75 Best Foreign Movies on Criterion Channel Right Now

Updated October 23, 2024 • Staff
With its dedication to restoring and distributing classics, there’s no doubt that the Criterion Channel has a great library for viewers to dive into. They’ve unearthed films once thought to be lost, they’ve figured out how to adapt the classic widescreen aspect ratio to regular screens, and they also added thoughtful, scholarly essays and commentary tracks for movie lovers. It won’t be a surprise that their library also includes hidden gems from all over the world, so for cinemas wanting a glimpse of something new, here’s some of the best foreign films available to stream on Criterion Channel.
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75.

Happy Together (1997)

Happy Together is a beautifully devastating tale about a gay couple, portrayed by Tony Leung Chiu-Wai and Leslie Cheun, who struggle with maintaining romance and fidelity in their relationship. Despite their efforts, they find the emotional distance growing between them, especially as they leave their home of Hong Kong for Buenos Aires.

Filmed and set in the late 1990s, Happy Together explored the depths of queer love in a way most films hadn’t. 

Since its release, it has touched the souls of many and caused tears to be shed. It serves as a reminder that love isn’t perfect, but it’s always worth the effort.

Our staff rating: 7/10
Genre: Drama, Romance
Actor: Chang Chen, Chen Chang, Gregory Dayton, Law Shu-Kei, Leslie Cheung, Shirley Kwan, Tony Chiu-Wai Leung, Tony Leung Chiu-Wai
Director: Kar-Wai Wong, Wong Kar-wai
Rating: N/A
Go to Criterion Channel
74.

Hive (2021)

It’s been years since Fahrije and the women of her village lost their husbands to the war. It’s one thing to move on after their passing, but quite another to never be sure about their whereabouts, dead or alive. Hive tells the story of how, in the wake of this inexplicable loss, the women of a Kosovo village reluctantly band together and make a new life for themselves and their families.

Thanks to its grit and restraint, Hive avoids the cheesy trappings of a melodrama. The dialogues are straightforward and the performances taut but affecting. Their battle with poverty and misogyny is sadly a familiar tale, but told through the lens of single mother/burgeoning entrepreneur Fahrije, it is rendered deeply personal and illuminating. 

 

Our staff rating: 7/10
Genre: Drama
Actor: Adem Karaga, Adriana Matoshi, Armend Smajli, Astrit Kabashi, Aurita Agushi, Bislim Muçaj, Blerta Ismaili, Çun Lajçi, Ilir Prapashtica, Kaona Sylejmani, Kumrije Hoxha, Labinot Lajçi, Yllka Gashi
Director: Blerta Basholli
Go to Criterion Channel
73.

Madadayo (1993)

Even if you aren't familiar with Akira Kurosawa classics like Rashomon and Seven Samurai, Madadayo works as a portrait of a great man who seemed to feel nothing at the end of his career other than gratitude. Made up of long, wholesome conversations between real-life Japanese academic Hyakken Uchida (Tatsuo Matsumura) and his former students, the film finds plenty of wisdom in observing the little things. And as hard as his students try to make sure Uchida's twilight years are as comfortable as possible, there's still something elusive about this man overwhelmed by all the good and bad fortune in his life.

Our staff rating: 7/10
Genre: Comedy, Drama
Actor: Akira Terao, Asei Kobayashi, Eiji Bandô, George Tokoro, Hidetaka Yoshioka, Hisashi Igawa, Kazuhiko Kasai, Kinzō Sakura, Kōjirō Kusanagi, Kyōko Kagawa, Masahiko Tanimura, Masayuki Yui, Masuo Amada, Mie Suzuki, Minoru Hirano, Mitsuru Hirata, Nobuto Okamoto, Noriko Honma, Norio Matsui, Shigeo Katô, Shû Nakajima, Takao Zushi, Takeshi Kusaka, Tatsuo Matsumura, Tetsu Watanabe, Tetsuya Ito, Tomoko Ôtakara, Toshihiko Nakano, Yoshitaka Zushi
Director: Akira Kurosawa
Go to Criterion Channel
72.

Piaffe (2023)

Visual artist Ann Oren's first foray into feature-length filmmaking is a sensual delight and a gift that keeps on giving. Oren approaches her film with sincere dedication to every single building block: Piaffe looks, sounds, and feels sensational while being a fairly modest production. A true indie film, Piaffe verges on experimentation as a young woman named Eva (Simone Bucio) takes over the job of a foley artist from her sister. Even though she's under-qualified, she tries her best t0 come up with the sounds for a horse-themed commercial to no avail. However, in the process, she notices a bump on her lower back that grows into a horse's tail. Piaffe is a tale of metamorphosis, not only of the flesh, but also of the heart, as the themes it explores are also directly related to sexuality, submission, and, of course, love as a manifestation of all those things.

Our staff rating: 7/10
Genre: Thriller
Actor: Bjørn Melhus, Josef Ostendorf, Lea Draeger, Nico Ehrenteit, Sebastian Rudolph, Simon(è) Jaikiriuma Paetau, Simone Bucio, Tristan Bumm
Director: Ann Oren
Go to Criterion Channel
71.

Pathfinder (1987)

When forming a nation, governments would like to view the entire populace as one people– for example, the Norwegians live in Norway. But plenty of these nations have smaller populations of different ethnicities, some that have been on the land far longer than the nation itself. Pathfinder is the first ever feature film depicting the Sámi people, depicting one of their tales. The film plays out like a familiar folk adventure, where a boy comes of age through clever thinking, but it also mirrors their struggle to keep their culture from Norwegianization, to protect their people from extinction. Pathfinder may not have the best special effects, but there’s a beauty in the way writer-director Nils Gaup depicts his home county of Finnmark, and the way he depicts his people’s past.

Our staff rating: 7/10
Genre: Adventure
Actor: Helgi Skúlason, Ingvald Guttorm, John Sigurd Kristensen, Knut Walle, Mikkel Gaup, Nils Utsi, Nils-Aslak Valkeapää, Svein Scharffenberg, Sverre Porsanger
Director: Nils Gaup
Go to Criterion Channel
70.

As Tears Go By (1988)

Before Wong Kar Wai made his signature romantic dramas, he first made his directorial debut As Tears Go By, a film that wouldn’t be out of place in the crime and action flicks that characterized 1980s cinema. There are moments that feel a tad derivative, such as the use of Take My Breath Away from 1986’s Top Gun, and the gangster love triangle reminiscent of Martin Scorcese’s Mean Streets, but Wong’s style starts to peek through with his use of color and light, and of course, the distinctive blurred action that transforms movement into lines. It’s not as sleek as Wong’s better known works, but As Tears Go By is still a good film to watch, marking Wong as one of the biggest names in the then-emerging Hong Kong New Wave.

Our staff rating: 7/10
Genre: Crime, Drama, Romance
Actor: Alex Man, Andy Lau, Benz Kong To-Hoi, Chan Chi-Fai, Cheung Wing-Cheung, Chow Gam-Kong, Chun Kwai-Bo, Fei Pak, Ho Wing-Cheung, Hui Fan, Jacky Cheung, Jacky Cheung Hok-Yau, Kam Shan, Lam Kau, Lee Chi-Git, Ma Yuk-Sing, Maggie Cheung, Maggie Cheung Man-Yuk, Pak Yan, Ronald Wong, Ronald Wong Ban, William Chang Suk-Ping, Wong Aau, Wong Chi-Wai
Director: Wong Kar-wai
Go to Criterion Channel
69.

Involuntary (2008)

Anthology films are interesting because it’s not just one film on screen– it’s multiple stories, one after the other, that might have different plots, but share similar themes, ideas, and styles that the filmmaker(/s) would like to display. Involuntary does have five separate short films, but rather than play one by one, writer-director Ruben Östlund chops them up and alternates between them, starting with small instances where the group pushes someone into a behavior, then eventually escalating and accelerating into much more difficult consequences. This makes for a very slow start to the one and a half hour film, but it also allows Östlund some scope, with this simple group dynamic directly affecting larger ideas such as public morality, masculinity, and high-risk behavior in teens amongst others.

Our staff rating: 7/10
Genre: Comedy, Drama
Actor: Cecilia Milocco, Henrik Vikman, Leif Edlund, Leif Ericson, Linnea Cart-Lamy, Lola Ewerlund, Maria Lundqvist, Olle Liljas, Sara Eriksson, Simeon Nordius, Vera Vitali, Villmar Björkman
Director: Ruben Östlund
Go to Criterion Channel
68.

Girlhood

An electrifying portrayal of a girl growing up in a poor Paris suburb. This coming-of-age story follows Marieme, a girl struggling in high-school who learns that she will be rerouted out of academia and onto a track where she will learn a trade. Frustrated by the news and fearful of an abusive elder brother, she finds solace in a gang of girls from her neighborhood. Initially she decides against joining them but does so at the prospect of pursuing a crush. Her new friends take her into the center of Paris and to a more violent and crime-driven lifestyle. An undeniably grim movie, Girlhood compensates with an amazing character study - themes of identity and adolescent need for belonging are at the center of a type of a story that rarely ever gets any attention.

Our staff rating: 7.1/10
Genre: Drama
Actor: Assa Sylla, Cyril Mendy, Damien Chapelle, Djibril Gueye, Idrissa Diabaté, Idrissa Diabaté, Karidja Touré, Lindsay Karamoh, Marietou Toure, Nassereba Keita, Nina Mélo, Rabah Nait Oufella, Simina Soumaré, Tia Diagne
Director: Céline Sciamma
Rating: Unrated
Go to Criterion Channel
67.

Deep Crimson (1996)

While love and longing can transform people into their best selves, it has famously transformed couples into their worst selves too, and this change captivates our imaginations of how the relationship was formed. Deep Crimson revisits the Lonely Hearts Killers, dramatizing their exploits with a darkly comic flair. As Mexican auteur Arturo Ripstein brings their tale to Mexico, he and his screenwriter wife Paz Alicia Garciadiego dive deep into these undeniably evil characters, spotting the ways their jagged edges fit and make them whole, which creates a twisted bond that isn’t easily torn apart. Profundo Carmesí is an unforgettable take on an unforgettable crime duo.

Our staff rating: 7.1/10
Genre: Crime, Drama
Actor: Álvaro Carcaño, Daniel Giménez Cacho, Esteban Soberanes, Gastón Melo, Julieta Egurrola, Marisa Paredes, Paco Mauri, Patricia Reyes Spíndola, Regina Orozco, René Pereyra, Rosa Furman, Sherlyn, Verónica Merchant
Director: Arturo Ripstein
Go to Criterion Channel
66.

Read My Lips (2001)

In my own wished-for parallel universe, French actors Vincent Cassell and Emanuelle Devos are voted the sexiest actors alive. I find them both transfixing and appealing in every role they’ve performed, and they are quite the pair here. Devos plays Carla, a put-upon assistant at a property management company. While good at her job, there is little room for her to advance her career, as she is one of the only women at her company and also has a hearing deficiency. Into her humdrum life walks ex-convict Paul (Cassell), who Carla hires as a personal assistant. It turns out that what Paul lacks in secretarial skills he makes up for in other ways. The first half of the film plays almost like a dark workplace comedy, before taking a dangerous turn towards psychological crime thriller. Overall, it’s a dark and sexy character study of two mismatched outsiders who turn out to complement each other perfectly.

Our staff rating: 7.2/10
Genre: Crime, Drama, Romance, Thriller
Actor: Bernard Alane, Bô Gaultier de Kermoal, Celine Samie, Chloé Mons, Christiane Cohendy, Christophe Van de Velde, Christophe Vandevelde, David Saracino, Emmanuelle Devos, Francois Loriquet, Gladys Gambie, Isabelle Caubère, Nathalie Lacroix, Olivia Bonamy, Olivier Gourmet, Olivier Perrier, Patrick Steltzer, Pierre Diot, Serge Boutleroff, Serge Onteniente, Vincent Cassel
Director: Jacques Audiard
Rating: R
Go to Criterion Channel

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