14 Best Movies In French On Mubi Canada

There’s much to despair at in Mahamat-Saleh Haroun's drama set in Chad, where abortion is illegal, female genital mutilation isn't, and single mothers are ostracised. Amina's (Achouackh Abakar) 15-year-old daughter Maria (Rihane Khalil Alio) has just been expelled from school because she’s pregnant. Like Amina, Maria has been abandoned by the child’s father — but, having witnessed first-hand the stigma that comes with being an unmarried mother, she refuses to let history continue repeating itself, and declares she wants an abortion.

But underground abortions are expensive, and the duo are barely scraping by as it is, in spite of Amina’s backbreaking manual work. Their situation is dire — and there are more disturbing revelations to be had — but, despite the bleakness of Lingui’s plot on paper, the film isn’t miserabilist. As Amina searches desperately for a safe abortion provider, she takes us with her into a furtive underground network of solidarity, one that offers the mother and daughter all the compassion and aid that the government and their imam should be providing. This is a film in which acts of kindness are quietly delivered on the understanding that that’s what we owe each other, and one where sisterhood is alive — making this, paradoxically, a simultaneously enraging and heartening watch.

Genre: Drama

Actor: Achouackh Abakar Souleymane, Briya Gomdigue, Rihane Khalil Alio, Saleh Sambo, Youssouf Djaoro

Director: Mahamat-Saleh Haroun

Eve’s Bayou is a Southern Gothic tale of spirituality, family, secrets, and the ties that bind them together. The story follows the awakening, both spiritual and emotional, of young Eve Baptiste. The middle sibling of the Baptiste family, 10-year-old Eve, navigates childhood while enduring the tumultuous relationship between her mother and father. 

What lurks beneath a seemingly ordinary marital conflict is an insidious betrayal that could tear her entire family apart. Eve’s Bayou should be considered one of the greatest Black American epics of the past 25 years. I adore this film because it is unflinchingly real - and honest about the sometimes rocky reality of familial bonds. 

Genre: Drama

Actor: Allen Toussaint, Billie Neal, Branford Marsalis, Carol Sutton, Debbi Morgan, Diahann Carroll, Ethel Ayler, Jake Smollett, Jurnee Smollett, Leonard L. Thomas, Lisa Nicole Carson, Lynn Whitfield, Marcus Lyle Brown, Meagan Good, Roger Guenveur Smith, Ron Flagge, Samuel L. Jackson, Tamara Tunie, Victoria Rowell, Vondie Curtis-Hall

Director: Kasi Lemmons

Rating: R

Shia Laboeuf and Stellan Skarsgård star in this true story about one of the greatest tennis matches in history: the 1980 Wimbledon final. The movie dissects what drives both competitors (one played by Laboeuf and the other by Sverrir Gudnason). Their personalities, considered opposites, are studied through their paths and how they got into tennis. All this leads to that one match, in this beautiful story of dealing with competition and fear of failure. Don’t stop watching when the credits roll, read what they say!

Genre: Drama, History

Actor: Anders Berg, Ben Bradshaw, Bjorn Granath, Bob Boudreaux, Colin Stinton, Dag Malmberg, David Bamber, Ian Blackman, Iva Šindelková, Jackson Gann, James Sobol Kelly, Jamie Marshall, Jane Perry, Janis Ahern, Leo Borg, Marcus Mossberg, Mats Blomgren, Robert Emms, Roy McCrerey, Scott Arthur, Shia LaBeouf, Stellan Skarsgård, Sverrir Gudnason, Thomas Hedengran, Tuva Novotny, Wille Glyt, Zuzana Geislerová

Director: Janus Metz, Janus Metz Pedersen

Rating: R

Despite being based on a 19th-century serial novel, Lost Illusions feels remarkably close to contemporary concerns about fake news and the devaluing of art for profit. But as the story is also, obviously, set in the 19th century, all this bribery and these backdoor dealings are done entirely through the written word and by sending runners from one Parisian theater to the next—and the result is uniquely thrilling. Nearly every character is a terrible person (like in an old-timey Goodfellas way) and it can get tiring seeing the film glorify their hustle, but the energy it brings is rare to find in any other period drama.

Genre: Drama, History, Romance, Thriller

Actor: Alexis Barbosa, André Marcon, Benjamin Voisin, Candice Bouchet, Cécile de France, Édouard Michelon, Gaëlle Lebert, Gérard Depardieu, Isabelle De Hertogh, Jean-François Stévenin, Jean-Marie Frin, Jean-Paul Bordes, Jean-Paul Muel, Jeanne Balibar, Louis-Do de Lencquesaing, Maryne Bertieaux, Michèle Clément, Pierre Poirot, Saïd Amadis, Salomé Dewaels, Vincent Lacoste, Xavier Dolan

Director: Xavier Giannoli

This is a documentary with a dark underbelly. When Bobby Shafran goes on his first day at college, everyone seems to recognize him. The person they're actually recognizing is his twin brother, as the two were separated at birth by an adoption agency. A third brother surfaces to make the story even crazier, but things take a darker turn when questions arise about why they were separated as toddlers and to what end. If it wasn't a documentary, this story would be an unusual science fiction on the themes of identity and nature vs. nurture.

Genre: Documentary

Actor: David Kellman, Ellen Cervone, Howard Schneider, Lawrence Wright, Michael Domnitz, Robert Shafran, Tim Wardle

Director: Tim Wardle

Rating: PG-13

The film for which Kristen Stewart became the first American actress to win the César Award. The Twilight star turned indie prodigy plays next to another award favorite, Juliette Binoche, as her assistant. When rehearsing for the play that launched her career many years earlier, Binoche's character, Maria, blurs the line between fiction and reality, her old age and her assistant's young demeanor, and the romance story portrayed in the play and her own life. The movie itself is stylized as a play, adding another interesting layer of artistic creativity to the complex plot line. A film for film lovers.

Genre: Drama

Actor: Aljoscha Stadelmann, Angela Winkler, Benoit Peverelli, Brady Corbet, Caroline De Maigret, Chloë Grace Moretz, Claire Tran, Gilles Tschudi, Hanns Zischler, Jerry Kwarteng, Johnny Flynn, Juliette Binoche, Kristen Stewart, Lars Eidinger, Luise Berndt, Nora von Waldstätten, Nora Waldstätten, Ricardia Bramley, Sean McDonagh, Steffen Mennekes

Director: Olivier Assayas

Rating: R

It doesn’t feel quite right to call Pacifiction a political thriller — at 2 hours 45 minutes and with an unhurried, dreamlike pace, it’s hardly the adrenaline rush that that categorization suggests. But Albert Serra’s film is still suffused with all the paranoia and intrigue that the genre promises, just at a slower burn. The specters of colonialism and nuclear apocalypse hang low over the movie, which is set in an idyllic Tahiti, where Benoît Magimel’s Monsieur De Roller is stationed as France’s outgoing High Commissioner, a bureaucratic relic of the country’s imperialist history. As shady figures and strange rumors about a military submarine begin to arrive on the island, a paranoid De Roller struggles to exert political control — and, in the process, seems to lose some of his own sanity. With an ethereal score, defiantly murky plot, hallucinatory cinematography, and some of humanity’s greatest horrors hanging over it like a pall, Pacifiction feels like a fever dream in the truest sense.

Genre: Drama, Thriller

Actor: Benoit Magimel, Cécile Guilbert, Marc Susini, Montse Triola, Sergi Lopez

Director: Albert Serra

Whores’ Glory leads us through the hidden world of prostitution in three different countries. The lack of narration is an excellent choice here—all too often, it’s easy to accept preconceived notions about this type of work. Instead, what leads us through the film are words from the sex workers themselves and their clientele. In some ways, these words reveal their differences. The workers pray, worry about money, and share their troubles with each other, but it’s their employers and clientele who reveal their misogyny. Overall, while the Western soundtrack and glamorizing shots can be distracting, it’s clear that the film gives respect to sex workers and prioritizes their perspective.

Genre: Documentary, Drama

Director: Michael Glawogger

Rating: Not Rated

Certified Copy starts straightforward enough as it follows an unnamed shopkeeper (Juliette Binoche) and a writer (William Shimell) taking a stroll around picturesque Tuscany, debating the merits of authenticity and simplicity. They’re strangers flirting under the guise of an intellectual debate, and for a while, you think you’re watching a film like Before Sunrise, that is until a mysterious, almost magical, shift occurs, and suddenly, you’re witnessing something entirely different. For better or worse, director Abbas Kiarostami never makes it clear what happens, and that very mystery gives you a lot to think about. Are they pretending to be copies or is it the other way around? Neverending questions run through your head as you watch them banter, but whatever actually happens might be beside the point. At the moment, you get deeply felt, wonderfully rendered, as-real-as-can-be performances from Binoche and Shimell, and you can’t help but surrender.

Genre: Drama, Romance

Actor: Adrian Moore, Agathe Natanson, Andrea Laurenzi, Angelo Barbagallo, Gianna Giachetti, Jean-Claude Carrière, Juliette Binoche, William Shimell

Director: Abbas Kiarostami

Rating: NR

While primarily a showcase of endoscopic footage of various surgeries in different hospitals throughout Paris—which should already be enough to either make you queasy or inspire introspection into the fragility of our lives—this singular, experimental documentary places all this bloodshed in the context of the mundanity of the medical profession. Much of the film is taken up by muted conversation from the surgeons and footage of elderly patients wandering around, creating an even more surreal look into the lack of support these hospitals receive. It's far more abstract than it is educational, but its commitment to getting its hands dirty makes it an unforgettable experience.

Genre: Documentary

Director: Lucien Castaing-Taylor, Véréna Paravel

What happens to genius and complex filmmakers once they reach old age? Agnès Varda at 89 is one example. She maintains an interest in the same deep questions but portrays them in a casual way - basically tries to have a little more fun with things. She finds a friend in JR, a young artist with a truck that prints large portraits. Together they go around French villages (the French title is “Visages Villages”), connecting with locals and printing their photos on murals. Their interactions are researched, but not worked. In fact, they are deeply improvised. Because of this and because the movie is structured in an episode format, it will completely disarm you. And when you least expect it you will be met with long-lasting takes on mortality, loss, but also gender, the environment and the evasiveness of life and art.

Genre: Documentary

Actor: Agnès Varda, Amaury Bossy, Jean-Paul Beaujon, Jeannine Carpentier, JR, Yves Boulen

Director: Agnès Varda, JR

Rating: PG