23 Best Romance Movies On Netflix Germany

Staff & contributors

Is love in the air? It sure is all over streaming platforms, where there’s no shortage of romance to cuddle up to. From intimate dramas to love-fuelled adventures, here are the best romance movies and shows to stream now.

Much like Berlin’s infamous nightlife, which serves as the backdrop to the plot, this daring German real-time drama will eat you up and spit you out. After leaving a nightclub at 4am, Victoria, a runaway Spanish girl, befriends a gang of four raucous young men, climbing rooftops and drinking beers among the city’s moon-lit streets. The gang’s light-hearted banter is impressively improvised from a skeleton script, offset by Niels Frahm’s ominous original score.

But what starts out as late-night high jinks swerves into darker territory. Driven by her infatuation with the pack leader Sonne, played by Frederick Lau, Victoria ends up being recruited as a get-away driver for an ill-prepared bank robbery and loses herself in a sinister spiral of events. What sounds like a standard-issue crime drama is, in fact, a staggering cinematic experiment.

Filmed in one take, on location, and in real time, the movie’s production is indeed a gamble, but director Sebastian Schipper more than pulls it off. The claustrophobic camerawork of cinematographer Sturla Brandth Grøvlen leaves the viewer feeling like a hapless accomplice to Victoria’s plight. With Laia Costa giving an awe-striking lead performance, the high wire acting of the entire main cast only adds to this effect. Victoria is a stellar directorial debut, heart-stopping drama, and a truly immersive experience.

Being an intimate, black-and-white portrayal of just two people, it is worth mentioning the two leads in the very first sentence: Blue Jay stars the incredibly versatile Sarah Paulson, who most of you will know from her depiction of Marcia Clark in The People vs. O.J., and Mark Duplass from Creep. In this incredibly intricate dialogue-driven drama, he is of course named Jim, a regular guy with some issues, who runs into his high-school sweetheart Amanda at the grocery store. She is only in town briefly because her sister is having a baby. Amanda agrees to have coffee with him, later they get beer and jellybeans, and find themselves recreating silly tapes at his late mother's house that they use to make when they were still at school. This could quickly become a soppy affair if it wasn't for the heart-felt realness of the acting, for lack of a better term, and all the fine details that the two leads bring to the screen. The chemistry between them is something to behold!

A gritty and realistic thriller set in France’s notorious capital city of crime - Marseille. 

Zachary is released from Juvenile prison to learn that his mother has abandoned him. He finds kinship in an underage sex worker by the name of Shéhérazade. 

This seems like the set-up for a tough watch, but Shéhérazade plays like a romance when it’s slow, and a crime thriller when it’s fast (it’s mostly fast). Everything about the story and two leads’ relationship rings true. Added to the fact that it has no interest in emotionally manipulating you, the movie is more gripping and thought-provoking than sad.

A great story, fantastic acting from the cast of first-timers, and outstanding direction give the feeling that Shéhérazade is bound to become a modern classic. If you liked City of God, you will love this. 

An amazing binge-worthy show that is a mix between a coming-of-age story, a romance, and a crime thriller. It tells the story of James, a 17-year-old who believes he is a psychopath (for some very convincing reasons). James decides he wants the victim of his first murder to be a new schoolmate, Alyssa.  He befriends her and keeps waiting for the perfect moment to kill Alyssa until he finds himself on a journey with her to escape her home. Somewhere near the middle of the show, and without you fully realizing it, it transforms from an original coming-of-age story or odd-boy-meets-odd-girl story to an intriguing view on adolescent insecurities and the role of parents into shaping them. It transforms from a mysterious, almost charming story to an interesting character study.  This is when the show will blow your mind.  It's a fresh, smart, funny yet disturbing emotional thrill ride.

 

This beautiful, realistic, and nostalgic anime movie about childhood is one that almost anyone can relate to. Set in the year of 1982, twenty-seven-year-old Taeko Okajima is traveling to the countryside by train. Along her journey, she gets flashbacks of her childhood: mostly in elementary school, stealing glances at a boy, and navigating puberty. The movie goes back and forth between past and present, easily making one long for sun-filled summers of yesteryear and silly jokes between playfriends. As well as telling a story about Taeko's past, Only Yesterday also tells a story about her present, and the combined realism of the plotline with the beautiful animation grips you and doesn’t let go. Only Yesterday truly feels like home.

An interior designer comes back from Sweden to her birthplace in Thailand where she tries to declutter her family home to make it a minimalist, Marie Kondo-type house. “Minimalism is like a Buddhist philosophy. It’s about letting go,” she tells her mother as she tries to convince her. “Are you nuts?” The woman replies.

Jean insists and she embarks on a journey of touching what hasn’t been touched in decades: traces of an absent father and a past lover among the old Nokias and VHS tape recorders.

Happy Old Year is a contemporary exploration of the age-old resistance to throwing things away. Decluttering is a costly act, one of rejecting and discarding memories. The film was Thailand’s official submission to the Oscars.

In what was originally intended to be his final film, Hayao Miyazaki is at his most lucid with The Wind Rises. Fluid and luminous, it cleanly moves between a grounded, historical reality and an intuitive, imaginative dreamscape. Here Miyazaki reflects on the process of creation and what it means to be an artist, drawing parallels between his own meticulousness as a filmmaker with Horikoshi’s immutable passion for flight and efficient design.

But questions of responsibility and duty arise, as Horikoshi—and by extension, Miyazaki—must reckon with the reality that even things as beautiful as aeroplanes can be destructive, and that even dreams can be violent. This meditative film does not offer any easy answers but it provides solace in its prevailing sentiment: The wind is rising, we must try to live.

Us and Them follows two former lovers who reminisce and reassess their decade-long relationship over one night. They both seem to be in better places, certainly financially if anything else, but their shared wistfulness for the past threatens to prove otherwise. 

The film was an immediate hit when it was first released in China, and it’s easy to see why. With just the right balance of realism, romance, and comedy, the movie makes for a simple but deeply moving and involving watch. You can’t help but root for the exes to get back together, even though you know as well as they do how minimal the chances of that happening are.

An intriguing, funny and rather bizarre movie which serves as a fantastic introduction to 'new-wave' German cinema. Featuring a cast of young talented actors and excellent direction, this movie takes place around the time the Berlin wall fell and East and West Berlin were still united. Christiane, a devout socialist activist in East Berlin suffers an accident which leaves her in a coma, during which time the Berlin wall comes down and Western capitalism encroaches on her beloved East Berlin. Fearing that she may relapse into a coma after waking up, her doctors warn that she must remain calm and not endure any shocks. Despite the somewhat contrived premise, the film really takes off from this point as her son Alex and his friend aim to hide this fact from her, by faking news reports on the television, coming up with excuses for a giant Coca Cola banner and a whole host of other amusing exploits to prevent her from knowing. While categorised as a comedy, it is also a moving portrayal of a loving family enduring great, historic change.

Your Name Engraved Herein is a melancholy and emotional film set in 1987 just as martial law ends in Taiwan. The film explores the relationship between Jia-han and Birdy, two boys in a Catholic school who are in a romantic relationship. The movie tackles homophobia and social stigma in society which evokes a bleak and rather depressing atmosphere, emphasised by the movie's earthy aesthetic. There is a rawness in the film’s narrative and dialogue, topped off by the lead actors’ successfully raw performances. Your Name Engraved Herein is tender as well as heartbreaking, occasionally depicting the joy of youth.

This sensitive and elegantly crafted melodrama recognizes that a death in the family doesn't have to lead to the same expressions of mourning we expect from movies; there might not be any real sadness at all. But when different family members come together again and bring their own personal conflicts with them, suddenly everyone else's little griefs fill the space, and the road to recovery becomes even messier. Little Big Women understands all this with an understated touch and brilliant, naturalistic performances from its cast. It makes for a loving tribute to the generations of tough and complicated women who often hold a family together.

Dear Ex is a family drama that explores LGBT+ issues in contemporary Taiwan. As much as it is a movie about how people cope with loss, it’s a powerful, heartwarming, and intimate portrait of the relationship between Jay and Song Zhengyuan and all the obstacles they face.

While the themes of Dear Ex are heavy, the director makes the viewing experience easier for the audience thanks to humorous and witty dialogue. Meanwhile, the history between Jay and Song Zhengyuan’s relationship unfolds in a very beautiful, almost poetic way, and by the end of the movie, we understand that everyone gets their own kind of forgiveness. The way the characters effortlessly show that love is something beyond genders is admirable, and it is great to see how everyone gets their own kind of forgiveness whether it's from themselves or from others by the end of the movie.

This lovely romance is about Ellie, a straight-A student who takes money from a classmate, Paul, to write love letters for him. Ellie does this to help with the household bills but there is one big problem: the girl Paul is in love with is also the girl Ellie has a crush on.

This might seem like the set-up for a standard Netflix comedy (and if you’re thinking Bergerac, you’re right, it is based on the famous play) but as the introduction of the film reads: “This is not a love story … not one where anyone gets what they want."

It is in fact, personal work from a brilliant and quality-focused director, Alice Wu. Her last movie, Saving Face, a pioneering lesbian romance set in an Asian American context, was released a long 15 years ago.