19 Best Movies From United Kingdom On Korea South

From Aaron Sorkin, the creator of every liberal's favorite 2000s political drama, The West Wing, The Social Network, and the master of the “walk and talk”, comes the dramatization of a sadly true American story from the mid-last century. In 1968, different groups from all over the country travelled to Chicago to protest the Vietnam War at the Democratic National Convention. The Chicago police greeted them in full riot gear, purposely attacking the peaceful protesters. Five months later, eight of them (charges against Black Panther leader Bobby Seale were dismissed) were arrested for inciting riot. As the title suggests, the film details the trials that followed, which highlight the still ongoing battles within American society and politics: racism, ineptness, corruption, complacency, you name it. On a lighter note, while you wouldn't necessarily call this an ensemble cast, the number of unlikely familiar faces in this film is off the charts: Yahya Abdul-Mateen II, Sascha Baron Cohen, Joseph Gordon-Levitt, Eddie Redmayne. It also features some of the greatest supporting actors in American TV history like John Carrol Lynch, Frank Langella, and the amazing John Doman aka Bill Rawls from The Wire.
Orlando von Einsiedel's epic documentary is at once a stunning natural film, an intimate human drama, and an intense political thriller slash investigative report. The titular Virunga National Park, a UNESCO world heritage site in Eastern Congo, serves as the magnifying glass through which we witness the natural, human, and political crisis of this embattled and volatile region. There are poachers killing endangered gorillas, the bloody business of Big Oil companies, government forces fighting a myriad of militias, and, lastly, the three individuals struggling to protect Virunga and its mountain gorillas from death and destruction. The result is a snap-crackle-pop-type situation, like sitting on a powder keg. The film captures all this superbly with great editing, compelling real-life material, and gripping action. Virunga's intensity can rival a well-made fictional thriller any day of the week.
You've probably watched and heard about enough Holocaust films to expect a formula, but you might want to put all that aside going into The Boy in Striped Pajamas. Bruno, the son of a WWII Nazi commandant forms an unlikely friendship with a Jewish kid his age in his father's concentration camp. The film is World War II told through Bruno's eyes, and while you might not get why this movie is so highly praised in its first scenes, the twisting and profound second half will have you recommending it to everyone in need of a moving story well executed, or quite simply a good cry.

This documentary starts with Alex Lewis, who gets into a motorcycle accident and wakes up in the hospital not knowing who he is. He doesn’t remember anything (not even what a bicycle or a TV is, or who his mother or father are), but he remembers his twin brother, Marcus. When Alex gets back into his childhood home, he’s full of questions, and Marcus is full of answers. However, slowly, Marcus realizes his power to reshape Alex’s version of their past. Marcus leaves one important detail from Alex’s life that makes this documentary (as if it wasn’t already) such an insane story. I know I said it’s a sad movie, but it’s also fascinating and, ultimately, humanizing of the brothers’ experience.

Adapted from the Lionel Shriver novel of the same name, We Need to Talk About Kevin is the story of a mother (Tilda Swinton) that never quite bonds with her child, but not by her choice. The son grows up to do a heinous act that begs the question: nature or nurture? This film is an uncompromising view on the development of an unloved child. Silent pain gets voice. Feelings are shown by actions not emotions in an authentic, comprehensible and aesthetic manner. Great work.

This movie’s energy is completely intoxicating.

It’s the directorial debut of renown British/Nigerian actor Chiwetel Ejiofor, but it feels like the work of a veteran.

In a true story told in English and Chichewa (a language from Malawi), a young boy is expelled from school because his parents couldn’t afford tuition. At the same time, his village is struck by a variety of natural circumstances that bring them the threat of drought and famine.

The young boy sneaks into the library in the hopes of making a windmill and saving his village, and you can guess what follows from the title.

The triumph of engineering and a boy with a dream; mix in an incredibly interesting culture, full of unique family dynamics and a thought-provoking intersection between religion, tradition, and technology. The result is a delicate but uplifting movie, not to be missed.

This offbeat drama is about a Syrian refugee who gets sent to a remote island in northern Scotland. “There was a better signal in the middle of the Mediterranean,” another refugee tells him when he arrives. Omar is as the title suggests stuck: until his asylum request is processed he can't work or continue his journey onwards. His situation is frustrating and difficult, but it's also full of absurdities, as Omar is stuck around some very weird people.

Limbo perfectly portrays the duality between sad and nonsensical in the refugee experience. In the entrance to the isolated and rundown facility that houses Omar, a handmade sign said "refugees welcome". The next day a "not" is added between "refugees" and "welcome", in the exact same paint. 

If you like Finnish director Aki Kaurismäki's work, this has a similar brand of dark humor to his also refugee-themed 2017 drama The Other Side of Hope.

Horror movies have always been creepier to me when they play on our fear of the “unknown” rather than gore. Under The Shadow does exactly that. The story is based around the relationship of a woman, Shideh, and her daughter, Dorsa, under the backdrop of the Iran-Iraq war. As widespread bombings shake the ground beneath their feet, the two grapple with a more insidious evil that is faceless and traceless, coming and going only with the wind. The movie’s dread-effect plays strongly on feelings of isolation and helplessness. The scares are slow and it’s obvious the director takes great care in making every single second count and in raising the unpredictableness of the action. Like the bombs, the audience never knows when or how the next apparition will materialize. The former is always on the edge of fear, wondering what is no doubt there, but is yet to be shown on the frame. In terms of significance, Under The Shadow features too many symbolisms to count and will most likely resonate with each person differently. But one thing remains relatively unarguable: this is a wonderful movie.

In the early 1990s, Singaporean teens Sandi, Jasmine, and Sophie set out to make the country’s first indie movie. Incredibly, in between college, day jobs, and very limited funding, they manage to do just that with the help of their wise but mysterious mentor, Georges. Shirkers, as the project came to be called, seemed primed to revolutionize the burgeoning Singaporean film industry. It was ambitious and bonkers, unlike anything the country has seen before, and it lovingly contained tributes to the makers' cinematic heroes (among them Wim Wenders and David Lynch). But before it could see the light of the day, before it could even be viewed and edited by the girls who conceptualized it, Shirkers’ raw footage was whisked away by Georges, who fled the country without a trace. 

The potentially pioneering film was never to be seen again—that is, until 20 years later when it resurfaces in near-mint condition (sadly, the audio could not be recovered). Fascinated by the journey of the lost film and mystified by Georges’ motives, Sandi decides to remake Shirkers as a documentary. The result is an artistic and personal interrogation into what made their small beloved film possible, how its loss affected the people behind it, and how this all led to Shirkers, the documentary, which is a testament to how art always prevails in the end. 

From countries like Finland to North Korea, this amazing documentary explores the most fascinating active volcanoes on our planet. But as it unfolds you realize that Into the Inferno is a movie as much about volcanoes as it is about the people obsessed with them. And who can be called obsessive more than the film’s own director, Werner Herzog, who, with such an explosive career had to eventually make a film about volcanos (bad pun intended). Beautiful scenery, interesting interviews, and Werner’s majestic delivery all make Into the Inferno both an interesting and satisfying documentary.

Watching Carol is like reading a really interesting book while relaxing on a Sunday afternoon. It is one of those movies that you probably heard about during its Oscar run, and have since delayed actually viewing it. Well now that it is on Netflix and other streaming services you have no excuse! It’s refreshingly unique, incredibly charming, and features a kind of story that hasn’t been told very often – a love story between two women. Both characters played by Cate Blanchett and Rooney Mara attempt to live true to their own principles while facing unjust yet severe backlash from society. If you are open to it, the love story in this will stay with you forever.

A sleek revision of the classic Charlotte Brontë novel, the 2011 version of Jane Eyre features Mia Wasikowska as the titular governess and Michael Fassbender as her employer-and-lover-with-a-secret, Rochester — both lending stunningly aggrieved performances to the tale of their burgeoning love affair. The film is somber yet wonderfully polished as it plays out their individual complexities and growing passions. This film is also notable as the sophomore directorial effort of Cary Fukunaga, who would go on to great acclaim for his work on the first season of True Detective as well as Beasts of No Nation. Fans of Fukunaga’s work are just a likely to enjoy this one as are devotees of well-crated adaptations of classic literature.

This drama is about two friends attempting to rave in 1994 Scotland, after a recent Thatcher-era law banned the act and all music “characterized by the emission of a succession of repetitive beats”.

Johnno and Spanner, one living in fear of his older brother and the other of his stepfather, want to turn things around by joining their first and probably last rave. They’re introduced to the world of illegal parties, a movement as influential as punk, that in the 1990s was born in reaction to the U.K.’s oppressive policies.