6 Best Movies In Portuguese On Mubi India

In both documentaries and films, adoptees meeting their biological parents for the first time is an event often painted in a sweet light. Never mind the child’s mixed feelings about it or the tragic reality that caused the split in the first place—it’s a reunion between family members, so it must be unequivocally special. In Return to Seoul, director Davy Chou doesn’t just debunk that myth, he subverts it by making the adoptee, Freddie, as unapologetically complex and emotionally enigmatic as possible. She resists affection but wallows in loneliness. She craves reinvention but stays in the same place for years. She’s in constant motion while being absolutely stuck in life. In other words, she’s a realistic embodiment of a person struggling to find some semblance of home. Chou displays an intimate understanding of the foreign experience, and he couples it with captivating cinematography, a rousing soundtrack, and fantastic performances across the board to make a daring, inventive, and thoroughly exciting film. 

Genre: Drama

Actor: Guka Han, Heo Jin, Hur Jin, Kim Dong-seok, Kim Sun-young, Louis-Do de Lencquesaing, Oh Gwang-rok, Oh Kwang-rok, Yoann Zimmer

Director: Davy Chou

Rating: R

French director Mia Hansen-Løve is a master at gently capturing the full bittersweetness of life, and that’s no more evident than in One Fine Morning. Léa Seydoux gives a quietly powerful performance as Sandra, a mother-of-one who is grappling with the slow, devastating decline of her philosophy professor father at the hands of a neurodegenerative disease. As she deals with the crushing trauma of watching her father deteriorate — and the logistical stress of getting him the care he needs — life grants her an oasis through a chance meeting with an old acquaintance (Clément, played by Melvil Poupaud). Despite Clément being married, the two are hurled into a passionate romance, one that re-ignites something in Sandra she thought she’d lost forever.

What’s so remarkable about One Fine Morning is its gentle empathy: Hansen-Løve appreciates that, in the context of Sandra’s life, her affair with Clément is something life-affirming and vital, worthy of sensitive consideration rather than easy judgment or melodrama. What’s more, One Fine Morning extends that thoughtful attention to the other people around Sandra, with digressions that recognize the fullness and complexity of their lives, too. This is a film that overflows with compassion and curiosity for everyone in its frame, and one that has a contagiously heart-expanding effect on its audiences. 

Genre: Drama, Romance

Actor: Elsa Guedj, Fejria Deliba, Léa Seydoux, Masha Kondakova, Melvil Poupaud, Nicole Garcia, Pascal Greggory, Sarah Le Picard

Director: Mia Hansen-Løve

Asif Kapadia, the genius of biopics who gave us Senna, is back with this documentary on an even bigger sports personality: Argentinian soccer player Diego Armando Maradona. Considered as possibly the best soccer player of all time, Maradona's footage on the pitch is pure wizardry, and you'll feel that way whether you are a soccer fan or not. But that's not the focus of this documentary. What happens outside the pitch is more interesting: from Maradona's modest beginnings to the passionate hatred (and love) that entire countries develop of him. And it doesn't make his story less interesting that during his time in Naples he was affiliated with the mafia.

This is an excellent documentary that distills 500 hours of footage into 2, giving you all you need to know about a character who captured the imagination of a big part of the world for decades. 

Genre: Documentary

Actor: Alberto Bigon, Ciro Ferrara, Claudia Villafane, Corrado Ferlaino, Dalma Maradona, Diego Armando Maradona, Diego Maradona, Gonzalo Bonadeo, Maria Rosa Maradona, Pele

Director: Asif Kapadia

Rating: TV-14, TV-MA

This slow Italian drama tells the true story of Mafia boss Tommaso Buscetta, who became the highest-profile Mafia informant at the time of his arrest in the 1980s.

Tommaso, while supervising a criminal network in Sicily, moved to Rio de Janeiro in Brazil to attempt a more legal and quieter life. His role catches up with him and he is quickly arrested.

As a biopic, it rarely depicts violence or glorifies organized crime. Instead, it attempts to document the life of a Mafia boss more realistically: a life of always looking over one's shoulder and of constant loss. Eventually, the movie focuses on what it would take for a man like Tommaso to flip, and what that would cost him.

The Mafia topic might feel overdone, but watching this, it's startling to realize how few thorough character studies have come out in film.

Genre: Crime, Drama, Thriller

Actor: Alessio Praticò, André Lamoglia, Antonio Orlando, Aurora Peres, Bebo Storti, Bruno Cariello, Cinzia Susino, Claudio Collovà, Dino Santoro, Domenico Gennaro, Edoardo Strano, Elia Schilton, Fabrizio Ferracane, Fabrizio Romano, Fausto Russo Alesi, Francesco Emanuele Chinnici, Giovanni Calcagno, Giovanni Vettorazzo, Goffredo Maria Bruno, Jonas Bloch, Leo Wainer, Luciano Quirino, Ludovico Caldarera, Luigi Lo Cascio, Marco Gambino, Maria Amato, Maria Fernanda Cândido, Maria Fernanda Cândido, Michelangelo Cicirello, Nicola Calí​, Nicola Calì, Nicola Siri, Nunzia Lo Presti, Pier Giorgio Bellocchio, Pierfrancesco Favino, Pietro Pace, Raffaella D'Avella, Raffaella Lebboroni, Rainer Cadete, Sergio Pierattini, Tommaso Buscetta, Vincenzo Ferrera, Vincenzo Pirrotta

Director: Marco Bellocchio

Rating: R

With expired film stock, seemingly random shots, not much dialogue, and virtually no plot, there is little to recommend It is Night in America for casual viewing. It is definitely experimental, and as director, editor, and sound designer Ana Vaz presents these shots of animals and urban landscapes, it doesn’t feel like it’s meant for entertainment. But there’s a curiously poignant tone, with the blue tint darkening the cityscape, in their eyes. Night falls for these creatures, who once had a home in this city, and all they can do is survive. É Noite na América isn’t quite the eco-horror it proclaims to be, but its moody and trancelike direction is an interesting approach to the nature documentary genre.

Genre: Documentary

Director: Ana Vaz