place that's clearly set somewhere between reality and delusion. The narrative is circular and frustrating for a reason—a constant push and pull as the titular fan girl keeps getting drawn back into the celebrity's orbit—and the film only grows more disturbing with each repetition.

Genre: Drama, Thriller

Actor: Bea Alonzo, Camille Penaverde, Charlie Dizon, Gie Onida, Paulo Avelino, Sheenly Gener

Director: Antoinette Jadaone

Rating: PG-13

Unlike in many films about old people on the doorstep of death, the titular grandmother in this movie is excited to leave for good. But when her town insists on celebrating her bid to be named the oldest in the world, unresolved conflict among her descendants begins to resurface. Quiet and unabashedly sentimental, Lola Igna offers a uniquely offbeat perspective on death—one that starts from a place of contentment, and only gets more conflicted as more characters reveal how much still has to be said and done. It has all the charm of a low-budget Filipino film, made all the more poignant by Angie Ferro's authentic and deceptively layered performance.

Genre: Comedy, Drama

Actor: Angie Ferro, Chamyto Aguedan, Joel Saracho, Maria Isabel Lopez, Meryll Soriano, Peewee O'Hara, Royce Cabrera, Soliman Cruz, Yves Flores

Director: Eduardo Roy Jr.

Joy is a dutiful, overseas Filipino worker supporting her entire family back home. Ethan is a well-off bartender who has, time and again, put himself first before others. They couldn’t be any more different, yet in Hong Kong, their alien status and ambitious goals make them kindred spirits. What starts as a low-stakes bond quickly turns into an essential relationship, one that puts their personal commitments to the test. 

Hello, Love, Goodbye may appear formulaic at first, but it is heightened by a keen understanding of life overseas. It avoids romanticizing the migrant experience and sees it for what it truly is: a harsh but necessary means to an end. If this seems too severe, it’s also softened by an enchanting romance and some welcome comic relief in the form of the pair’s friends. Because of this nice mix, it’s no surprise that Hello, Love, Goodbye instantly broke domestic records and remains the highest-grossing Filipino movie of all time. 

Genre: Drama, Romance

Actor: Alden Richards, Jameson Blake, Jeffrey Tam, Jerome Ponce, Joross Gamboa, Kaka Bautista, Kakai Bautista, Kathryn Bernardo, Lito Pimentel, Lovely Abella, Maricel Laxa, Maxine Medina, Maymay Entrata, William Lorenzo

Director: Cathy Garcia-Molina, Cathy Garcia-Sampana

Rating: TV-PG

Being a priest requires full devotion to God, so falling in love would naturally challenge a seminarian and make them question whether priesthood is the right path for them. I Love Lizzy portrays this conflict as the seminarian Jeff falls in love with Bicol tour guide Lizzy, on the break where he’s supposed to make his discernment. It’s an intriguing love story, especially as Jeff and Lizzy heal past wounds with each other, and Carlo Aquino adeptly navigates his second seminarian role with ease. However, it’s clear that more care and attention was given to Jeff’s storyline rather than Lizzy’s. Despite this, I Love Lizzy is a unique, if a bit uneven, take on the seminarian love story that continues to captivate the predominantly Catholic country today.

Genre: Romance

Actor: Barbie Imperial, Carlo Aquino, Meanne Espinosa, Robert Seña, Turs Daza

Director: RC Delos Reyes

Stories like Il Mare and Your Name/Kimi no Na Wa work because, unlike other romances, the conflict is understandably difficult. After all, how the heck can anyone fight against time and space? Love You Long Time takes a stab at the unique time-bending premise, with one main difference: the movie’s main lovers can talk to each other directly through an old pair of two-way radios. There’s no need for the two to depend on physical letters or texts. This difference is interesting – immediately, it allows Director JP Habac to play with cinematography, editing, and acting, to make us fall in love with the couple. Split between 2018 and 2022, the film makes meaningful points about the past and present, the years lost to the pandemic, and separation. However, without spoiling anything, the film’s third-act plot twists don’t land as well as they could have. Having them back to back made the plot nearly incomprehensible, and sadly, doesn’t resolve the conflict driving the film.

Genre: Drama, Romance

Actor: Ana Abad-Santos, Arlene Muhlach, Carlo Aquino, Meanne Espinosa, Patrick Quiroz

Director: Jaime P. Habac Jr.

With their personal life offered for consumption, carefully curated for viewers and sponsors, the social media influencer has become a fascinating character to study, especially with the job becoming Gen Z’s top career aspiration. As If It’s True examines this character through Gemma Stone, using the fake relationship trope to examine the lengths to which she would cling to her clout. John Roger’s debut feature blurs the line between real and the fake, not just for Gemma and James but also for the viewers, and it brings up much to say about how this aspiration can ruin people. However, the lines are blurred too much, as the ideas don’t mesh cohesively as it could. As If It’s True is an interesting character study, but the film hasn’t allowed itself to see the human side of the people highly incentivized to be fake for views.

Genre: Drama, Romance

Actor: Adrianna So, Ashley Ortega, Jan Silverio, Khalil Ramos, Marnie Lapus

Director: John Rogers

If Red Ollero's first special on Netflix doesn't have the most consistent laughs or the most original punchlines to make, it still serves as a good introduction for users of the platform to crass, everyday Filipino humor. Whether due to editing or Ollero's writing itself, there are a number of times during his set when he stays on a topic for far too long without adding much insight to it or building on things he's already said. But as the special goes on, there's still something to be taken from how Ollero treats the mundane with an almost hyperfixation. Intentionally or not, he sketches out an absurd view of ordinary life in the Philippines with the self-assurance of someone who doesn't care whether you're grossed out or not.

Genre: Comedy

Actor: Red Ollero

Director: Ryan Puno

A remake of the 2018 South Korean film of the same name, Keys to the Heart never really seems like it comes together as a thematic whole. In its bid to be a modest slice of life—as a story that just happens to feature boxing and classical music amid family conflict—its separate parts wind up feeling underdeveloped. So despite admirable work from its cast and big emotional moments that are treated with a surprising level of sensitivity, there's always a sense that the film is constantly trying to be a soap opera instead of simply being a messier, more organic thing.

Genre: Drama

Actor: Althea Pinzon, Apollo Abraham, Bart Guingona, Dolly de Leon, Elijah Canlas, Katya Santos, Lao Rodriguez, Michelle Dee, Rafael Francisco, Tirso Cruz III, Zanjoe Marudo

Director: Kerwin Go

Built entirely around the star power of its lead performers, A Very Good Girl does, indeed, provide ample opportunities for both Kathryn Bernardo and Dolly de Leon to chew the scenery with wild abandon. But even their most campily delivered one-liners are only entertaining in the moment, as the film twists itself into increasingly complicated (and still oddly sanitized) knots to keep its thrills going. It ends with an incredibly muddled view of the kinds of violence perpetrated by the wealthy and the less fortunate, as if the studio funding the movie prevented it from becoming the bolder, edgier story it seems to want to be.

Genre: Comedy, Drama, Thriller

Actor: Althea Ruedas, Ana Abad-Santos, Angel Aquino, Chie Filomeno, Dolly de Leon, Donna Cariaga, Gabby Padilla, Gillian Vicencio, Iwa Moto, Jake Ejercito, Joji Vitug, Kaori Oinuma, Kathryn Bernardo

Director: Petersen Vargas

Rating: NR

Bogged down by a platonic best friendship with a suspicious lack of communication and the repetitive use of tacky nicknames, Seasons never gains enough momentum to justify 108 minutes of uninteresting romance tropes. Carlo Aquino and Lovi Poe's chemistry is overshadowed by the glaring mound of unoriginal dialogue and drawn-out story. The lack of awareness and childish antics that culminate at the tail-end of a 15-year-long friendship are more disappointing than believable. With no external (or personal) struggles of their own, every sequence reinforces how flat and underdeveloped our leads are, as if they only engage with the world when close to, or thinking about, each other. Love-me/Love-me-not is never enough to carry the film.

Genre: Drama, Romance

Actor: Carlo Aquino, Lovi Poe, Sarah Edwards, Sheenly Gener

Director: Easy Ferrer

Mae is a hopeless romantic looking for love and more clients for her custom t-shirts. After a meet-cute at the grocery store, she turns to an app called Missed Connections to find him. After they finally meet, Mae realizes he has a connection with someone else. Now determined to make him fall in love with her, she hires him to rebuild her website. As a rom-com, the comedy isn't particularly outstanding or noticeable. The romance, and Mae, are hard to root for, especially when her obsessions go too far, her slut-shaming goes unchecked, and it all lasts for 90% of the film without any real cathartic resolutions. 

Genre: Comedy, Drama, Romance

Actor: Chie Filomeno, JC Santos, Kelvin Miranda, Matet De Leon, Miles Ocampo

Director: Jelise Chung