114 Best Movies In English On Rokuchannel

Understated in budget but lavished with praise, this semi-autobiographical drama by Daniel Destin Cretton flings its audience into the chaotic lives and personal crises of at-risk youths and the passionate social workers that aid them. In his first feature film, the young director draws the viewers into the storm of events and the emotional ups-and-downs of social work in America, going from uplifting to depressing and back – and every emotion in-between.

Set in the real-life and eponymous group home Short Term 12, devoted but troubled foster-care worker Grace is played by Brie Larson, whose shining performance in her first leading role was lauded by critics. Fans will also recognize the supporting actors Lakeith Stanfield and Rami Malek, who broke out in this movie. Short Term 12 is now considered one of the most important movies of 2013 – some say of the decade – owing to its immaculate writing, intimate camerawork, and gripping performances.

Genre: Drama

Actor: Alex Calloway, Angelina Assereto, Brie Larson, Diana Maria Riva, Frantz Turner, Harold Cannon, Joel P. West, John Gallagher Jr., Kaitlyn Dever, Keith Stanfield, Kevin Hernandez, Lakeith Stanfield, Lydia Du Veaux, Melora Walters, Michelle Nordahl, Mohammad Shiravi, Rami Malek, Silvia Curiel, Stephanie Beatriz

Director: Destin Cretton, Destin Daniel Cretton

Rating: R

In 2008, legendary and controversial director Darren Aronofsky delivered yet another unforgettable allegory, starring Mickey Rourke as Randy "The Ram" Robinson, an aging professional wrestler long past his prime, who is struggling to retain a sense of identity, purpose, and dignity later in life. Rourke, who worked as a professional boxer in his 90s and, like his protagonist, almost hung his hat at the time the movie was shot, delivers a once-in-a-lifetime performance that rightly earned him a Golden Globe. Everybody talked about this movie when it came out! Marisa Tomei's performance, who plays the mid-40s stripper The Ram pursues a serious relationship with, was also deemed iconic by some critics. Shot on 16mm film, The Wrestler's cinematography, like its acting, feels incredibly raw, intimate, and realistic. It is essentially about bouncing back, making amends, and growing old and features acting performances that will be remembered for a long time. One for the books!

Genre: Drama, Romance

Actor: Abraham Aronofsky, Ajay Naidu, Alex Whybrow, Alyssa Bresnahan, Andrea Langi, Armin Amiri, Ben Van Bergen, Bernadette Penotti, Bill Walters, Brandon DiCamillo, Brian Heffron, Charlotte Aronofsky, Claudio Castagnoli, Cobian, Daniel Healy Solwold Jr., Daniel Solwold Jr., Darnell Kittrell, Donnetta Lavinia Grays, Douglas Crosby, Dustin Howard, Dylan Keith Summers, Dylan Summers, E.J. Carroll, Emmanuel Yarborough, Eric Santamaria, Erika Smith, Ernest Miller, Evan Rachel Wood, Felice Choi, Giovanni Roselli, Gregg Bello, Jamar Shipman, Jeff Chena, Jen Cohn, Jess Liaudin, John Corson, John D'Leo, John Zandig, Jon Trosky, Judah Friedlander, Lloyd Anoa'i, Marcia Jean Kurtz, Marisa Tomei, Mark Margolis, Matt Cannon, Michael Drayer, Mickey Rourke, Mike Miller, Nate Hatred, Nicholas K. Berk, Nick Papagerio, Olivia Baseman, Paul E. Normous, Paul Thornton, Peter Conboy, Rebecca Darke, Rob Strauss, Robert D. Siegel, Robert Oppel, Ron Killings, Ryan Lynn, Ryan Tygh, Sakinah Bingham, Scott Franklin, Steven Haworth, Sylvia Kauders, Todd Barry, Tommy Farra, Vernon Campbell, Wass Stevens

Director: Darren Aronofsky

Rating: R

Simply titled The Imposter, this film by English documentary maker Bart Layton tells an unbelievable tale. Any plot summary doing this film justice has to err on the side of brevity, which is why it will be only one line long: this is the story of Frederic Bourdin, a serial imposter nicknamed “The Chameleon”, who at one time claimed to be the missing son of a family from Texas. The film is so well-shot that it is hard to tell fact from fiction at times and it will force you to remind yourself that this is in fact real life. Expect twists and turns at every corner and brilliant storytelling from real people. If Christopher Nolan created a 48-hour story, it would pale in comparison to this film.

Genre: Crime, Documentary, Mystery

Actor: Adam O'Brian, Adam O' Brian, Adam O'Brian, Alan Teichman, Anna Ruben, Carey Gibson, Cathy Dresbach, Charlie Parker, Frederic Bourdin, Ivan Villanueva, Ken Appledorn, María Jesús Hoyos, Mary Twala, Nicholas Barclay

Director: Bart Layton

Rating: R

David Lynch's star-studded provocation Blue Velvet was both revered and criticised upon its release because of how heavily it leans on sexuality and violence to advance its plot, but today the film's hailed as a contemporary masterpiece. Still, scenes with that kind of content are quite hard to stomach in combination with Isabella Rossellini's depiction of an unstable, delicate singer named Dorothy. But Dorothy is surely not in Kansas anymore... It takes a young college student (Jeffrey Beaumont played by Kyle McLachlan) who becomes fascinated with her as part of his self-appointed detective quest, to uncover deep-rooted conspiracies. In his endeavours, Jeffrey is joined by butter blonde Sandy (Laura Dern), and the twisted love triangle they form with Dorothy in the middle is one for the ages. Dennis Hooper stars as one of the most terrifying men on screen and Lynch regular Angelo Badalamenti scores the film with an eerie precision like no other. 

Genre: Crime, Drama, Mystery, Romance, Thriller

Actor: Angelo Badalamenti, Brad Dourif, Dean Stockwell, Dennis Hopper, Donald Moore, Frances Bay, George Dickerson, Hope Lange, Isabella Rossellini, J. Michael Hunter, Jack Nance, Ken Stovitz, Kyle MacLachlan, Laura Dern, Peter Carew, Priscilla Pointer

Director: David Lynch

Rating: R

More simply called La Vie d'Adèle in its native language, this French coming-of-age movie was hugely successful when it came out and was probably one of the most talked-about films of the time. On the one hand, the usual puritans came to the fore, criticizing the lengthy and graphic sex scenes. On the other hand, Julie Maroh, who wrote the source material that inspired the script, denounced Franco-Tunisian filmmaker Abdellatif Kechiche for directing with his d*ck, if you don't mind me saying so, while also being an on-set tyrant. Whatever you make of this in hindsight, the only way to know is to watch this powerfully acted drama about the titular Adèle (Adèle Exarchopoulos), and her infatuation with Emma, a free-spirited girl with blue hair, played by Léa Seydoux. The film beautifully and realistically portrays Adele's evolution from a teenage high-school girl to a grown, confident woman. As their relationship matures, so does Adèle, and she slowly begins to outgrow her sexual and philosophical mentor. Whatever your final verdict on the controversial sex scene, Blue Is the Warmest Color is without doubt an outstanding film as are the performances from Exarchopoulos and Séydoux.

Genre: Drama, Romance

Actor: Adèle Exarchopoulos, Alain Duclos, Alika Del Sol, Alma Jodorowsky, Anne Loiret, Aurélien Recoing, Aurelie Lemanceau, Aurélien Recoing, Baya Rehaz, Benjamin Siksou, Benoît Pilot, Benoît Pilot, Bouraouïa Marzouk, Camille Rutherford, Catherine Salée, Catherine Salée, Éric Paul, Fanny Maurin, Halima Slimani, Jérémie Laheurte, Jérémie Laheurte, Judith Hoersch, Justine Nissart, Karim Saidi, Klaim Nivaux, Léa Seydoux, Maelys Cabezon, Maud Wyler, Mona Walravens, Quentin Médrinal, Salim Kechiouche, Samir Bella, Sandor Funtek

Director: Abdellatif Kechiche

Rating: NC-17

In a stunning and vivid (re-) introduction to the Black intellectual, author, and social critic, James Baldwin, this movie digs very deep into the American subconscious and racial history. It tells the story of America by telling the story of “the negro” in America, based on a book Baldwin started to write, which would have studied the famous assassinations of three of Baldwin's friends: Medgar Evers, Malcolm X, and Martin Luther King, Jr. He wrote about 30 pages before he passed away in 1987. Haitian director and activist Raoul Peck picked up the project and made it into a movie, earning him an Academy Award nomination. Narrated by none other than Samuel L. Jackson, I Am Not Your Negro highlights, at the same time, Baldwin's genius, his unique eloquence, and the beauty of his soul as a human being. It is a sad truth that Baldwin's denouncements feel as relevant today as they did 50 years ago. As such, this movie serves as a sobering reminder of how far America still has to go. A mesmerizing experience!

Genre: Documentary

Actor: Bob Dylan, Dick Cavett, H. Rap Brown, Harry Belafonte, James Baldwin, Joey Starr, Malcolm X, Marlon Brando, Martin Luther King, Martin Luther King Jr., Paul Weiss, Ray Charles, Robert F. Kennedy, Samuel L. Jackson, Sidney Poitier

Director: Raoul Peck

Rating: PG-13

Bowling For Columbine addresses the sore wounds of 9/11 by exploring the concepts of safety and fear as perceived by various people. From school shooting survivors, through Canadians who never lock their doors, to Marilyn Manson and actor/NRA president Charlton Heston, Michael Moore's interviewees all inform the complex picture of gun violence and its rise today. The director is not afraid to provoke and ask the pressing questions linking the abstract fear of the other to the reality of lost lives every day. Even his irony and parody—a morose cartoon arguably based on South Park especially—bites back hard.

Genre: Documentary, Drama

Actor: Adolf Hitler, Bill Clinton, Charlton Heston, Chris Rock, Dick Clark, Duke of York, George H. W. Bush, George W. Bush, Jacobo Árbenz, Jessica Savitch, Keanu Reeves, King Charles III of the United Kingdom, Marilyn Manson, Matt Stone, Michael Moore, Prince Andrew, Prince Andrew, Duke of York, Salvador Allende

Director: Michael Moore

Rating: R

Kathryn Bigelow has a knack for action-packed scenes without compromising on the affective qualities of film style. It is precisely this combination that makes her a rare gem in American cinema, where the values of entertainment soar high. Point Break is one such example of controlled chaos, impeccable framing, and a convincing use of fast-paced editing to really get you as close to the action as possible. But what gives the film its flavour is how developed and synced the characters are and the Reeves-Swayze duo here belongs in the pantheon of equally hot frenemies, providing an apt, but subtle comment on the dangers of toxic masculinity. 

Genre: Action, Crime, Thriller

Actor: Anthony Kiedis, Anthony Mangano, Betsy Lynn George, Bojesse Christopher, Chris Pedersen, Christopher Pettiet, Daniel Beer, Dave Olson, Debra Lamb, Galyn Görg, Gary Busey, Gary Roberts, Gloria Mann, Jack Kehler, James Le Gros, Jared Chandler, Jeff Imada, John Apicella, John C. McGinley, John Philbin, Julian Reyes, Julie Michaels, Keanu Reeves, Lee Tergesen, Lori Petty, Michael Kopelow, Mike Genovese, Patrick Swayze, Peter Phelps, Ping Wu, Randy Walker, Raymond Forchion, Richard Grove, Sydney Walsh, Tom Sizemore, Vincent Klyn

Director: Kathryn Bigelow

Rating: R

Martin Scorsese had just spent a year prepping for The Last Temptation of Christ when Paramount Pictures unceremoniously pulled the plug on the movie just one month before production was due to start. After Hours was Scorsese’s way of exorcising all that disappointment and frustration, and you can feel it: this black comedy vibrates with manic intensity as it charts a night from hell in the life of Paul (Griffin Dunne), a somewhat scuzzy yuppie living in ‘80s New York City.

In keeping with its title — which suggests the movie is suspended in temporal limbo — After Hours feels like it takes place in some mythological hellscape, a demonic underworld in which everyone Paul meets has been sent forth with the express mission to make his life more miserable. Surreal coincidences pile up, deepening his paranoia and turning his simple goal of returning home into a labyrinthine quest for survival on the deserted, rain-soaked streets of SoHo. It’s the kind of celluloid nightmare that terrorizes and thrills you at the same time (a la the Safdie brothers’ best works, which draw inspiration from After Hours). Only a director of Scorsese’s caliber could turn profound professional disappointment into such a win as this.

Genre: Comedy, Drama, Thriller

Actor: Bronson Pinchot, Catherine O'Hara, Charles Scorsese, Cheech Marin, Clarence Felder, Dick Miller, Frank Aquilino, Griffin Dunne, Henry Judd Baker, John Heard, Larry Block, Linda Fiorentino, Margo Winkler, Martin Scorsese, Murray Moston, Paula Raflo, Robin Johnson, Rocco Sisto, Rockets Redglare, Rosanna Arquette, Teri Garr, Tommy Chong, Verna Bloom, Victor Argo, Victor Bumbalo, Victor Magnotta, Will Patton

Director: Martin Scorsese

Rating: R

Here’s a biopic that focuses on capturing the feel of the era it depicts, rather than all the facts — and is all the better for it. 24 Hour Party People takes the same punk approach to storytelling as its subjects did to music, playfully throwing off the dull constraints that often make based-on-a-true-story movies feel like uninspired celluloid translations of a Wikipedia page. 

In the film’s opening scene, Steve Coogan’s Tony Wilson breaks the fourth wall to address us directly and semi-spoil the movie’s ending. But it doesn’t matter, because the ride is so fun: we’re taken on an immersive trip through the heyday of the Manchester music scene: the births of Joy Division, New Order, the Happy Mondays, and Wilson’s Factory Records label and legendary Hacienda nightclub, an incubator for acid house and rave culture. The era’s hedonism is brought to life by the movie’s frenetic editing, documentary-style cinematography, and strobe-heavy visuals. For all its onscreen anarchy, though, the movie remarkably never feels loose or self-indulgent. Its irreverence is grounded by the ironic filter of the meta filmmaking, which frequently breaks the fourth wall to draw attention to its own conceits. A refreshing rejection of biopic tropes, but also a thrilling transportation into and evocation of the Madchester era.

Genre: Comedy, Drama, Music

Actor: Andy Serkis, Chris Coghill, Christopher Eccleston, Daniel Lestuzzi, Danny Cunningham, Darren Tighe, Elizabeth Kelly, Enzo Cilenti, Fiona Allen, Helen Schlesinger, John Simm, John Thomson, Kate Magowan, Keith Allen, Kenny Baker, Kieran O'Brien, Lennie James, Margi Clarke, Mark E. Smith, Martin Hancock, Naomi Radcliffe, Neil Bell, Paddy Considine, Paul Popplewell, Peter Gunn, Peter Kay, Ralf Little, Raymond Waring, Rob Brydon, Ron Cook, Sean Cernow, Sean Harris, Shirley Henderson, Simon Pegg, Smug Roberts, Steve Coogan, Toby Salaman, Tony Wilson

Director: Michael Winterbottom

Rating: R

Ryan Gosling plays a Jewish Neo-Nazi in this extremely riveting window into the definition of inner conflict. It is a prime example of how character development should be done and it put Gosling on the map for me. He starts out as an exemplary student in Hebrew school until he starts questioning his teachings and exploring alternative ideologies, leading him to the neo-Nazi movement. Won the Grand Jury Prize at Sundance

Genre: Drama

Actor: A.D. Miles, Billy Zane, Chuck Ardezzone, David Bailey, Dean Strober, Ebon Moss-Bachrach, Elizabeth Reaser, Garret Dillahunt, Glenn Fitzgerald, Heather Goldenhersh, Henry Bean, Joel Garland, Joel Marsh Garland, Jordan Lage, Joshua Harto, Kris Eivers, Lucille Patton, Michael Marcus, Michael Port, Peter Meadows, Ronald Guttman, Ryan Gosling, Sascha Knopf, Sig Libowitz, Summer Phoenix, Theresa Russell, Tibor Feldman, Tommy Nohilly

Director: Henry Bean

Rating: R