21 Best TV Movie Movies to Watch

Staff & contributors

Don’t be fooled by its obvious parallels to Ghost (not a bad film, but a very different one): Truly, Madly, Deeply isn’t much concerned with the supernatural logistics of its back-from-the-dead-boyfriend premise, and it doesn’t feature any psychics or murders, either. In fact, there’s an argument to be made that everything that takes place here happens in its protagonist's imagination — that’s how much it ignores the ‘how’ of it all.

Instead, this deeply warm rom-com from the great Anthony Minghella grapples head-on with the emotional challenges of grief and moving on. Juliet Stevenson’s performance as the bereft Nina is up there as one of the most moving portrayals of loss the screen has seen, and not just because of how believable her intense cry-acting is. When she realizes her deceased boyfriend Jamie (Alan Rickman, as seductive and sardonic as always) has returned to the land of the living, her euphoria brings to aching life the dream that everyone who’s ever lost a loved one must surely have dreamt: how joyous it would be to see them again. Blending such raw observations with wry humor — and anchored by two leads with genuine chemistry — this is a profoundly moving and rewarding movie.

Genre: Comedy, Drama, Fantasy, Romance, TV Movie

Actor: Alan Rickman, Arturo Venegas, Bill Paterson, Christopher Rozycki, David Ryall, Deborah Findlay, Frank Baker, Juliet Stevenson, Michael Maloney, Nitin Ganatra, Richard Syms, Teddy Kempner, Terry Molloy, Tony Bluto, Vania Vilers

Director: Anthony Minghella

Whether graffiti is art or not is the question guiding this fascinating documentary about the spray can-wielding artists of ‘80s New York. Wherever you come down in the debate — though this presents compelling arguments that graffiti is a medium worthy of critical attention — you’ll undoubtedly come away with a reverence for the kids who went hard with the paint on NYC’s walls and subway cars. Candid interviews with these young pioneers (whose cultural contributions are now less in contention) reveal that they’re not simply rebelling for rebellion’s sake: they’re largely motivated by a desire to make their mark on their beloved city — to stand out and have their work seen by the millions riding the subway every day.

The doc largely embeds itself with the artists, but it also interviews the “other side”: then-mayor Ed Koch and police officers, who were ramping up their aggressive “war on graffiti” campaign during filming. It’s clear that these interviewees have little interest in understanding what drives the kids to create their murals — a lack of curiosity that Style Wars blessedly counters. Not just a thoughtful contribution to its period and a fascinating time capsule, but also a thought-provoking reminder that art is art, whether it's made outside of the system or not.

Genre: Documentary, Music, TV Movie

Actor: Cap, Daze, Dondi, Ed Koch, Eric Haze, Gene Anthony Ray, Irene Cara, Kase 2, Rammellzee

Director: Tony Silver

Sometimes you can just tell a movie means way too much to the people who made it. That makes me want to watch it more than once, which is what I wanted to do with The Tale. But while I think it's such an amazing movie and everyone should watch it, I don't think I can stomach a second watch.. It is based on the director/writer Jennifer Fox's own story - recounting her first sexual experience at a very young age. It's about the stories we tell ourselves to deal with trauma, and in that sense, and with utmost honesty, it invites grief and closure for similar experiences. A powerful movie led by a powerful performance by Laura Dern as Jennifer.

Genre: Drama, Mystery, TV Movie

Actor: Chelsea Alden, Common, Daniel Berson, Deana Deatherage, Elizabeth Debicki, Ellen Burstyn, Emily Sandifer, Frances Conroy, Grant James, Gretchen Koerner, Isabella Amara, Isabelle Nélisse, Jaqueline Fleming, Jason Ritter, Jenson Cheng, Jered Meeks, Jessica Sarah Flaum, Jodi Long, John Heard, Juli Erickson, Katie Fairbanks, Laura Allen, Laura Dern, Lonnie Rashid Lynn Jr., Madara Jayasena, Madison David, Matthew Rauch, Mobin Khan, Noah Lomax, Paul Riley Fox, Pixie Hankins, Rebecca Chulew, Ricki Bhullar, Russell Bradley Fenton, Scott Takeda, Tarek Bishara, Thom Bishops, Tina Parker, Vincent Washington

Director: Jennifer Fox

Rating: Not Rated

Even a director of William Friedkin’s caliber had his work cut out for him with this remake of the towering 1957 drama tracking a jury's fraught deliberations in an apparently open-and-shut murder trial. Wisely, he changes little: most of the incisive dialogue remains the same, and the film still only takes place in one sweltering room on New York’s hottest day.

There are some key differences, though: namely, in a few of the characters (most notably Mykelti Williamson’s ex-Nation of Islam member Juror #10, who helps update the story to the '90s) and the intensification of the ensemble’s star power. The all-star quality of the cast is never wielded to call attention to itself, though; everyone, from James Gandolfini and William Petersen to Tony Danza and Edward James Olmos is on fine character acting form here. Replacing the unforgettable Henry Fonda is Jack Lemmon (exuding warmth and good sense) as the principled lone dissenter who calmly wages a war of words with George C. Scott’s bigoted Juror #3 to give real justice a chance. The 1957 version is admittedly a timeless classic, but Friedkin's version isn't very far off from reaching its predecessor’s dazzling heft plus, this stands as a compelling argument that every era should have its own 12 Angry Men.

Genre: Crime, Drama, TV Movie

Actor: Armin Mueller-Stahl, Courtney B. Vance, Dorian Harewood, Douglas Spain, Edward James Olmos, George C. Scott, Hume Cronyn, Jack Lemmon, James Gandolfini, Mary McDonnell, Mykelti Williamson, Ossie Davis, Tony Danza, Tyrees Allen, William Petersen

Director: William Friedkin

Rating: PG-13

2005 was a banner year for British period dramas, apparently: first, there was Joe Wright’s Pride & Prejudice (still arguably the genre’s crowning achievement), and then came Under the Greenwood Tree, a delightful made-for-Christmas-TV romance loosely based on the eponymous Thomas Hardy novel. Anyone familiar with the author’s typically tragedy-tinged stories — think Tess of the D'Urbervilles and Far From the Madding Crowd — will find themselves surprised by the light, pleasant tone of this one, in which the closest anyone gets to violent revenge is sabotaging a church organ by pouring a flagon of cider into it.

The romance here is threefold: when Keeley Hawes’ spinster schoolteacher Fancy Day (genuinely her name) arrives in an English village, she ignites a rivalry between wealthy farmer Shiner (Steve Pemberton), haughty clergyman Parson Maybold (Ben Miles), and James Murray’s die-hard romantic Dick Dewy (again: the names in this are a choice). The trio’s simultaneous attempted courting of Fancy doubles as both the entertaining will-she-won’t-she stuff of romantic dramas and a conduit through which the movie explores the class dynamics in England during the 19th century. It’s this deft intertwining of satisfying romantic period drama tropes with genuine reflection on the historical period itself — all while remaining lighthearted — that makes this underseen adaptation worth watching.

Genre: Drama, Romance, TV Movie

Actor: Ben Miles, James Murray, Keeley Hawes, Richard Leaf, Steve Pemberton, Terry Mortimer, Tom Georgeson, Tony Haygarth

Director: Nicholas Laughland

In 1994, Danish auteur Lars von Trier came up with a TV series called The Kingdom, an absurd supernatural comedy that takes place in a rundown hospital in Copenhagen. The show was well-received enough to warrant a second season, but just as von Trier was polishing up the third and final installment, the deaths of more than one lead actor pressed pause on the project, till now.

More than 10 years in the making, The Kingdom part III, also called Exodus, is still very much centered on the weird patients and staff members that populate the Riget hospital, as well as the possible evil buried beneath it. The comedy/horror has a robot dishwasher and a giant head. Danes and Swedes are perennially at war with each other. Willem Dafoe and Alexander Skarsgard make odd cameos.

I’m not sure it’s possible to write a coherent synopsis without sounding like I’ve fallen off the rails, but know that it is a unique headscratcher of a show, more interesting as an experience than anything else. Von Trier was also openly inspired by Twin Peaks, in making it, so David Lynch fans in particular will truly enjoy diving into this world.

Genre: Comedy, Drama, Fantasy, Horror, Mystery, Thriller, TV Movie

Actor: Annevig Schelde Ebbe, Baard Owe, Benny Hansen, Benny Poulsen, Birgitte Raaberg, Birte Tove, Claus Nissen, Claus Strandberg, Danica Curcic, Dick Kaysø, Else Petersen, Erik Wedersøe, Ernst-Hugo Järegård, Finn Nielsen, Ghita Nørby, Gordon Kennedy, Helle Virkner, Henning Jensen, Henrik Koefoed, Holger Juul Hansen, Holger Perfort, Jens Okking, Julie Wieth, Kirsten Rolffes, Kurt Ravn, Lars Lunøe, Lars von Trier, Laura Christensen, Lene Vasegaard, Lise Schrøder, Mette Marckmann, Mette Munk Plum, Michael Moritzen, Morten Eisner, Nis Bank-Mikkelsen, Ole Boisen, Ole Dupont, Otto Brandenburg, Paul Hüttel, Peter Gilsfort, Peter Mygind, Solbjørg Højfeldt, Solveig Sundborg, Søren Elung Jensen, Søren Hauch-Fausbøll, Søren Pilmark, Søren Steen, Thomas Bo Larsen, Tove Maës, Udo Kier, Ulrik Cold, Vic Carmen Sonne, Vita Jensen, Willem Dafoe

Director: Lars von Trier, Morten Arnfred

Rating: TV-MA

The late, great William Friedkin’s final film is staged with all the military precision of its naval court setting. We never leave the courtroom from the moment we’re plunged into it — the first minute — meaning the contentious action around which the film revolves happens only in our imagination, spurred on by the competing accounts of Lieutenant Maryk (Jake Lacy) and Commander Queeg (Kiefer Sutherland). Maryk is accused of mutiny, but, as he tells it, he only seized command from Queeg during a typhoon because he feared that the Commander was experiencing an episode of mental instability that would endanger the lives of everyone onboard. 

The lack of flashbacks to this crucial moment places the burden of bearing out the truth on the cast, which includes Jason Clarke as Maryk’s lawyer, Monica Raymund as Queeg’s counsel, and Lance Reddick — the naturally authoritative late actor to whom the film is dedicated — as the judge. The film's lack of visual pizzazz is to its advantage, then, because it allows this excellent cast (and Friedkin’s searing script) to flex under the full, burning gaze of the spotlight. Clarke, in particular, emerges as the standout as the reluctant navy lawyer — a man caught between the impulse to expose one truth and conceal another.

Genre: Drama, TV Movie, War

Actor: Dale Dye, Denzel Johnson, Elizabeth Anweis, Francois Battiste, Gabe Kessler, Gina Garcia, Jake Lacy, Jason Clarke, Jay Duplass, Kiefer Sutherland, Lance Reddick, Lewis Pullman, Monica Raymund, Stephanie Erb, Tom Riley

Director: William Friedkin

Rating: PG-13

This HBO mockumentary is part-pastiche of the mythologising sports documentary, part-zany comic creation of its own. Tour de Pharmacy tells the incredible untrue story of the 1982 Tour de France, the most chaotic iteration of the race that never happened. Of the original 170 cyclists, all but five were disqualified for bribing the deep-in-debt president of cycling’s governing body (Kevin Bacon), leaving only Italian-a sensation-a JuJu Peppi (Orlando Bloom); secret female racer Adrian Baton (Julia Ormond and Freddie Highmore); frustrated nephew of Jackie Robinson, Slim (Daveed Diggs); a roided-out Austrian (John Cena); and Marty Hass (Andy Samberg), a Nigerian cyclist despised by his country.

Tragedy, scandal, and surprising romance unfold across the documentary’s chronicling of the race’s 21 stages, with plenty of digressions along the way — from a riotous interview with the head of the sport’s anti-doping agency (played by Nathan Fielder) to an animated explanation of red and white cells that devolves into a surreally bloody civil war. The humor zooms between the high-brow (French New Wave references delivered by JJ Abrams) and the R-rated from scene to scene, making this breezy mockumentary a wild ride of its own.

Genre: Comedy, Drama, TV Movie

Actor: Adewale Akinnuoye-Agbaje, Andy Samberg, Chris Romano, Chris Webber, Danny Glover, Daveed Diggs, Dolph Lundgren, Edgar Wright, Eric Nenninger, Eugenia Kuzmina, Freddie Highmore, J.J. Abrams, James Marsden, Jeff Goldblum, Joe Buck, John Cena, Jon Hamm, Julia Ormond, Kevin Bacon, Kevin Clash, Lance Armstrong, Maya Rudolph, Mike Tyson, Nathan Fielder, Orlando Bloom, Phylicia Rashād, Rebecca Dayan, Seth Morris, Will Forte

Director: Jake Szymanski

A classic text of English literature classes is handsomely brought to life in this screen translation of the still-radical play An Inspector Calls. The Birlings, a wealthy industrialist family thriving in 1912 England, have a cozy family celebration shattered by the arrival of a police inspector investigating the suicide of a young working-class woman. But that’s not the only bubble that’s burst: as Inspector Goole (David Thewlis) interviews the family — gradually revealing the part each played in forcing the woman to such a desperate state — he holds a mirror up to the casual cruelty and entitlement with which the Birlings move through the world. Part of what makes JB Priestley’s original play so enduring is how these characters are used as a wider metaphor for their social classes, and that translates with delicate but undeniable force here. A damning indictment of individualism and blind privilege on original publication in 1945, this is a story that retains the same relevance and power today.

Genre: Crime, Drama, Mystery, Thriller, TV Movie

Actor: Chloe Pirrie, Chrissie Chow, David Thewlis, Donnie Yen, Eric Tsang, Finn Cole, Flora Nicholson, Hans Zhang, Herman Yau, Karena Ng, Ken Stott, Kyle Soller, Lam Ka-tung, Liu Yan, Louis Koo, Lucy Chappell, Miranda Richardson, Raymond Wong, Sophie Rundle, Teresa Mo, Wanda Opalinska

Director: Aisling Walsh, Herman Yau, Raymond Wong

Rating: TV-PG

You don’t have to have seen a single game of tennis to enjoy this mockumentary about the longest match that (n)ever took place in the sport’s history. Andy Samberg plays Aaron Williams, the mullet-sporting adopted brother of Serena and Venus (whose family “reverse Blind-Sided” him) made immortal by his record-smashing, week-long battle with posh, dim-witted English prodigy Charles Poole (Kit Harington) at Wimbledon. Things only get more riotously ridiculous from the premise: the team behind sports spoof Tour de Pharmacy chronicle the winding journeys the rivals took to that climactic seven-day showdown, from forays into the world of innovative underwear design to stints in Swedish jails, by way of a surreal tangent into the storied faux-history of courtroom sketch art. Suffice it to say: the tennis isn’t really the point here.

Real-life figures from the sport (including Serena Williams and John McEnroe) ground the spoof in enough reality to make the zany humor pop, with the comedy coming from a very game Fred Armisen, Michael Sheen, Lena Dunham, Will Forte, and Howie Mandel. With eccentric humor in spades — from the puerile to the surreal — and a lean runtime, 7 Days in Hell packs in as many dizzying jokes as Aaron and Charles do volleys in their absurd history-making rally.

Genre: Comedy, TV Movie

Actor: Andy Samberg, Chris Evert, Chris Romano, David Copperfield, Destiny Soria, Dolph Lundgren, Filip Hammar, Fred Armisen, Howie Mandel, Jim Lampley, John McEnroe, Jon Hamm, June Squibb, Karen Gillan, Kit Harington, Lena Dunham, Ludwig Manukian, Lyssa Roberts, Mary Steenburgen, Michael Sheen, Serena Williams, Soledad O'Brien, Will Forte

Director: Jake Szymanski

Hugh Jackman, Allison Janney, and Ray Romano star in this true story of a big academic corruption case. Hugh Jackman is (of course) excellent as a successful and dedicated superintendent with a complicated personal life. However, when a curious student with the school journal starts digging around in a project he promotes, she uncovers what will become the largest public school embezzlement in the history of the U.S. 

The performances stretch the story to its full potential, as this movie would be nothing without its incredible cast. It should be watched for the acting. Eventually, it suffers from a problem common to all movies based on newspaper articles: the story can be told in a single article.

Genre: Crime, Drama, History, TV Movie

Actor: Alex Wolff, Allison Janney, Annaleigh Ashford, Brent Langdon, Brian Sgambati, Catherine Curtin, Darlene Violette, Dina Pearlman, Doris McCarthy, Finnerty Steeves, Geraldine Viswanathan, Gino Cafarelli, Giuseppe Ardizzone, Halle Curley, Hari Dhillon, Hugh Jackman, Jeremy Shamos, Jimmy Tatro, John Scurti, Jorge Chapa, Justin Swain, Kathrine Narducci, Kayli Carter, Larry Romano, Natasha Goss, Pat Healy, Peter Appel, Rafael Casal, Ray Abruzzo, Ray Romano, Rene Ojeda, Robert 'Toshi' Kar Yuen Chan, Stephanie Kurtzuba, Stephen Spinella, Steve Routman, Victor Verhaeghe, Welker White, Will Meyers

Director: Cory Finley

Rating: TV-MA

This atmospheric 82-minute French drama is set between 1995 and the present time, between a shy and lonely teenage version of the main character, Jonas, and an extroverted, chain-smoking one. The common thread between the two is a night gone wrong at a local gay bar.

I Am Jonas is a detailed portrait of a troubled, self-loathing character, and an exploration of the long-lasting impact of trauma experienced young.

Genre: Drama, Romance, TV Movie

Actor: Aure Atika, David Baïot, Félix Maritaud, Franck Libert, Ilian Bergala, Marie Denarnaud, Nicolas Bauwens, Nicolas Sartous, Pierre Cartonnet, Tommy-Lee Baïk

Director: Christophe Charrier

Rating: 12

Despite the fact that this isn't the light fantasy romcom it seems to present itself as at the onset, Paging Mr. Darcy nevertheless becomes a breezy, likable little TV movie because it allows its main characters to be adult human beings. The story is still mostly fluff that ends far too abruptly, but for the most part, watching these two walk around and flirt from the very beginning makes for pleasant viewing. There isn't any pressure placed on these people to fabricate some sort of will-they-won't-they dynamic or to act accordingly to Jane Austen's work, and the result is a romance that feels so much simpler and so much more authentic than a Hallmark movie probably deserves.

Genre: Comedy, Romance, TV Movie

Actor: Benjamin Ayres, Carolyn Scott, David Pinard, David Rosser, Jinny Wong, Lillian Doucet-Roche, Mallory Jansen, Steven Vlahos, Will Kemp

Director: Peter Wellington

Rating: G

Hallmark is the last place you'd expect to find a low-budget movie that decries excessive automation and advocates for local businesses, but for some reason this is the setting against which Love & Jane's story is told. And the movie doesn't come across as insincere either, as it uses a familiar romcom template to actually encourage its protagonist to grow beyond the romance novels she loves and to engage with her own experiences and emotions. Unfortunately, the rest of the film feels oddly obligatory, including a bland love interest and his half-baked chemistry with the heroine, and the inclusion of Jane Austen herself, who really has nothing to do here.

Genre: Comedy, Romance, TV Movie

Actor: Aadila Dosani, Alison Sweeney, Benjamin Ayres, Corina Bizim, Debbie Podowski, Eduardo Britto, John Prowse, Kehli O'Byrne, Kendra Anderson, Lynn Whyte, Matthew Kevin Anderson, Nevin Burkholder, Vivin Oommen, William Vaughan

Director: David Weaver

Rating: G

As exciting as it sounds to have a real person transported into a fictional story, An American an Austen really doesn't do much with its protagonist's foreknowledge of the plot, nor is it particularly clear about the rules or consequences of Harriet's situation, if any. This means that much of the film consists of watching Pride and Prejudice play out in a slightly more tongue in cheek fashion, as the main character comments on things without doing too much about them. Similar to Hallmark's other recent Jane Austen-themed movies, however, there is a thoughtful message here about learning to face reality and not idealizing fictional romances—delivered in a pretty competent visual package. It's just a shame that this is buried at the end of a plot that has no stakes to speak of.

Genre: Comedy, Romance, TV Movie

Actor: Bert Seymour, Calypso Cragg, Catherine Hannay, Dominic Andersen, Eliza Bennett, Grace Hogg-Robinson, J.R. Esposito, Nell Barlow, Nicholas Bishop, Richard Gibson, Robin Weaver, Sarah Ferguson

Director: Clare Niederpruem

Rating: G