9 Best Romance Movies On SHOWTIME
Is love in the air? It sure is all over streaming platforms, where there’s no shortage of romance to cuddle up to. From intimate dramas to love-fuelled adventures, here are the best romance movies and shows to stream now.
See, low budget films do work! Like Crazy schools other romantic films on what they should all be: cute and sweet but also frustrating and nerve-wracking. Felicity Jones is absolutely fantastic here, she stars as a British girl who falls in love with an American, Jacob, while in college. On a whim, she overstays her visa to be with him, and then return to England to face the consequences. The intimacy this film explores really distinguishes it from others and makes for an authentic experience, as it is based on its writer/director's own 8-year long-distance relationship. A great option if you're in the mood for the type of suspense that pulls at your heartstrings.
John Carney, who directed the critically and commercially successful Once, may be the world’s best captor of charm. Begin Again tells the story of a broken-hearted singer who gets discovered by a failed showbiz executive. Their ideas and love for music are all they have to face their failures and bring their creativity to life. The original songs are charming and from Keira Knightley and Mark Ruffalo to Yasiin Bey (Mos Def), Adam Levine, and Cee-Lo Green, the cast generate sparkling chemistry and portray the story beautifully. Begin again is a sweet and effortless watch, yet far from being your classic rom-com.
This drama was the first feature written and directed by an out Black lesbian, Cheryl Dunye, and it is an absolute joy: a cheeky faux-documentary that ingeniously blends lesbian dating life with a historical dive into Black actors in 30s Hollywood.
Dunye plays Cheryl, a self-effacing version of herself, an aspiring director working at a video store who begins to research an actress known as the Watermelon Woman for a documentary. The more Cheryl dives into her research, the more she sees parallels between her subject and her own relationship.
As incisive as it is funny, The Watermelon Woman shares some common ground with other major indie debuts of the era like Spike Lee’s She’s Gotta Have It and funnily enough Kevin Smith’s Clerks, but Dunye’s style is wholly her own and a dazzling treat to experience.
Muriel is a young social outcast who spends her time obsessively planning a dream wedding without ever having been on a date. Her life is flipped upside down when she steals $15,000 from the family business to go on a tropical getaway. This brilliant comedy is memorable as much for Toni Collete’s breakout role as it is for its snarky subversion of rom-com tropes.
Muriel’s Wedding arrived in a wave of bright and brash Australian comedies of the early 90s like Priscilla Queen of the Desert and Strictly Ballroom. And like these counterparts, its heightened reality gives way to a surprising and heartbreaking emotional core. Director PJ Hogan would go on to direct My Best Friend’s Wedding - a fun but watered-down imitation of the surprising storytelling that made this a cult classic.
There are comfort food movies, and then there are films like Big Night: comfort food movies about comfort food. Stanley Tucci and Tony Shaloub are brothers running a failing Italian restaurant. Their last chance to save it from foreclosure is to throw a colossal dinner bolstered by a dubious promise of a visit from singer Louis Prima.
The comedy is mellow and pleasant, and Tucci and Shaloub have wonderful chemistry as bickering brothers. Meanwhile, a great supporting cast featuring Isabella Rosellini, Ian Holm, and Allison Janney more than make up for the somewhat predictable script.
Loosely based on the 1909 novel, Martin Eden is a stunning film about the hollow success of individualism. The plot points remain the same: Eden, a self-taught sailor, wants to win the heart of the wealthy Elena Orsini. To do this, he strives to break into the upper class with his writing. However, in this film, writer-director Pietro Marcello adds another dimension to the anti-individualist story: he transports Eden from his original California setting to Naples—allowing for views of different cultures, languages, and classes. By intercutting between old film stock and lingering close-ups, Marcello draws from his documentary background to masterfully evokes the process of remembering. And in refusing to define the time period, Marcello recognizes that Eden's struggle is still ongoing today—and that his success is still hollow.
Ryan Bingham (George Clooney) is a corporate axman, he comes in a fires people when the managers are too afraid to do it themselves. The nature of his work requires a lot of flying, short lived meetings in transit zones and he absolutely loves it, and he has a certain goal in mind. When the company tries a new approach to corporate downsizing he has to change his way and view of life. It's full of cynicism and warmth. If you are familiar with Jason Reitman's previous work, you'll feel right at home, if you don't : Get to it!